The Yellow Guide: Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1
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1Missa papae marcelli, Kyrie
producer:
Dr Gerd Ploebsch (engineer)
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1985-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1985-02)
recording of:
Missa Papae Marcelli: I. Kyrie (in 1985-02)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina4:05
2L’Orfeo: Act I. “In questo lieto e fortunato giorno”
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (soprano) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood (in 1985-12)
recording of:
L'Orfeo: Atto primo. In questo lieto e fortunato giorno (Pastore) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Muse, onor di Parnaso (Ninfa) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:36
3“The Four Seasons”, op. 8: Concerto no. 4 in F minor, RV 297, “Winter”: I. Allegro non molto
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1993-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1993-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights (in 1993-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1993-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:24
4Messiah: “Hallelujah Chorus”
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02
5Suite no. 3 in D major, BWV 1068: II. Air
producer and balance engineer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1985-05)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-05)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne) (in 1985-05)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach54:40
6String Quartet no. 62 in C major “Emperor”, op. 76 no. 3: II. Poco adagio. Cantabile
producer and balance engineer:
Wolfgang Mitlehner
cello:
Martin Lovett (cellist) (in 1982-11)
string quartet:
Amadeus Quartet (in 1982-11)
viola:
Peter Schidlof (violist) (in 1982-11)
violin [violin I]:
Norbert Brainin (violinist) (in 1982-11)
violin [violin II]:
Siegmund Nissel (violinist) (in 1982-11)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1982-11)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1982-11)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:56
7Requiem, K. 626: Lacrimosa
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:22
8Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer and balance engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hans Weber (producer/engineer)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Los Angeles Philharmonic (in 1981-11)
conductor:
Carlo Maria Giulini (conductor) (in 1981-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (from 1982 to present)
recorded at:
Royce Hall in Los Angeles (in 1981-11)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1981-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
9Caprice no. 24 in A minor
producer:
Wolfgang Stengel
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1981-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1981-12)
recorded at:
Friedrich-Ebert-Halle in Hamburg (in 1981-12)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1981-12)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini6:24
10William Tell Overture (excerpt)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:15
11Piano Quintet in A major, D. 667 “The Trout”: IV. Andantino - Allegretto
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1975-08 until 1975-09)
double bass:
Rainer Zepperitz (German double bass player) (from 1975-08 until 1975-09)
piano:
Emil Gilels (pianist) (from 1975-08 until 1975-09)
string trio:
Amadeus Quartet (from 1975-08 until 1975-09)
viola:
Peter Schidlof (violist) (from 1975-08 until 1975-09)
violin:
Norbert Brainin (violinist) (from 1975-08 until 1975-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
Turun konserttitalo (Turku Concert Hall) in Turku (from 1975-08 until 1975-09)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1975-08 until 1975-09)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert8:01
12Symphonie Fantastique, op. 14: II. Un bal
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
editor:
Jürgen Bulgrin (sound engineer) and Reinhard Lagemann
orchestra:
The Cleveland Orchestra (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland (in 1996-03)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1996-03)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:07
13A Midsummer Night’s Dream, op. 61: IX. Wedding March
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:12
14Étude, op. 25 no. 6 in G-sharp minor
piano:
Ivo Pogorelich (pianist) (in 1981-02)
recorded at:
Herkulessaal in München (Munich) (in 1981-02)
recording of:
Étude in G‐sharp minor, op. 25 no. 6 “Thirds”: Allegro (in 1981-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 31) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 78)
part of:
Études, op. 25
Frédéric Chopin2:18
15Kinderszenen, op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
2▼CD: 2
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1Hungarian Rhapsody no. 6 in D-flat major
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover) (in 1960-07) and Beethovensaal (Hannover) in Hannover (Hanover) (from 1960-07-04 until 1960-07-08: piano)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:25
2Die Walkure: "Ride of the Valkyries" (Act III)
mezzo-soprano vocals [Rossweisse]:
Anne Wilkens (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Schwertleite]:
Ruthild Engert (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Siegrune]:
Diane Kesling (operatic mezzo-soprano) (in 1988)
mezzo-soprano vocals [Waltraute]:
Reinhild Runkel (in 1988)
soprano vocals [Gerhilde]:
Marita Napier (in 1988)
soprano vocals [Grimgerde]:
Meredith Parsons (in 1988)
soprano vocals [Helmwige]:
Linda Kelm (in 1988)
soprano vocals [Ortlinde]:
Marilyn Mims (operatic soprano) (in 1988)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist) (in 1988)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:47
3Nabucco: "Va Pensiero, Sull'Ali Dorate" (Chorus of the Hebrew Slaves) (Act III)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:57
4The Bartered Bride - Overture
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Klaus Behrens (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-06)
conductor:
James Levine (US conductor and pianist) (in 1986-06)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1986-06)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1986-06)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:37
5Te Deum: 1st Movement "Te Deum"
producer:
Wolfgang Lohse
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1965-07)
bass vocals:
Peter Lagger (operatic bass singer) (in 1965-07)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1965-07)
contralto vocals:
Sieglinde Wagner (contralto) (in 1965-07)
