Classic Rock Gold (BMG club edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:30
2Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (percussionist) (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana4.153:58
3American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
Guess Who4.15:07
4All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group)
produttore aggiunto:
John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free) (nel 1970)
basso elettrico e pianoforte :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke (nel 1970)
chitarra :
Paul Kossoff (nel 1970)
voce:
Paul Rodgers
voce principale:
Paul Rodgers (nel 1970)
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill (nel 1970) e Trident Studios (London, UK) in Soho (nel 1970)
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 27)
registrazione di:
All Right Now (nel 1970)
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:31
5Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:24
6Walk Away
tecnico:
Kenneth Hamann (engineer), Bill Szymczyk e Eddie Youngblood
produttore:
James Gang (US rock group) e Bill Szymczyk
basso :
Dale Peters (nel 1970)
batteria :
Jim Fox (American percussionist) (nel 1970)
chitarra e voce principale:
Joe Walsh (Eagles/James Gang) (nel 1970)
registrazione di:
Walk Away (nel 1970)
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
The James Gang23:35
7Maggie May
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
raccolta di:
Henry di Rod Stewart e Maggie May (without “Henry” prelude) di Rod Stewart
video musicali:
Maggie May di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 130) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 141)
registrazione di:
Henry (prelude to “Maggie May”) (nel 1971-01)
compositore:
Martin Quittenton (guitarist for Steamhammer)
registrazione di:
Maggie May (nel 1971-01)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.155:46
8I’d Love to Change the World
produttore:
Chris Wright (co-founder of Chrysalis Records)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1998)
registrazione di:
I’d Love to Change the World
paroliere e compositore:
Alvin Lee
Ten Years After4.553:44
9Long Cool Woman (in a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:17
10Frankenstein
produttore:
Rick Derringer
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 97)
registrazione di:
Frankenstein
compositore:
Edgar Winter
editore:
Longitude Music (conclusa), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Edgar Winter Group44:46
11Saturday Night’s Alright for Fighting
tecnico:
David Hentschel
produttore:
Gus Dudgeon
batteria :
Nigel Olsson (nel 1973-05)
chitarra basso :
Dee Murray (nel 1973-05)
chitarra elettrica :
Davey Johnstone (nel 1973-05)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1973-05)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1973)
registrata presso:
Château d'Hérouville in Hérouville (nel 1973-05)
registrazione di:
Saturday Night’s Alright for Fighting (nel 1973-05)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John3.754:55
12We’re an American Band
assistente tecnico di registrazione:
Seth Snyder
tecnico e produttore:
Todd Rundgren
basso :
Mel Schacher
batteria e percussione :
Don Brewer (drummer for Grand Funk Railroad)
chitarra , chitarra acustica , congas e pianoforte elettrico :
Mark Farner
clavinet , moog , organo e pianoforte :
Craig Frost
voce:
Don Brewer (drummer for Grand Funk Railroad) e Mark Farner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1987, nel 1991)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 99) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
We’re an American Band
paroliere e compositore:
Don Brewer (drummer for Grand Funk Railroad)
editore:
Brew Music Company
Grand Funk4.153:26
13Rocky Mountain Way
produttore:
Bill Szymczyk e Joe Walsh (Eagles/James Gang)
batteria , percussione , pianoforte e pianoforte elettrico :
Joe Vitale (dal 1972 al 1973)
chitarra e chitarra basso :
Kenny Passarelli (Bass, piano) (dal 1972 al 1973) e Joe Walsh (Eagles/James Gang) (dal 1972 al 1973)
sintetizzatore e voce principale:
Joe Walsh (Eagles/James Gang) (dal 1972 al 1973)
tastiera :
Rocke Grace (dal 1972 al 1973), Joe Vitale (dal 1972 al 1973) e Joe Walsh (Eagles/James Gang) (dal 1972 al 1973)
voce di accompagnamento:
Rocke Grace (dal 1972 al 1973) e Kenny Passarelli (Bass, piano) (dal 1972 al 1973)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1973)
registrazione di:
Rocky Mountain Way (dal 1972 al 1973)
autore:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale e Joe Walsh (Eagles/James Gang)
editore:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:16
14China Grove
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood
registrazione di:
China Grove
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:16
15Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum
mixata presso:
IBC Studios in London (Greater London)
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:25
16Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:41
17You Ain’t Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle
mixata presso:
Sound City Studios in Van Nuys
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman Turner Overdrive4.653:52
2▼CD
#TitoloArtistaValutazioneDurata
1Bad Company
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra :
Mick Ralphs (nel 1973-11)
pianoforte :
Paul Rodgers (nel 1973-11)
voce:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes
registrazione di:
Bad Company (nel 1973-11)
autore:
Simon Kirke e Paul Rodgers
editore:
Badco Music, Inc.
Bad Company3.454:44
2Hair of the Dog
tecnico di registrazione:
Tony Taverner
tecnico di registrazione aggiunto e tecnico di missaggio aggiunto:
John Punter
produttore:
Manny Charlton (singer-songwriter and guitarist)
batteria :
Darrell Sweet (drummer and songwriter)
chitarra e sintetizzatore :
Manny Charlton (singer-songwriter and guitarist)
chitarra basso :
Pete Agnew (singer-songwriter and bassist)
voce di accompagnamento:
Pete Agnew (singer-songwriter and bassist) e Darrell Sweet (drummer and songwriter)
voce principale:
Dan McCafferty (singer, songwriter)
editore:
Intersong Music
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), USM Copyrights Ltd. (nel 2010), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Associated Recording Studios in London (Greater London) e Escape Studios in Kent
