Hey, Mr. Producer! The Musical World of Cameron Mackintosh

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Salad Days: We Said We Wouldn’t Look Back
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
We Said We Wouldn’t Look Back (from 1998-06-07 until 1998-06-08)
lyricist:
Dorothy Reynolds (lyricist) and Julian Slade (English composer)
composer:
Julian Slade (English composer)
publisher:
Francis, Day & Hunter Ltd.
part of:
Salad Days
Julian Slade0:44
2Cats: Cats Overture
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Overture (Cats) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Faber Music and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber2:08
3Oliver! Food Glorious Food
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Food Glorious Food (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Workhouse Children3:35
4My Fair Lady: Wouldn’t It Be Loverly?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Gillian Lynne (from 1998-06-07 until 1998-06-08) and Liz Robertson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Wouldn’t It Be Loverly (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Liz Robertson, Gillian Lynne & Company1:55
5My Fair Lady: Quit Professor Higgins
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Poor Professor Higgins (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
My Fair Lady (full musical)
Company0:39
6My Fair Lady: The Rain in Spain
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08), Liz Robertson (from 1998-06-07 until 1998-06-08) and Donald Sinden (actor) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Rain in Spain (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Jonathan Pryce, Liz Robertson & Donald Sinden1:47
7My Fair Lady: Get Me to the Church on Time
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Peter Bayliss (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Get Me to the Church on Time (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Peter Bayliss & Company3:47
8My Fair Lady: I’ve Grown Accustomed to Her Face
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08) and Liz Robertson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Jonathan Pryce & Liz Robertson5:37
9Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Julie Andrews1:04
10The Fix: One Two Three
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
John Barrowman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
One Two Three (from "The Fix") (from 1998-06-07 until 1998-06-08)
lyricist:
John Dempsey
composer:
Dana P. Rowe
John Barrowman1:20
11Little Shop of Horrors: Little Shop of Horrors
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Wendy Mae Brown (from 1998-06-07 until 1998-06-08), Dawn Hope (from 1998-06-07 until 1998-06-08) and Femi Taylor (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Prologue (Little Shop Of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Wendy Mae Brown, Dawn Hope & Femi Taylor0:48
12Little Shop of Horrors: Somewhere That’s Green
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Ellen Greene (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Somewhere That’s Green (Little Shop of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Ellen Greene3:42
13Little Shop of Horrors: Suddenly Seymour
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Ellen Greene (from 1998-06-07 until 1998-06-08) and Teddy Kempner (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Suddenly Seymour (Little Shop of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Ellen Greene & Teddy Kempner2:15
14Godspell: Day by Day
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Day by Day (Godspell) (from 1998-06-07 until 1998-06-08)
lyricist, composer and arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
Godspell (Stephen Schwartz musical)
Company1:45
15Anything Goes: I Get a Kick Out of You
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
piano:
Laurie Holloway (from 1998-06-07 until 1998-06-08)
vocals:
Marion Montgomery (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I Get a Kick Out of You (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Marion Montgomery & Laurie Holloway1:39
16Song & Dance: Variations
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
cello:
Julian Lloyd Webber (cellist) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Variations (Lloyd Webber, on theme by Paganini) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
part of:
Song & Dance (Andrew Lloyd Webber musical)
Julian Lloyd Webber & Company1:29
17Song & Dance: Unexpected Song
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Unexpected Song (Song & Dance – new for 2003) (from 1998-06-07 until 1998-06-08)
lyricist:
Don Black (English lyricist) and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Steam Power Music Ltd. and The Really Useful Group Ltd. (not for release label use!)
