Edexcel AS/A level Anthology of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Cantata ‘Ein feste Burg ist unser Gott’ BWV 80: Movement 1. Chorus ‘Ein feste Burg ist unser Gott’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg (on 2000-10-31)
live recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
J. S. Bach5:11
2Cantata ‘Ein feste Burg ist unser Gott’ BWV 80: Movement 2. Aria and chorale ‘Alles, was von Gott geboren’
bass vocals:
Peter Harvey (bass-baritone) (on 2000-10-31)
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg (on 2000-10-31)
live recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (on 2000-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
J. S. Bach3:19
3Cantata ‘Ein feste Burg ist unser Gott’ BWV 80: Movement 8. Chorale ‘Das Wort sie sollen lassen stahn’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-31)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-31)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-31)
recorded at:
Schlosskirche in Wittenberg (on 2000-10-31)
live recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (on 2000-10-31)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
J. S. Bach1:21
4Die Zauberflöte, Excerpts from Act 1: No. 4, Recit and Aria ‘O zittre nicht, mein lieber Sohn’
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Mozart4:42
5Die Zauberflöte, Excerpts from Act 1: No. 5, Quintet ‘Hm! Hm! Hm! Hm!’
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Mozart6:08
6On Wenlock Edge: No. 1 ‘On Wenlock Edge’
instruments:
Britten Sinfonia (in 2012-05)
piano:
Huw Watkins (British composer and pianist) (in 2012-05)
tenor vocals:
Mark Padmore (British tenor) (in 2012-05)
conductor:
Jacqueline Shave (violinist) (in 2012-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead (in 2012-05)
recording of:
On Wenlock Edge: I. On Wenlock Edge (for voice, string quartet and piano) (in 2012-05)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer) (in 1909)
part of:
On Wenlock Edge (for voice, string quartet and piano)
Vaughan Williams3:42
7On Wenlock Edge: No. 3 ‘Is My Team Ploughing?’
instruments:
Britten Sinfonia (in 2012-05)
piano:
Huw Watkins (British composer and pianist) (in 2012-05)
tenor vocals:
Mark Padmore (British tenor) (in 2012-05)
conductor:
Jacqueline Shave (violinist) (in 2012-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead (in 2012-05)
recording of:
On Wenlock Edge: III. Is my team ploughing (for voice, string quartet and piano) (in 2012-05)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer) (in 1909)
part of:
On Wenlock Edge (for voice, string quartet and piano)
Vaughan Williams3:38
8On Wenlock Edge: No. 5 ‘Bredon Hill’
instruments:
Britten Sinfonia (in 2012-05)
piano:
Huw Watkins (British composer and pianist) (in 2012-05)
tenor vocals:
Mark Padmore (British tenor) (in 2012-05)
conductor:
Jacqueline Shave (violinist) (in 2012-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead (in 2012-05)
recording of:
On Wenlock Edge: V. Bredon Hill (for voice, string quartet and piano) (in 2012-05)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer) (in 1909)
part of:
On Wenlock Edge (for voice, string quartet and piano)
Vaughan Williams7:24
9Concerto in D minor, op. 3 no. 11, RV 565: Allegro
engineer:
Matteo Costa (engineer, producer)
producer:
Gian Andrea Lodovici
cello:
Mauro Valli (Italian cellist)
violin:
Fiorenza de Donatis (violinist) and Stefano Montanari (violinist and conductor)
orchestra:
Accademia Bizantina (from 2001-03-21 until 2001-03-28)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2001-03-21 until 2001-03-28)
recorded at:
Sala del Refettorio di S.Vitale (Museo Nationale of San Vitale) in Ravenna (from 2001-03-21 until 2001-03-28)
partial recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: I. Allegro – Adagio e spiccato – Allegro (from 2001-03-21 until 2001-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi0:43
10Concerto in D minor, op. 3 no. 11, RV 565: Adagio e spiccato – Allegro
engineer:
Matteo Costa (engineer, producer)
producer:
Gian Andrea Lodovici
cello:
Mauro Valli (Italian cellist)
violin:
Fiorenza de Donatis (violinist) and Stefano Montanari (violinist and conductor)
orchestra:
Accademia Bizantina (from 2001-03-21 until 2001-03-28)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2001-03-21 until 2001-03-28)
recorded at:
Sala del Refettorio di S.Vitale (Museo Nationale of San Vitale) in Ravenna (from 2001-03-21 until 2001-03-28)
partial recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: I. Allegro – Adagio e spiccato – Allegro (from 2001-03-21 until 2001-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi3:19
11Concerto in D minor, op. 3 no. 11, RV 565: Largo e spiccato
engineer:
Matteo Costa (engineer, producer)
producer:
Gian Andrea Lodovici
cello:
Mauro Valli (Italian cellist)
violin:
Fiorenza de Donatis (violinist) and Stefano Montanari (violinist and conductor)
orchestra:
Accademia Bizantina (from 2001-03-21 until 2001-03-28)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2001-03-21 until 2001-03-28)
recorded at:
Sala del Refettorio di S.Vitale (Museo Nationale of San Vitale) in Ravenna (from 2001-03-21 until 2001-03-28)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato (from 2001-03-21 until 2001-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi2:31
12Concerto in D minor, op. 3 no. 11, RV 565: Allegro
engineer:
Matteo Costa (engineer, producer)
producer:
Gian Andrea Lodovici
cello:
Mauro Valli (Italian cellist)
violin:
Fiorenza de Donatis (violinist) and Stefano Montanari (violinist and conductor)
orchestra:
Accademia Bizantina (from 2001-03-21 until 2001-03-28)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2001-03-21 until 2001-03-28)
recorded at:
Sala del Refettorio di S.Vitale (Museo Nationale of San Vitale) in Ravenna (from 2001-03-21 until 2001-03-28)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: III. Allegro (from 2001-03-21 until 2001-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi2:09
13Piano Trio in G minor, op. 17: Movement 1C. Schumann11:02
14Symphonie fantastique: Movement 1
orchestra:
Orchestre national de Lyon (from 2011-08-31 until 2011-09-01)
conductor:
Leonard Slatkin (conductor) (from 2011-08-31 until 2011-09-01)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 2011-08-31 until 2011-09-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Berlioz414:34
2CD
#TitleArtistRatingLength
1Psycho: ‘Prelude’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Prelude
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:55
2Psycho: ‘The City’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The City
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann2:12
3Psycho: ‘Marion’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Marion
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:36
4Psycho: ‘The Murder’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Murder
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:03
5Psycho: ‘The Toys’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Toys
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:01
6Psycho: ‘The Cellar’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Cellar
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:06
7Psycho: ‘Discovery’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Discovery
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann0:41
8Psycho: ‘Finale’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Finale
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:32
9The Duchess: ‘The Duchess’ (opening)
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
The Duchess
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman1:41
10The Duchess: ‘Mistake of Your Life’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Mistake of Your Life
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman3:27
11The Duchess: ‘Six Years Later’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Six Years Later
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:33
12The Duchess: ‘Never See Your Children Again’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Never See Your Children Again
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:02
13The Duchess: ‘The Duchess’ (end titles)
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
End Titles
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:08
14Batman Returns: ‘Birth of a Penguin Part 1’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Birth of a Penguin, Part 1 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman2:27
15Batman Returns: ‘Birth of a Penguin Part 2’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Birth of a Penguin, Part 2 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman3:09
16Batman Returns: ‘Batman vs the Circus’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Batman vs. The Circus (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman2:36
17Batman Returns: ‘The Rise and Fall from Grace’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
The Rise and Fall From Grace, Part 1 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman1:42
18Revolver: ‘Eleanor Rigby’
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
guest cello:
Norman Jones (Cello) (on 1966-04-28) and Derek Simpson (cellist) (on 1966-04-28)
guest viola:
Stephen Shingles (on 1966-04-28) and John Underwood (violist) (on 1966-04-28)
guest violin:
Tony Gilbert (violinist) (on 1966-04-28), Jurgen Hess (violinist) (on 1966-04-28), Sidney Sax (violinist and concertmaster) (on 1966-04-28) and John Sharpe (violinist) (on 1966-04-28)
background vocals:
George Harrison (The Beatles) (on 1966-04-29), John Lennon (The Beatles) (on 1966-04-29) and Paul McCartney (The Beatles) (on 1966-06-06)
