Edexcel AS/A level Anthology of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Psycho: ‘Prelude’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Prelude
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:55
2Psycho: ‘The City’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The City
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann2:12
3Psycho: ‘Marion’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Marion
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:36
4Psycho: ‘The Murder’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Murder
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:03
5Psycho: ‘The Toys’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Toys
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:01
6Psycho: ‘The Cellar’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
The Cellar
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:06
7Psycho: ‘Discovery’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Discovery
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann0:41
8Psycho: ‘Finale’
recording engineer:
Geoff Foster (sound engineer) (on 1996-09-05)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow (on 1996-09-05)
recording of:
Finale
composer:
Bernard Herrmann (composer)
part of:
Psycho
Herrmann1:32
9The Duchess: ‘The Duchess’ (opening)
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
The Duchess
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman1:41
10The Duchess: ‘Mistake of Your Life’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Mistake of Your Life
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman3:27
11The Duchess: ‘Six Years Later’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Six Years Later
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:33
12The Duchess: ‘Never See Your Children Again’
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
Never See Your Children Again
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:02
13The Duchess: ‘The Duchess’ (end titles)
recording engineer and mixer:
Chris Dibble (engineer)
assistant engineer:
Jan Holzner
editor:
Yann McCullough (engineer, composer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
David Snell (British harpist and conductor, library music)
phonographic copyright (℗) by:
Lakeshore Records LLC.
recording of:
End Titles
orchestrator:
Jeff Atmajian and Rachel Portman (English score composer)
composer:
Rachel Portman (English score composer)
part of:
The Duchess
Portman2:08
14Batman Returns: ‘Birth of a Penguin Part 1’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Birth of a Penguin, Part 1 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman2:27
15Batman Returns: ‘Birth of a Penguin Part 2’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Birth of a Penguin, Part 2 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman3:09
16Batman Returns: ‘Batman vs the Circus’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
Batman vs. The Circus (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman2:36
17Batman Returns: ‘The Rise and Fall from Grace’
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Sue McLean and Sharon Rice (Los Angeles sound engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
editor:
Bob Badami, Bill Bernstein and Dave Collins (US mastering engineer)
conductor:
Jonathan Sheffer
orchestrator:
Steve Bartek
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sony Music Scoring (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
mixed at:
CBS Television City in Los Angeles
edited at:
A&M Studios in Hollywood
recording of:
The Rise and Fall From Grace, Part 1 (Batman Returns)
composer:
Danny Elfman (American singer and score composer)
part of:
Batman Returns
Elfman1:42
18Revolver: ‘Eleanor Rigby’
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
guest cello:
Norman Jones (Cello) (on 1966-04-28) and Derek Simpson (cellist) (on 1966-04-28)
guest viola:
Stephen Shingles (on 1966-04-28) and John Underwood (violist) (on 1966-04-28)
guest violin:
Tony Gilbert (violinist) (on 1966-04-28), Jurgen Hess (violinist) (on 1966-04-28), Sidney Sax (violinist and concertmaster) (on 1966-04-28) and John Sharpe (violinist) (on 1966-04-28)
background vocals:
George Harrison (The Beatles) (on 1966-04-29), John Lennon (The Beatles) (on 1966-04-29) and Paul McCartney (The Beatles) (on 1966-06-06)
lead vocals:
Paul McCartney (The Beatles) (on 1966-04-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 1987, in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-04-28) and Abbey Road Studios: Studio 3 in St John's Wood (on 1966-04-29, on 1966-06-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92)
recording of:
Eleanor Rigby (from 1966-04-28 until 1966-06-06)
