Hey, Mr. Producer! The Musical World of Cameron Mackintosh

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Salad Days: We Said We Wouldn’t Look Back
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
We Said We Wouldn’t Look Back (from 1998-06-07 until 1998-06-08)
lyricist:
Dorothy Reynolds (lyricist) and Julian Slade (English composer)
composer:
Julian Slade (English composer)
publisher:
Francis, Day & Hunter Ltd.
part of:
Salad Days
Julian Slade0:44
2Cats: Cats Overture
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Overture (Cats) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Faber Music and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber2:08
3Oliver! Food Glorious Food
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Food Glorious Food (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Workhouse Children3:35
4My Fair Lady: Wouldn’t It Be Loverly?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Gillian Lynne (from 1998-06-07 until 1998-06-08) and Liz Robertson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Wouldn’t It Be Loverly (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Liz Robertson, Gillian Lynne & Company1:55
5My Fair Lady: Quit Professor Higgins
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Poor Professor Higgins (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
My Fair Lady (full musical)
Company0:39
6My Fair Lady: The Rain in Spain
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08), Liz Robertson (from 1998-06-07 until 1998-06-08) and Donald Sinden (actor) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Rain in Spain (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Jonathan Pryce, Liz Robertson & Donald Sinden1:47
7My Fair Lady: Get Me to the Church on Time
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Peter Bayliss (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Get Me to the Church on Time (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Peter Bayliss & Company3:47
8My Fair Lady: I’ve Grown Accustomed to Her Face
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08) and Liz Robertson (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (from 1998-06-07 until 1998-06-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Jonathan Pryce & Liz Robertson5:37
9Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Julie Andrews1:04
10The Fix: One Two Three
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
John Barrowman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
One Two Three (from "The Fix") (from 1998-06-07 until 1998-06-08)
lyricist:
John Dempsey
composer:
Dana P. Rowe
John Barrowman1:20
11Little Shop of Horrors: Little Shop of Horrors
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Wendy Mae Brown (from 1998-06-07 until 1998-06-08), Dawn Hope (from 1998-06-07 until 1998-06-08) and Femi Taylor (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Prologue (Little Shop Of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Wendy Mae Brown, Dawn Hope & Femi Taylor0:48
12Little Shop of Horrors: Somewhere That’s Green
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Ellen Greene (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Somewhere That’s Green (Little Shop of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Ellen Greene3:42
13Little Shop of Horrors: Suddenly Seymour
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Ellen Greene (from 1998-06-07 until 1998-06-08) and Teddy Kempner (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Suddenly Seymour (Little Shop of Horrors) (from 1998-06-07 until 1998-06-08)
lyricist:
Howard Ashman
composer:
Alan Menken
part of:
Little Shop of Horrors (1982 musical)
part of:
Little Shop of Horrors (2019 musical revival)
Ellen Greene & Teddy Kempner2:15
14Godspell: Day by Day
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Day by Day (Godspell) (from 1998-06-07 until 1998-06-08)
lyricist, composer and arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
Godspell (Stephen Schwartz musical)
Company1:45
15Anything Goes: I Get a Kick Out of You
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
piano:
Laurie Holloway (from 1998-06-07 until 1998-06-08)
vocals:
Marion Montgomery (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I Get a Kick Out of You (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Marion Montgomery & Laurie Holloway1:39
16Song & Dance: Variations
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
cello:
Julian Lloyd Webber (cellist) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live partial recording of:
Variations (Lloyd Webber, on theme by Paganini) (from 1998-06-07 until 1998-06-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
part of:
Song & Dance (Andrew Lloyd Webber musical)
Julian Lloyd Webber & Company1:29
17Song & Dance: Unexpected Song
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Bernadette Peters (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Unexpected Song (Song & Dance – new for 2003) (from 1998-06-07 until 1998-06-08)
lyricist:
Don Black (English lyricist) and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Steam Power Music Ltd. and The Really Useful Group Ltd. (not for release label use!)
part of:
Song & Dance (Andrew Lloyd Webber musical)
Bernadette Peters4:52
18The Boy Friend: Nicer in Nice
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jasna Ivir (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Nicer in Nice (The Boy Friend) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Sandy Wilson (English composer and lyricist)
part of:
The Boy Friend
Jasna Ivir & Company3:14
19Lauder: I Love a Lassie
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jimmy Logan (Scottish performer, producer, impresario and director) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
performer:
ScottishPower Pipe Band (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I Love a Lassie (from 1998-06-07 until 1998-06-08)
writer:
Gerald Grafton and Sir Harry Lauder
Jimmy Logan & the Scottish Power Pipe Band3:58
20Five Guys Named Moe: Five Guys Named Moe / Is You Is or Is You Ain’t My Baby?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Kye Brackett (from 1998-06-07 until 1998-06-08), Trent Kendall (from 1998-06-07 until 1998-06-08), Monroe Kent III (from 1998-06-07 until 1998-06-08), Jason Pennycooke (from 1998-06-07 until 1998-06-08), Clarke Peters (US actor/singer) (from 1998-06-07 until 1998-06-08) and Richard D Sharp (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live medley including a recording of:
Five Guys Named Moe (from 1998-06-07 until 1998-06-08)
writer:
Jerome Jerry Bresler and Larry Wynn
live medley including a recording of:
Is You Is or Is You Ain’t My Baby? (from 1998-06-07 until 1998-06-08)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, volume I)
Kevyn Brackett, Trent Kendall, Monroe Kent III, Jason Pennycooke, Clarke Peters & Richard D Sharp5:14
21Oliver! Pick a Pocket
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Russ Abbot (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
You’ve Got to Pick a Pocket or Two (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Co. Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Russ Abbot, Oliver, Dodger & Gang4:23
22Oliver! As Long as He Needs Me
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Sonia Swaby (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
As Long as He Needs Me (Oliver!) (from 1998-06-07 until 1998-06-08)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Sonia Swaby3:46
23Introduction
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
Julie Andrews0:34
24Martin Guerre: I’m Martin Guerre
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
I'm Martin Guerre (from "Martin Guerre") (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Stephen Clark
composer:
Claude‐Michel Schönberg
part of:
Martin Guerre (musical)
David Campbell1:42
25Martin Guerre: How Many Tears?
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Maria Friedman (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
How Many Tears? (from "Martin Guerre") (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Stephen Clark
composer:
Claude‐Michel Schönberg
part of:
Martin Guerre (musical)
Maria Friedman3:41
26Miss Saigon: The Heat Is On in Saigon
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Heat Is On in Saigon (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
David Campbell, Lea Salonga & Company1:41
27Miss Saigon: The Wedding
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The Wedding Ceremony (Dju vui vai) (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Female Company1:08
28Miss Saigon: Last Night of the World
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
David Campbell (Australian singer) (from 1998-06-07 until 1998-06-08) and Lea Salonga (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
Last Night of the World (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
David Campbell & Lea Salonga1:48
29Miss Saigon: This Is the Hour
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
This Is the Hour (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Company1:27
30Miss Saigon: American Dream
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
vocals:
Jonathan Pryce (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London) (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith (in 1998-07)
live recording of:
The American Dream (Miss Saigon) (from 1998-06-07 until 1998-06-08)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Miss Saigon
Jonathan Pryce & Company5:17
2▶CD

Credits

Release

printed in:U.S.A.