lead vocals:
Paul McCartney (The Beatles) (on 1966-04-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1987, in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-04-28) and Abbey Road Studios: Studio 3 in St John's Wood (on 1966-04-29, on 1966-06-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92)
recording of:
Eleanor Rigby (from 1966-04-28 until 1966-06-06)
written in:
London (Greater London) (in 1965) and Weybridge (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood (in 1966)
The Beatles4.052:04
19Revolver: ‘Here, There and Everywhere’
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
acoustic guitar and bass guitar:
Paul McCartney (The Beatles) (on 1966-06-16)
drums (drum set):
Ringo Starr (The Beatles) (on 1966-06-16)
finger snaps:
George Harrison (The Beatles) (on 1966-06-16), John Lennon (The Beatles) (on 1966-06-16), Paul McCartney (The Beatles) (on 1966-06-16) and Ringo Starr (The Beatles) (on 1966-06-16)
guitar:
George Harrison (The Beatles) (from 1966-06-16 until 1966-06-17)
background vocals:
George Harrison (The Beatles) (on 1966-06-16), John Lennon (The Beatles) (on 1966-06-16) and Paul McCartney (The Beatles) (on 1966-06-16)
lead vocals:
Paul McCartney (The Beatles) (from 1966-06-16 until 1966-06-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-06-16, on 1966-06-17)
recording of:
Here, There and Everywhere (from 1966-06-16 until 1966-06-17)
written in:
Weybridge (in 1966-06)
writer:
John Lennon (The Beatles) (in 1966-06) and Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles4.12:23
20Revolver: ‘I Want to Tell You’
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar and piano:
Paul McCartney (The Beatles) (on 1966-06-03)
drums (drum set) and maracas:
Ringo Starr (The Beatles) (on 1966-06-02)
guitar and lead vocals:
George Harrison (The Beatles) (on 1966-06-02)
handclaps:
George Harrison (The Beatles) (on 1966-06-02), John Lennon (The Beatles) (on 1966-06-02), Paul McCartney (The Beatles) (on 1966-06-02) and Ringo Starr (The Beatles) (on 1966-06-02)
tambourine:
John Lennon (The Beatles) (on 1966-06-02)
background vocals:
John Lennon (The Beatles) (on 1966-06-02) and Paul McCartney (The Beatles) (on 1966-06-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-06-02, on 1966-06-03)
recording of:
I Want to Tell You (from 1966-06-02 until 1966-06-03)
lyricist and composer:
George Harrison (The Beatles) (in 1966)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
The Beatles3.82:26
21Revolver: ‘Tomorrow Never Knows’
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
Paul McCartney (The Beatles) (on 1966-04-06)
drums (drum set):
Ringo Starr (The Beatles) (on 1966-04-06)
guitar:
Paul McCartney (The Beatles) (on 1966-04-22)
organ and lead vocals:
John Lennon (The Beatles) (on 1966-04-22)
piano:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1966-04-22)
tambourine:
Ringo Starr (The Beatles) (on 1966-04-22)
tambura:
George Harrison (The Beatles) (on 1966-04-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (on 1966-04-06, on 1966-04-07) and Abbey Road Studios: Studio 2 in St John's Wood (on 1966-04-22)
recording of:
Tomorrow Never Knows (from 1966-04-06 until 1966-04-22)
written in:
Trinidad (in 1966-01)
writer:
Paul McCartney (The Beatles) and John Lennon (The Beatles) (in 1966-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
The Beatles4.552:59
22Back in the Day: ‘Lady Day and (John Coltrane)’
lead vocals:
Lynden David Hall
cover recording of:
Lady Day & John Coltrane
lyricist and composer:
Gil Scott‐Heron
Courtney Pine4:57
23Back in the Day: ‘Inner State (of Mind)’
background vocals and lead vocals:
Eska Mtungwazi (UK singer/songwriter Eska Mtungwazi)
vocals:
Blak Twang and MC Mell'O'
Courtney Pine4:41
24Back in the Day: ‘Love and Affection’
background vocals:
London Community Gospel Choir
lead vocals:
Kele Le Roc
Courtney Pine4:50
25Hounds of Love: ‘Cloudbusting’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) and Charlie Morgan (British drummer and percussionist)
strings:
The Medici Sextet
background vocals:
Brian Bath, John Carder Bush, Paddy Bush and Del Palmer
vocals:
Kate Bush
strings arranger:
Dave Lawson (UK keyboardist & composer)
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
Cloudbusting
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush45:04
26Hounds of Love: ‘And Dream of Sheep’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
bouzouki:
Dónal Lunny
whistle:
John Sheahan
spoken vocals:
Hannah Bush
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
And Dream of Sheep
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush4.152:46
27Hounds of Love: ‘Under Ice’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
spoken vocals:
Hannah Bush
vocals:
Kate Bush and Paddy Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