part of:
Song & Dance (Andrew Lloyd Webber musical)
Bernadette Peters4:52
18The Boy Friend: Nicer in Nice
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jasna Ivir (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Nicer in Nice (The Boy Friend) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Sandy Wilson (English composer and lyricist)
part of:
The Boy Friend
Jasna Ivir & Company3:14
19Lauder: I Love a Lassie
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jimmy Logan (Scottish performer, producer, impresario and director) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
performer:
ScottishPower Pipe Band (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I Love a Lassie (from 1998-06-07 until 1998-06-08)
writer:
Gerald Grafton and Sir Harry Lauder
Jimmy Logan & the Scottish Power Pipe Band3:58
20Five Guys Named Moe: Five Guys Named Moe / Is You Is or Is You Ain’t My Baby?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Kye Brackett (from 1998-06-07 until 1998-06-08), Trent Kendall (from 1998-06-07 until 1998-06-08), Monroe Kent III (from 1998-06-07 until 1998-06-08), Jason Pennycooke (from 1998-06-07 until 1998-06-08), Clarke Peters (US actor/singer) (from 1998-06-07 until 1998-06-08) and Richard D Sharp (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live medley including a recording of:
Five Guys Named Moe (from 1998-06-07 until 1998-06-08)
writer:
Jerome Jerry Bresler and Larry Wynn
live medley including a recording of:
Is You Is or Is You Ain’t My Baby? (from 1998-06-07 until 1998-06-08)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, volume I)
Kevyn Brackett, Trent Kendall, Monroe Kent III, Jason Pennycooke, Clarke Peters & Richard D Sharp5:14
21Oliver! Pick a Pocket
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Russ Abbot (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
You’ve Got to Pick a Pocket or Two (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Co. Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Russ Abbot, Oliver, Dodger & Gang4:23
22Oliver! As Long as He Needs Me
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Sonia Swaby (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
As Long as He Needs Me (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Sonia Swaby3:46
23Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Julie Andrews0:34
24Martin Guerre: I’m Martin Guerre
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I'm Martin Guerre (from "Martin Guerre") (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Stephen Clark
composer:
Claude‐Michel Schönberg
part of:
Martin Guerre (musical)
David Campbell1:42
25Martin Guerre: How Many Tears?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
How Many Tears? (from "Martin Guerre") (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Stephen Clark
composer:
Claude‐Michel Schönberg
part of:
Martin Guerre (musical)
Maria Friedman3:41
26Miss Saigon: The Heat Is On in Saigon
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Heat Is On in Saigon (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
David Campbell, Lea Salonga & Company1:41
27Miss Saigon: The Wedding
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Wedding Ceremony (Dju vui vai) (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Female Company1:08
28Miss Saigon: Last Night of the World
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Last Night of the World (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
David Campbell & Lea Salonga1:48
29Miss Saigon: This Is the Hour
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
This Is the Hour (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Company1:27
30Miss Saigon: American Dream
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The American Dream (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Jonathan Pryce & Company5:17
2▼CD
#TitleArtistRatingLength
1The Phantom of the Opera: The Phantom of the Opera
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Lisa Vroman (from 1998-06-07 until 1998-06-08) and Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Phantom of the Opera (Christine, The Phantom) (from 1998-06-07 until 1998-06-08)
additional lyricist:
Mike Batt
lyricist:
Charles Hart (British lyricist) and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
revision of:
The Phantom of the Opera (lyrics without Charles Hart’s words)
Lisa Vroman & Colm Wilkinson3:01
2The Phantom of the Opera: Music of the Night
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Music of the Night (The Phantom of the Opera) (from 1998-06-07 until 1998-06-08)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Colm Wilkinson4:36
3Follies: Broadway Baby
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08) and Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Follies: Broadway Baby (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
WB Music Corp. (1929–2019)
part of:
Follies
Maria Friedman, Julia McKenzie, Bernadette Peters & The Broadway Babies3:53
4Oklahoma! Oh, What a Beautiful Mornin’
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Hugh Jackman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (from 1998-06-07 until 1998-06-08)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Hugh Jackman2:45
5Carousel: Carousel Waltz / Ballet
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Carousel Waltz / Ballet (from 1998-06-07 until 1998-06-08)
composer:
Richard Rodgers (composer)
Vadim Bondar, Dana Stackpole & Company5:33
6Carousel: Porch Scene
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
spoken vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08), Barbara King (UK musical theatre performer) (from 1998-06-07 until 1998-06-08), Joanna Riding (from 1998-06-07 until 1998-06-08) and Dana Stackpole (from 1998-06-07 until 1998-06-08)
vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
If I Loved You (Carousel) (from 1998-06-07 until 1998-06-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Hal Fowler & Joanna Riding, Dana Stackpole & Barbara King3:14
7Carousel: You’ll Never Walk Alone
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Joanna Riding (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
You’ll Never Walk Alone (Carousel) (from 1998-06-07 until 1998-06-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Joanna Riding & Company1:55
8Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Ned Sherrin0:50
9Company: Side by Side
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Kernan (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08) and Ned Sherrin (English broadcaster, author and stage director.) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Company: Side by Side by Side (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation
part of:
Company
David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin & Stephen Sondheim1:10
10Company: You Could Drive a Person Crazy
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Company: You Could Drive a Person Crazy (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation
part of:
Company
Maria Friedman, Ruthie Henshall, Millicent Martin & Lea Salonga2:45
11A Little Night Music: Send in the Clowns
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Judi Dench (actress) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Send In the Clowns (A Little Night Music) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Judi Dench4:34
12Follies: Losing My Mind
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Follies: Losing My Mind (Follies) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation (ended) and Herald Square Music, Inc.
