Us and Them: Symphonic Pink Floyd

~ Veröffentlichung von London Philharmonic Orchestra (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Time
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Time (in 1995)
Texter:
Roger Waters
Komponist(in):
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
8:13
2Brain Damage
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Brain Damage (in 1995)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16), World Copyrights Ltd. und Hampshire House Publishing Corp. (in 1973)
25:14
3Another Brick in the Wall, Part II
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Another Brick in the Wall, Part 2 (in 1995)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Pink Floyd Music Publishers Inc. (in 1979)
Teil von:
Another Brick in the Wall
28:28
4Comfortably Numb
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
zusätzlich Akustikgitarre:
Gilbert Biberian
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei:
Olympic Studios (1966–2009) in Barnes (Akustikgitarre) und The Town House in Shepherd's Bush
additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Comfortably Numb (in 1995)
Texter:
Roger Waters
Komponist(in):
David Gilmour (Pink Floyd) und Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Pink Floyd Music Publishers Inc. (in 1979)
Revision von:
The Doctor (Comfortably Numb)
5:27
5Breathe
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
zusätzlich Pedal-Steel-Gitarre:
BJ Cole
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei:
Olympic Studios (1966–2009) in Barnes (Pedal-Steel-Gitarre) und The Town House in Shepherd's Bush
additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Breathe (Pink Floyd song) (in 1995)
Texter:
Roger Waters
Komponist(in):
David Gilmour (Pink Floyd) und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16), World Copyrights Ltd. und Hampshire House Publishing Corp. (in 1973)
4:04
6Money
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Money (in 1995)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM (music publisher), Pathe‐Marconi (not for release label use! consider “Pathé” instead), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
6:46
7The Great Gig in the Sky
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
The Great Gig in the Sky (in 1995)
Komponist(in):
Clare Torry und Richard Wright (Pink Floyd keyboardist)
publisher:
KPM (music publisher), Pink Floyd Music Publishers Ltd., TRO-Hampshire House Publishing Corp., World Copyrights Ltd. und Hampshire House Publishing Corp. (in 1973)
Version von:
The Mortality Sequence
5:11
8Nobody Home
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Richard Lowe (UK producer/engineer) und Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
zusätzlich Geige / Violine:
Aboud Abdel Al
zusätzlich Klavier:
Stephen Small (Musician)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei:
Hook End Manor (Sarm Hook End) in Checkendon (Geige / Violine), Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Nobody Home (in 1995)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Pink Floyd Music Publishers Inc. (in 1979)
6:26
9Us and Them
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Us and Them (in 1995)
Texter:
Roger Waters
Komponist(in):
Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
basiert auf:
The Riot Scene
basiert auf:
The Violent Sequence
11:38
10Time (The Old Tree With Winding Roots Behind the Lake of Dreams mix)
Programmierung:
Garry Hughes, Johan (Musician) und Paul Taylor (production music composer)
assistierende(r) Techniker(in):
Rupert Coulson (sound engineer)
Techniker(in):
Nigel Walton
Audio-Engineering:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
Mix:
Hugo Nicolson
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographisches Urheberrecht (℗) von:
Point Music (mostly classical & film scores) (in 1995)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
zusätzlich aufgenommen bei und additionally mixed at:
Olympic Studios (1966–2009) in Barnes und The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) und Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Time (in 1995)
Texter:
Roger Waters
Komponist(in):
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
210:42

Nennungen

Veröffentlichung

mastering:Michael Riesman (American composer, conductor, keyboardist)