Under Ice
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush4.152:21
3CD
#TitleArtistRatingLength
1Estampes: No. 1 ‘Pagodes’
piano:
Pascal Rogé (pianist) (from 2005-12-28 until 2005-12-30)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds (from 2005-12-28 until 2005-12-30)
recording of:
Estampes, L. 100: I. Pagodes. Modérément animé (for piano) (from 2005-12-28 until 2005-12-30)
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Debussy5:32
2Estampes: No. 2 ‘La soirée dans Grenade’
piano:
Pascal Rogé (pianist) (from 2005-12-28 until 2005-12-30)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds (from 2005-12-28 until 2005-12-30)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera (from 2005-12-28 until 2005-12-30)
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Debussy5:40
3Breathing Under Water: ‘Burn’
drum machine [drum] programming:
Karsh Kale (Indian-American experimental tabla musician)
programming:
Jayant Luthra and Gaurav Raina
additional engineer:
יונתן דגן (Jonathan Dagan) (in 2007-03: lead vocals [vocals])
engineer:
Gautam Kaul (in 2006-08, from 2007-01 until 2007-02), Aftab Khan (Sound engineer) (in 2006-08), Jayant Luthra (in 2006-08, from 2007-01 until 2007-02), John Stewart (engineer/musician) (in 2006-08) and Ben Moore (San Diego based engineer) (in 2006-09)
co-producer:
Salim Merchant
producer:
Karsh Kale (Indian-American experimental tabla musician), Gaurav Raina and Anoushka Shankar
mixer:
Gaurav Raina
bass guitar [bass], drums (drum set) [live drums], keyboard [keyboards] and synthesizer [synths]:
Karsh Kale (Indian-American experimental tabla musician)
piano and sitar:
Anoushka Shankar
sarangi:
Dilshaad Khan
solo cello:
Shekhar
strings:
Bombay Cinematic Orchestra and Salim Merchant
vocals:
Noa Lembersky
strings [string] arranger:
Karsh Kale (Indian-American experimental tabla musician) and Salim Merchant
orchestrator:
Satya Hinduja
additionally recorded at:
J.Viewz Studios in Tel Aviv (in 2007-03: lead vocals [vocals])
recorded at:
Blue Productions in Mumbai (in 2006-08), Midival Studios in New Delhi (in 2006-08, from 2007-01 until 2007-02) and Big Fish Studios in Encinitas (in 2006-09)
Anoushka Shankar5:44
4Breathing Under Water: ‘Breathing Under Water’
assistant engineer:
Akshaya Pandit (in 2006-08)
engineer:
Gautam Kaul (in 2006-08, from 2007-01 until 2007-02), Aftab Khan (Sound engineer) (in 2006-08), Jayant Luthra (in 2006-08, from 2007-01 until 2007-02), John Stewart (engineer/musician) (in 2006-08) and Ben Moore (San Diego based engineer) (in 2006-09)
co-producer:
Salim Merchant
producer:
Karsh Kale (Indian-American experimental tabla musician), Gaurav Raina and Anoushka Shankar
mixer:
Gaurav Raina
keyboard [keyboards]:
Karsh Kale (Indian-American experimental tabla musician)
sitar:
Anoushka Shankar
strings:
Bombay Cinematic Orchestra and Salim Merchant
vocals:
Sunidhi Chauhan
strings [string] arranger:
Salim Merchant
orchestrator:
Satya Hinduja
recorded at:
Blue Productions in Mumbai (in 2006-08), Midival Studios in New Delhi (in 2006-08, from 2007-01 until 2007-02), The Ravi Shankar Centre Studio in New Delhi (in 2006-08) and Big Fish Studios in Encinitas (in 2006-09)
Anoushka Shankar2:29
5Caña quema: ‘Se quema la chumbambá’
Familia Valera Miranda4:57
6Caña quema: ‘Allá va candela’
Familia Valera Miranda4:27
7Three Dances for Two Prepared Pianos: Dance no. 1
prepared piano:
Pascal Meyer and Xenia Pestova Bennett (also Xenia Pestova)
recording of:
Three Dances: Dance No. 1
composer:
John Cage (American composer) (from 1944 until 1945)
part of:
Three Dances
Cage6:18
8Petals for Cello Solo and Optional Electronics
recording engineer:
David Poissonnier (from 2004-09-12 until 2004-09-14)
producer:
Kaisa Pousset
cello:
Alexis Descharmes (from 2004-09-12 until 2004-09-14)
recorded at:
Espace de projection (IRCAM) in Paris (from 2004-09-12 until 2004-09-14)
recording of:
Petals (for cello with optional live electronics) (from 2004-09-12 until 2004-09-14)
composer:
Kaija Saariaho (Finnish composer) (in 1988)
dedicated to:
Anssi Karttunen (cellist)
premiered at:
[concert] (1988-05-18)
publisher:
Edition Wilhelm Hansen
Saariaho10:42
9Le sacre du printemps: ‘Introduction’
orchestra:
London Symphony Orchestra
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Stravinsky3:42
10Le sacre du printemps: ‘Les augures printaniers’
orchestra:
London Symphony Orchestra
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Stravinsky4:05
11Le sacre du printemps: ‘Jeu du rapt’
orchestra:
London Symphony Orchestra
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Stravinsky1:22

Credits

Release

mastering:Panphonic Productions
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
publisher:Edition Peters
Faber Music
copyrighted (©) by:Pearson Education Limited (in 2016)
ASIN:UK: 1292118377 [info]