Classical music heard on 'Talking about Music with Seiji Ozawa'

~ Release by 小澤征爾 (see all versions of this release, 1 available)

Annotation

There is a book titled, "Talk About Music With Mr. Seiji Ozawa". It is a series of long-form interviews with Seiji Ozawa, the famous conductor.

In those interviews, he references specific performances. This compilation album are those performances referenced in the book.

Annotation last modified on 2024-07-30 21:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bernstein, pre-performance speech on April 6, 1962
spoken vocals:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
[concert] (1962-04-06) (concert in which Bernstein and Gould disagreed)
Leonard Bernstein4:12
2Concerto no. 1 in D minor, op. 15: 1st movement
piano:
Glenn Gould (pianist) (on 1962-04-06)
orchestra:
New York Philharmonic (on 1962-04-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-06)
recorded at:
[concert] (1962-04-06) (concert in which Bernstein and Gould disagreed)
recorded at:
Carnegie Hall: Stern Auditorium (Stern Auditorium, Main Hall) in Midtown Manhattan (on 1962-04-06)
live recording of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso (on 1962-04-06)
composer:
Johannes Brahms (German composer) (from 1854 until 1859)
part of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15
Johannes Brahms25:51
3Concerto no. 3 in C minor, op. 37: I. Allegro con brio
engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
piano:
Rudolf Serkin (pianist) (from 1982-10-02 until 1982-10-04)
orchestra:
Boston Symphony Orchestra (from 1982-10-02 until 1982-10-04)
conductor:
Seiji Ozawa (conductor and composer) (from 1982-10-02 until 1982-10-04)
recorded at:
Symphony Hall (Boston) in Boston (from 1982-10-02 until 1982-10-04)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (from 1982-10-02 until 1982-10-04)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven17:06
4Concerto no. 3 in C minor, op. 37: II. Largo
piano:
Mitsuko Uchida (pianist) (in 1994-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1994-11)
conductor:
Kurt Sanderling (conductor) (in 1994-11)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam (in 1994-11)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (in 1994-11)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven10:35
5Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro - Presto
recording engineer:
Rainer Maillard
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1997-11)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1998)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1997-11)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (in 1997-11)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:55
2▼CD
#TitleArtistRatingLength
1Symphony no. 1 in C minor, op. 68: 4th movement
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (in 2010-12)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 2010-12)
recorded at:
Carnegie Hall in Midtown Manhattan (in 2010-12)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio (in 2010-12)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms18:01
2Symphony no. 5 in E-flat major, op. 82: 3rd movement
producer:
Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-02-22 until 1965-02-24)
conductor:
Herbert von Karajan (conductor) (from 1965-02-22 until 1965-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-02-22 until 1965-02-24)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1965-02-22 until 1965-02-24)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (from 1965-02-22 until 1965-02-24)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius9:03
3Ballet Suite 'The Firebird': Finale
recording engineer:
Karl‐August Naegler (balance engineer) (on 1984-05-18)
producer:
Hanno Rinke
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1984-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-05-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Charles Bronfman Auditorium in Tel Aviv (on 1984-05-18)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (on 1984-05-18)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:32
4The Rite of Spring: Introduction
orchestra:
Boston Symphony Orchestra (in 1979-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1979-12)
recorded at:
Symphony Hall (Boston) in Boston (in 1979-12)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1979-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:15
5The Rite of Spring: Dance of the Adolescents
orchestra:
Boston Symphony Orchestra (in 1979-12)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 1979-12)
recorded at:
Symphony Hall (Boston) in Boston (in 1979-12)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (in 1979-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:24
6Symphonie Fantastique, op. 14: 4th movement
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1973-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1973-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-02)
recorded at:
Symphony Hall (Boston) in Boston (in 1973-02)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1973-02)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:08
7Symphonie Fantastique, op. 14: 4th movement
orchestra:
Saito Kinen Orchestra (from 2014-08-29 until 2014-09-02)
conductor:
Seiji Ozawa (conductor and composer) (from 2014-08-29 until 2014-09-02)
live recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 2014-08-29 until 2014-09-02)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:32
8Carmina Burana: Finale: Oh Fortuna
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Knabenchor des Staats- und Domchores Berlin and Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte (in 1988-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:25
3▼CD
#TitleArtistRatingLength
1Symphony no. 2 in C minor 'Resurrection': Conclusion of the 5th movement
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:40
2Symphony no. 8 in E-flat major 'Symphony of a Thousand': 'Mystical Chorus'
engineer:
Henk Kooistra (dutch audio engineer) (in 1980-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
James Christie (US organist) (in 1980-11)
choir vocals:
Boston Boys Choir (in 1980-11) and Tanglewood Festival Chorus (in 1980-11)
solo baritone vocals:
Benjamin Luxon (baritone) (in 1980-11)
solo bass vocals:
Gwynne Howell (operatic bass) (in 1980-11)
solo contralto vocals [Alto I]:
Florence Quivar (mezzo soprano) (in 1980-11)
solo contralto vocals [Alto II]:
Lorna Myers (in 1980-11)
solo soprano vocals [Soprano I]:
Faye Robinson (soprano) (in 1980-11)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (in 1980-11)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (in 1980-11)
orchestra:
Boston Symphony Orchestra (in 1980-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1980-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1980-11)
recorded at:
Symphony Hall (Boston) in Boston (in 1980-11)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1980-11)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:10
3Symphony no. 1 in D major 'Titan': 3rd Movement
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (in 2008-09)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 2008-09)
recorded at:
松本市音楽文化ホール (Matsumoto City Music Culture Hall) in Matsumoto (in 2008-09)
live recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 2008-09)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:37
4Symphony no. 1 in D major 'Titan': 3rd Movement
orchestra:
Boston Symphony Orchestra (in 1987-10)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 1987-10)
recorded at:
Symphony Hall (Boston) in Boston (in 1987-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1987-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:42
5War Requiem, op. 66: 'Day of Wrath'
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (in 2010-12)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 2010-12)
recorded at:
Carnegie Hall in Midtown Manhattan (in 2010-12)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 2010-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:56
6Blues Concerto: I from 'Street Music'
executive producer:
Gernot Westhäuser (Engineer)
producer:
Thomas Mowrey
orchestra:
San Francisco Symphony (in 1976-05)
conductor:
Seiji Ozawa (conductor and composer) (in 1976-05)
performer:
Corky Siegel (in 1976-05)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Calvin C. Flint Center for the Performing Arts in Cupertino (in 1976-05)
recording of:
Street Music, op. 65, "A Blues Concerto": I. (in 1976-05)
composer:
William Russo (in 1975)
part of:
Street Music, op. 65, "A Blues Concerto"
William Russo8:16
7Opera 'Cosi fan tutte', K. 588: Overture
assistant engineer:
Volker Martin (engineer) (from 1974-07-26 until 1974-08-30) and Gernot Westhäuser (Engineer) (from 1974-07-26 until 1974-08-30)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07-26 until 1974-08-30)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07-26 until 1974-08-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07-26 until 1974-08-30)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Kleines Festspielhaus in Salzburg (from 1974-07-26 until 1974-08-30)
live recording of:
Così fan tutte: Ouvertura (from 1974-07-26 until 1974-08-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:47
8Opera 'La Bohème': My Name is Mimi
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:22
9String Serenade in C major, op. 48: 1st movement
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (in 2010-09)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 2010-09)
recorded at:
松本市音楽文化ホール (Matsumoto City Music Culture Hall) in Matsumoto (in 2010-09)
live recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina (in 2010-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky7:52