part of:
Follies
Michael Ball3:32
13Company: Being Alive
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Company: Being Alive (from 1998-06-07 until 1998-06-08)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
Bernadette Peters2:35
14Gypsy: You’ve Gotta Have a Gimmick
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08), Judi Dench (actress) (from 1998-06-07 until 1998-06-08), Maria Friedman (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), David Kernan (from 1998-06-07 until 1998-06-08), Millicent Martin (from 1998-06-07 until 1998-06-08), Julia McKenzie (English actress, singer, presenter, and theatre director) (from 1998-06-07 until 1998-06-08), Bernadette Peters (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
You Gotta Have a Gimmick (from “Gypsy”) (from 1998-06-07 until 1998-06-08)
lyricist:
Stephen Sondheim
composer:
Jule Styne
part of:
Gypsy
Ruthie Henshall, Julia McKenzie, Bernadette Peters, Michael Ball, Judi Dench, Maria Friedman, David Kernan, Millicent Martin & Lea Salonga4:18
15Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Stephen Sondheim0:42
16Duelling Pianos
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
piano:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (from 1998-06-07 until 1998-06-08) and Stephen Sondheim (from 1998-06-07 until 1998-06-08)
vocals:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (from 1998-06-07 until 1998-06-08) and Stephen Sondheim (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
recording of:
Duelling Pianos (medley of parodies of Sondheim's and Lloyd Webber's musical hits) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Stephen Sondheim
parody version of:
Send In the Clowns (A Little Night Music)
parody version of:
The Music of the Night (The Phantom of the Opera)
Andrew Lloyd Webber & Stephen Sondheim3:10
17Tom Foolery: Poisoning Pigeons in the Park
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Tom Lehrer (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
music videos:
Poisoning Pigeons in the Park (live, 1998-06: Lyceum Theater, London, UK) by Tom Lehrer
live recording of:
Poisoning Pigeons in the Park (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Tom Lehrer
publisher:
Maelstrom Music (Tom Lehrer’s publisher)
part of:
Tomfoolery
Tom Lehrer3:37
18Cats: Jellicle Songs
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Brian Blessed (English actor) (from 1998-06-07 until 1998-06-08) and Paul Nicholas (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Song of the Jellicles (from 1998-06-07 until 1998-06-08)
additional lyricist:
Trevor Nunn
lyricist:
T. S. Eliot
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Cats (Andrew Lloyd Webber musical)
Brian Blessed, Paul Nicholas & Company5:15
19Cats: Memory
recording engineer:
David Hamilton-Smith (engineer)
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Elaine Paige
vocals:
Elaine Paige (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
David Firman (conductor) and Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981) and Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Memory (Cats) (from 1998-06-07 until 1998-06-08)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:10
20Les Misérables: At the End of the Day
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
At the End of the Day (Poor, Workers, Factory Girls, Fantine, Valjean, Foreman) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
translated version of:
La journée est finie
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Company1:36
21Les Misérables: Stars
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Philip Quast (Australian actor and singer) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Stars (Javert, Gavroche) (from 1998-06-07 until 1998-06-08)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Philip Quast2:05
22Les Misérables: Do You Hear the People Sing?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Hal Fowler (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Do You Hear the People Sing? (Enjolras, Combeferre, Courfeyrac, Students, Feuilly, The People) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
translated version of:
À la volonté du peuple
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Hal Fowler & Company1:16
23Les Misérables: On My Own
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
On My Own (Éponine) (from 1998-06-07 until 1998-06-08)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Lea Salonga2:00
24Les Misérables: Bring Him Home
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Colm Wilkinson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Bring Him Home (Valjean) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Colm Wilkinson1:43
25Les Misérables: One Day More
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) (from 1998-06-07 until 1998-06-08), Hal Fowler (from 1998-06-07 until 1998-06-08), Ruthie Henshall (from 1998-06-07 until 1998-06-08), Tammi Jacobs (from 1998-06-07 until 1998-06-08), Teddy Kempner (from 1998-06-07 until 1998-06-08), Philip Quast (Australian actor and singer) (from 1998-06-07 until 1998-06-08), Lea Salonga (from 1998-06-07 until 1998-06-08), Colm Wilkinson (from 1998-06-07 until 1998-06-08) and Marie Zamora (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
One Day More (Valjean, Marius, Cosette, Éponine, Enjolras, Javert, Thénardier, Madame Thénardier, Students, Company) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
version of:
Demain (Final 2e acte)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Marie Zamora & Company3:22
26Salad Days: We Said We Wouldn’t Look Back
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Cameron Mackintosh (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
We Said We Wouldn’t Look Back (from 1998-06-07 until 1998-06-08)
lyricist:
Dorothy Reynolds (lyricist) and Julian Slade (English composer)
composer:
Julian Slade (English composer)
publisher:
Francis, Day & Hunter Ltd.
part of:
Salad Days
Cameron Mackintosh1:30

Credits

Release

printed in:U.S.A.