Classical music heard on 'Talking about Music with Seiji Ozawa'

~ Release by 小澤征爾 (see all versions of this release, 1 available)

Annotation

There is a book titled, "Talk About Music With Mr. Seiji Ozawa". It is a series of long-form interviews with Seiji Ozawa, the famous conductor.

In those interviews, he references specific performances. This compilation album are those performances referenced in the book.

Annotation last modified on 2024-07-30 21:00 UTC.

Tracklist

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#TitleArtistRatingLength
1Symphony no. 1 in C minor, op. 68: 4th movement
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (in 2010-12)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 2010-12)
recorded at:
Carnegie Hall in Midtown Manhattan (in 2010-12)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio (in 2010-12)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms18:01
2Symphony no. 5 in E-flat major, op. 82: 3rd movement
producer:
Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-02-22 until 1965-02-24)
conductor:
Herbert von Karajan (conductor) (from 1965-02-22 until 1965-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-02-22 until 1965-02-24)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1965-02-22 until 1965-02-24)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (from 1965-02-22 until 1965-02-24)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius9:03
3Ballet Suite 'The Firebird': Finale
recording engineer:
Karl‐August Naegler (balance engineer) (on 1984-05-18)
producer:
Hanno Rinke
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1984-05-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-05-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Charles Bronfman Auditorium in Tel Aviv (on 1984-05-18)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (on 1984-05-18)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:32
4The Rite of Spring: Introduction
orchestra:
Boston Symphony Orchestra (in 1979-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1979-12)
recorded at:
Symphony Hall (Boston) in Boston (in 1979-12)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1979-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:15
5The Rite of Spring: Dance of the Adolescents
orchestra:
Boston Symphony Orchestra (in 1979-12)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 1979-12)
recorded at:
Symphony Hall (Boston) in Boston (in 1979-12)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (in 1979-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:24
6Symphonie Fantastique, op. 14: 4th movement
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1973-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1973-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-02)
recorded at:
Symphony Hall (Boston) in Boston (in 1973-02)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1973-02)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:08
7Symphonie Fantastique, op. 14: 4th movement
orchestra:
Saito Kinen Orchestra (from 2014-08-29 until 2014-09-02)
conductor:
Seiji Ozawa (conductor and composer) (from 2014-08-29 until 2014-09-02)
live recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 2014-08-29 until 2014-09-02)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:32
8Carmina Burana: Finale: Oh Fortuna
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Knabenchor des Staats- und Domchores Berlin and Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte (in 1988-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:25
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