Us and Them: Symphonic Pink Floyd

~ Release by London Philharmonic Orchestra (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Time
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Time (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Hampshire House Publishing Corp. (in 1973)
8:13
2Brain Damage
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Brain Damage (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16), World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
25:14
3Another Brick in the Wall, Part II
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Another Brick in the Wall, Part 2 (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
28:28
4Comfortably Numb
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional acoustic guitar:
Gilbert Biberian
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Olympic Studios (1966–2009) in Barnes (acoustic guitar) and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Comfortably Numb (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
revision of:
The Doctor (Comfortably Numb)
5:27
5Breathe
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional pedal steel guitar:
BJ Cole
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Olympic Studios (1966–2009) in Barnes (pedal steel guitar) and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Breathe (Pink Floyd song) (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16), World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
4:04
6Money
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Money (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM (music publisher), Pathe‐Marconi (not for release label use! consider “Pathé” instead), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Hampshire House Publishing Corp. (in 1973)
6:46
7The Great Gig in the Sky
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
The Great Gig in the Sky (in 1995)
composer:
Clare Torry and Richard Wright (Pink Floyd keyboardist)
publisher:
KPM (music publisher), Pink Floyd Music Publishers Ltd., TRO-Hampshire House Publishing Corp., World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
version of:
The Mortality Sequence
5:11
8Nobody Home
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Richard Lowe (UK producer/engineer) and Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional piano:
Stephen Small (Musician)
additional violin:
Aboud Abdel Al
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Hook End Manor (Sarm Hook End) in Checkendon (violin), Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Nobody Home (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
6:26
9Us and Them
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Us and Them (in 1995)
lyricist:
Roger Waters
composer:
Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Hampshire House Publishing Corp. (in 1973)
is based on:
The Riot Scene
is based on:
The Violent Sequence
11:38
10Time (The Old Tree With Winding Roots Behind the Lake of Dreams mix)
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes and The Town House in Shepherd's Bush
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead
edited at:
Big Life Studios, Chop ’em Out in London (Greater London) and Hook End Manor (Sarm Hook End) in Checkendon
instrumental cover recording of:
Time (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Hampshire House Publishing Corp. (in 1973)
210:42

Credits

Release

mastering:Michael Riesman (American composer, conductor, keyboardist)