written in:
London (Greater London) (in 1965) and Weybridge (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood (in 1966)
The Beatles4.052:04
19Revolver: ‘Here, There and Everywhere’
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
acoustic guitar and bass guitar:
Paul McCartney (The Beatles) (on 1966-06-16)
drums (drum set):
Ringo Starr (The Beatles) (on 1966-06-16)
finger snaps:
George Harrison (The Beatles) (on 1966-06-16), John Lennon (The Beatles) (on 1966-06-16), Paul McCartney (The Beatles) (on 1966-06-16) and Ringo Starr (The Beatles) (on 1966-06-16)
guitar:
George Harrison (The Beatles) (from 1966-06-16 until 1966-06-17)
background vocals:
George Harrison (The Beatles) (on 1966-06-16), John Lennon (The Beatles) (on 1966-06-16) and Paul McCartney (The Beatles) (on 1966-06-16)
lead vocals:
Paul McCartney (The Beatles) (from 1966-06-16 until 1966-06-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-06-16, on 1966-06-17)
recording of:
Here, There and Everywhere (from 1966-06-16 until 1966-06-17)
written in:
Weybridge (in 1966-06)
writer:
John Lennon (The Beatles) (in 1966-06) and Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles4.12:23
20Revolver: ‘I Want to Tell You’
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar and piano:
Paul McCartney (The Beatles) (on 1966-06-03)
drums (drum set) and maracas:
Ringo Starr (The Beatles) (on 1966-06-02)
guitar and lead vocals:
George Harrison (The Beatles) (on 1966-06-02)
handclaps:
George Harrison (The Beatles) (on 1966-06-02), John Lennon (The Beatles) (on 1966-06-02), Paul McCartney (The Beatles) (on 1966-06-02) and Ringo Starr (The Beatles) (on 1966-06-02)
tambourine:
John Lennon (The Beatles) (on 1966-06-02)
background vocals:
John Lennon (The Beatles) (on 1966-06-02) and Paul McCartney (The Beatles) (on 1966-06-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood (on 1966-06-02, on 1966-06-03)
recording of:
I Want to Tell You (from 1966-06-02 until 1966-06-03)
lyricist and composer:
George Harrison (The Beatles) (in 1966)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
The Beatles3.82:26
21Revolver: ‘Tomorrow Never Knows’
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
Paul McCartney (The Beatles) (on 1966-04-06)
drums (drum set):
Ringo Starr (The Beatles) (on 1966-04-06)
guitar:
Paul McCartney (The Beatles) (on 1966-04-22)
organ and lead vocals:
John Lennon (The Beatles) (on 1966-04-22)
piano:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1966-04-22)
tambourine:
Ringo Starr (The Beatles) (on 1966-04-22)
tambura:
George Harrison (The Beatles) (on 1966-04-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (on 1966-04-06, on 1966-04-07) and Abbey Road Studios: Studio 2 in St John's Wood (on 1966-04-22)
recording of:
Tomorrow Never Knows (from 1966-04-06 until 1966-04-22)
written in:
Trinidad (in 1966-01)
writer:
Paul McCartney (The Beatles) and John Lennon (The Beatles) (in 1966-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
The Beatles4.552:59
22Back in the Day: ‘Lady Day and (John Coltrane)’
lead vocals:
Lynden David Hall
cover recording of:
Lady Day & John Coltrane
lyricist and composer:
Gil Scott‐Heron
Courtney Pine4:57
23Back in the Day: ‘Inner State (of Mind)’
background vocals and lead vocals:
Eska Mtungwazi (UK singer/songwriter Eska Mtungwazi)
vocals:
Blak Twang and MC Mell'O'
Courtney Pine4:41
24Back in the Day: ‘Love and Affection’
background vocals:
London Community Gospel Choir
lead vocals:
Kele Le Roc
Courtney Pine4:50
25Hounds of Love: ‘Cloudbusting’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) and Charlie Morgan (British drummer and percussionist)
strings:
The Medici Sextet
background vocals:
Brian Bath, John Carder Bush, Paddy Bush and Del Palmer
vocals:
Kate Bush
strings arranger:
Dave Lawson (UK keyboardist & composer)
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
Cloudbusting
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush45:04
26Hounds of Love: ‘And Dream of Sheep’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
bouzouki:
Dónal Lunny
whistle:
John Sheahan
spoken vocals:
Hannah Bush
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
And Dream of Sheep
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush4.152:46
27Hounds of Love: ‘Under Ice’
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
spoken vocals:
Hannah Bush
vocals:
Kate Bush and Paddy Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin
recording of:
Under Ice
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush4.152:21
3CD

Credits

Release

mastering:Panphonic Productions
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
publisher:Edition Peters
Faber Music
copyrighted (©) by:Pearson Education Limited (in 2016)
ASIN:UK: 1292118377 [info]