soprano vocals:
Maria Stader (soprano) (in 1965-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1965-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-07)
conductor:
Eugen Jochum (conductor) (in 1965-07)
chorus master:
Walter Hagen-Groll (chorus master) (in 1965-07)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1965-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1965-07)
recording of:
Te Deum in C major: I. Te Deum. Allegro moderato (in 1965-07)
composer:
Anton Bruckner (Austrian composer) (until 1884-03-07)
part of:
Te Deum in C major
Anton Bruckner6:01
6The Blue Danube, op. 314
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (conductor) (from 1980-06-13 until 1980-12-04)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-13 until 1980-12-04)
recorded at:
Berliner Philharmonie in Mitte (from 1980-06-13 until 1980-12-04)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1980-06-13 until 1980-12-04)
premiered in:
Wien (Vienna) (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II511:48
7Symphony no. 3 in F major op. 90: 3rd Movement (Poco allegretto)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-09)
conductor:
Claudio Abbado (conductor) (in 1989-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte (in 1989-09)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (in 1989-09)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:31
8Carnival of the Animals - The Swan
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:54
9Carmen - Habanera
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978) and Teresa Berganza (mezzo-soprano) (in 1978)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08, in 1978)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:26
10Pictures at an Exhibition: "The Grand Gate of Kiev"
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago (in 1976-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский5:47
11Symphony no. 5 in E minor op. 64: 3rd Movement (Valse)
assistant engineer:
Reinhard Lagemann (in 1995-04)
producer:
Christian Gansch (conductor)
editor:
Martin Derner
orchestra:
Russian National Orchestra (in 1995-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1995-04)
balance engineer:
Rainer Maillard (in 1995-04)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1995-04)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1995-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:52
12Symphony no. 9 in E minor op. 95 "From the New World": 2nd Movement (Largo)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:09
13Peer Gynt op. 23: "In the Hall of the Mountain King"
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1992-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg (in 1992-08)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1992-08)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:00
3▼CD: 3
#TitleArtistRatingLength
1Madama Butterfly: "Un Bel di Vedremo" (Act II)
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:01
2Symphony no. 5: 4th Movement (Adagietto)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:01
3Préludes Book II: "Feux D'Artifice"
producer and editor:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 1991-08)
balance engineer:
Helmut Burk (in 1991-08)
recorded at:
Kassel, Stadthalle, Festsaal in Kassel (in 1991-08)
live recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:28
4Also Sprach Zarathustra op. 30: Introduction
engineer:
Günter Hermanns (producer/engineer) (in 1983-09)
producer:
Werner Mayer (classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-29 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-29 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-29 until 1983-09-30)
recorded at:
Berliner Philharmonie in Mitte (from 1983-09-29 until 1983-09-30)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1983-09-29 until 1983-09-30)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:42
5Valse Triste op. 44/1
executive producer:
Günther Breest (producer for classical music)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte (from 1984-02-19 until 1984-02-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:00
6Gymnopédie no. 1
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase (in 1995-04)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1995-04)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Rurik Satie3:04
7Rhapsody on a Theme of Paganini op. 43: Variation no. 18
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов53:22
8Pavane Pour Une Infante Défunte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1985-06)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1985-06)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:37
9Concerto for Orchestra: 2nd Movement
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:24
10The Firebird: "Infernal Dance"
producer:
Lennart Dehn
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1992-09)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1992-09)
balance engineer:
Wolfgang Mitlehner (in 1992-09)
recorded at:
Opéra Bastille in Paris (in 1992-09)
edit of:
L'Oiseau de feu: III. Danse infernale du roi Kachtcheï by Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
partial recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1992-09)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский3:55
11Lulu Suite: "Lied Der Lulu"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham (in 1970-12)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (in 1970-12)
composer:
Alban Berg (Austrian composer) (in 1934)
dedicated to:
Anton v. Webern zum 50. Geburtstag (composer)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:56
12Romeo and Juliet op. 64: "Dance of the Knights"
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:22
13Cuban Overture
producer:
Christopher Alder (editor/engineer/producer)
piano:
James Levine (US conductor and pianist) (in 1990-07)
orchestra:
Chicago Symphony Orchestra (in 1990-07)
conductor:
James Levine (US conductor and pianist) (in 1990-07)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Symphony Center (Chicago) in Chicago (in 1990-07) and Symphony Center: Orchestra Hall in Chicago (in 1990-07)
recording of:
Cuban Overture (in 1990-07)
composer:
George Gershwin (composer) (from 1932-07 until 1932-08)
publisher:
New World Music Corp.
included in:
An American in Paris (2015 Broadway musical)
George Gershwin9:49
14Violin Concerto: 1st Movement
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (violinist) (in 1992-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-02)
conductor:
Christoph von Dohnányi (German conductor) (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1992-02)
recording of:
Violin Concerto no. 1: I. ♩ = 104 — ♩ = 120 (in 1992-02)
composer:
Philip Glass (US composer & pianist) (in 1987)
part of:
Violin Concerto no. 1
Philip Glass6:36