registrazione di:
Hair of the Dog
autore:
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) e Darrell Sweet (drummer and songwriter)
editore:
Carlin Music Corporation e Mountain Music Ltd.
Nazareth3.54:10
3Never Been Any Reason
produttore:
Roger Boyd
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975)
registrazione di:
Never Been Any Reason
paroliere e compositore:
Mike Somerville (guitarist for Head East)
Head East5:11
4Slow Ride (single version)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1975) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1976)
edit di:
Slow Ride (long version) di Foghat
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.53:57
5Show Me the Way (live)
produttore:
Peter Frampton
batteria [drums] :
John Siomos
chitarra :
Peter Frampton e Bob Mayo (US session keyboardist & guitarist)
chitarra basso :
Stanley Sheldon (bass player)
organo , piano Rhodes e pianoforte a coda :
Bob Mayo (US session keyboardist & guitarist)
talk box :
Peter Frampton
voce:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) e Stanley Sheldon (bass player)
arrangiatore:
Peter Frampton
diritti fonografici (℗) detenuti da:
A&M Records (nel 1976)
registrazione dal vivo di:
Show Me the Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e United Artists Music Co., Inc.
Peter Frampton3.74:39
6(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:10
7Cold as Ice (single version)
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:19
8Cat Scratch Fever
tecnico:
Tim Geelan e Wayne Tarnowski
produttore:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman e Tom Werman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (numero: 12) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 32)
registrazione di:
Cat Scratch Fever
paroliere e compositore:
Ted Nugent
editore:
IQ Music Ltd., Magicland Music e Round Hill Works
Ted Nugent3.453:40
9Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London) (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
10Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
11I Want You to Want Me (live)
tecnico di registrazione:
鈴木智雄 (Tomoo Suzuki) (dal 1978-04-28 al 1978-04-30)
assistente tecnico:
Mike Beriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Cheap Trick e Jack Douglas
tecnico di missaggio:
Cheap Trick, Gary Ladinsky (engineer) e Jay Messina (nel 1978)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), EPC (nel 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (nel 1978, nel 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Nippon Budokan in Kitanomaru Kōen (dal 1978-04-28 al 1978-04-30)
mixata presso:
The Record Plant (New York) in Midtown Manhattan (nel 1978)
registrazione dal vivo di:
I Want You to Want Me (dal 1978-04-28 al 1978-04-30)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick3.853:42
12Hold On Loosely
tecnico:
“Lightnin’ Rod” Mills e Gregory M. Quesnel
produttore:
Rodney Mills
produttore associato:
Don Barnes e Jeff Carlisi
batteria :
Jack Grondin e Steve Brookins
chitarra :
Don Barnes e Jeff Carlisi
chitarra basso :
Larry Junstrom
voce di accompagnamento:
Don Barnes e Carol Veto
voce principale:
Don Barnes e Donnie Van Zant
diritti fonografici (℗) detenuti da:
A&M Records (nel 1980), A&M Records, Inc. (nel 1980), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1981, nel 1987), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (nel 2001) e Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (nel 2003)
registrata presso e mixata presso:
Studio One (Doraville, GA) in Doraville
registrazione di:
Hold On Loosely
autore:
Jeff Carlisi, James Peterik e Richard Donald Barnes
editore:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs e WB Music Corp. (1929–2019)
.38 Special3.84:40
13Lunatic Fringe
produttore:
Richard Landis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 78) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 82)
registrazione di:
Lunatic Fringe
paroliere e compositore:
Tom Cochrane (of Red Rider)
Red Rider54:22
14White Wedding – Pt. 1
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:13
15Rock You Like a Hurricane
tecnico:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) e Gerd Rautenbach
produttore:
Dieter Dierks
tecnico di missaggio:
Mike Beiriger, Dieter Dierks e Scorpions (German rock band)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1984)
chitarra acustica e chitarra elettrica :
Rudolf Schenker (nel 1984)
chitarra basso :
Francis Buchholz (nel 1984)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1984) e Rudolf Schenker (nel 1984)
chitarra slide :
Matthias Jabs (nel 1984)
voce di accompagnamento:
Francis Buchholz (nel 1984), Matthias Jabs (nel 1984), Klaus Meine (nel 1984), Herman Rarebell (drummer, Germany) (nel 1984) e Rudolf Schenker (nel 1984)
voce principale:
Klaus Meine (nel 1984)
arrangiatore:
Dieter Dierks
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 1984, nel 2015, nel 2018), Breeze Music (nel 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1984) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1984)
registrata presso:
Dierks Studios in Pulheim (dal 1983 al 1984)
parte di:
Alan Cross: Hurricane Songs (numero: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 18) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 36)
registrazione di:
Rock You Like a Hurricane (nel 1984)
paroliere:
Klaus Meine e Herman Rarebell (drummer, Germany)
compositore:
Rudolf Schenker
editore:
Arabella Music Edition München, Arabella Musikverlag GmbH e Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:13
16Here I Go Again
produttore:
Kevin Elson, Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
basso elettrico :
Neil Murray (British bass guitar player)
batteria e percussione :
Aynsley Dunbar
chitarra elettrica e voce di accompagnamento:
John Sykes
chitarra elettrica solista :
Adrian Vandenberg
tastiera e tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e Whitesnake Productions (Overseas) Ltd. (nel 1987)
mixata presso:
Goodnight LA Studios in Van Nuys
video musicali:
Here I Go Again ’87 di Whitesnake
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 17)
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.054:35

Accreditamenti

Pubblicazione

stampata a:U.S.A.
tecnico di mastering:Gavin Lurssen (American mastering engineer)