Tag “baroque”
~ Tag
Registrazioni taggate come “baroque”
11.701 registrazioni trovate
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XVIII. Aria "Come l'erba in vago prato" (Nice) di Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XX. Aria "Dell' alma superba" (Alcindo) di Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXI. Recitativo "Alcindo, Alcindo" (Eurilla) di Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXII. Aria "La dolce auretta" (Eurilla) di Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIII. Recitativo "Non dileggiarmi più" (Alcindo) di Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIV. Aria "L'altero bianco giglio" (Alcindo) di Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIX. Recitativo "Nò, non fingo" (Alcindo, Eurilla) di Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXV. Recitativo "Dove,dimmi, o indiscreto" (Nice) di Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVI. Aria "Di Cocito nell' orrido Regno" (Nice) di Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVII. Recitativo "Almen fingi d'amarmi" (Eurilla, Alcindo) di Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVIII. Aria "Vorresti lusingarmi" (Eurilla) di Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXX. Coro "Si punisca" di Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
- 1 - “Schafe können sicher weiden” (Sheep May Safely Graze), BWV 208 (for cello and orchestra) di Yo‐Yo Ma (cellist), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
- 1 - "Spring" Concerto in E major RV 269 - II. Largo e pianissimo sempre di Musici di San Marco (an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
- 1 - "Spring" Concerto in E major RV 269 - III. Danza pastorale: Allegro di I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), Slovak Chamber Orchestra, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Bohdan Warchal (violinist, conductor)
- 1 - "Summer" Concerto in G minor RV 315 - I. Allegro non molto di Musici di San Marco (an Alfred Scholz pseudonym), Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto (Portuguese composer and conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Bohdan Warchal (violinist, conductor)
- 1 - "Summer" Concerto in G minor RV 315 - II. Adagio - Presto di Musici di San Marco (an Alfred Scholz pseudonym), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Bohdan Warchal (violinist, conductor)
- 1 - “The Falls” from The Mission di Gilda Buttà, Yo‐Yo Ma (cellist), Roma Sinfonietta, Ennio Morricone (Italian classical and score composer)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": I. Coro: "Laß, Fürstin, laß noch einen Strahl" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (soprano): "Dein Sachsen" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": III. Aria (soprano): "Verstummt!" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": IV. Recitativo (alto): "Der Glocken bebendes Getön" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (basse): "Was Wunder ist?" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": V. Aria (alto): "Wie starb die Heldin so vergnügt" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": VI. Recitativo (ténor): "Ihr Leben ließ die Kunst zu sterben" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": VII. Coro: "An dir, du Fürbild Großer Frauen" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (ténor): "Der Ewigkeit saphirnes Haus" di La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - "Trauer-ode", Cantate BWV 198, "Laß, Fürstin, laß noch einen Strahl": X. Chorus Ultimus: "Doch, Königin!" di Collegium Vocale Gent, Ensemble vocal européen de la Chapelle royale, La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - “Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645 di Yo‐Yo Ma (cellist), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
- 1 - "Winter" Concerto in F minor RV 297 - I. Allegro non molto di Musici di San Marco (an Alfred Scholz pseudonym), Slovak Chamber Orchestra, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Bohdan Warchal (violinist, conductor)
- 1 - "Winter" Concerto in F minor RV 297 - III. Allegro di Musici di San Marco (an Alfred Scholz pseudonym), Slovak Chamber Orchestra, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Bohdan Warchal (violinist, conductor)
- 1 - 1st & 2nd Witches, Sorceress: 'Ruin'd ere the set of sun?' di Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
- 1 - 1st & 2nd Witches: 'But, ere we this perform' di Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
- 1 - 2 Poèmes, op. 69: No. 1 di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - 2 Poèmes, op. 69: No. 2 di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato di Martha Argerich (Argentine pianist)
- 1 - 2. Notenbüchlein für A.M. Bach: 20a-b. Erbauliche Gedanken eines Tobackrauchers di Aki Matsui (soprano), Dominik Wörner (bass), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 25. Bist Du bei mir di Aki Matsui (soprano), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 34. Recitative: Ich habe genug! di Aki Matsui (soprano), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 37. Willst du dein Herz mir schenken di Aki Matsui (soprano), Shimon Yoshida (tenor), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 38. Aria: Schlummert ein, ihr matten Augen di Aki Matsui (soprano), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 39b. Chorale: Dir, dir Jehova, will ich singen di Aki Matsui (soprano), Hiroya Aoki, Shimon Yoshida (tenor), Dominik Wörner (bass), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
- 1 - 2. Notenbüchlein für A.M. Bach: 42. O Ewigkeit, du Donnerwort di Aki Matsui (soprano), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
- 1 - 3 Fantasiestücke, op. 73: no. 1: Zart und mit Ausdruck di Yo‐Yo Ma (cellist), Emanuel Ax (pianist)
- 1 - 3 Fantasiestücke, op. 73: no. 2: Lebhaft, leicht di Yo‐Yo Ma (cellist), Emanuel Ax (pianist)
- 1 - 3 Fantasiestücke, op. 73: no. 3: Rasch und mit Feuer di Yo‐Yo Ma (cellist), Emanuel Ax (pianist)
- 1 - 3 German Dances, K. 605: No. 3 in C major "Die Schlittenfahrt" di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - 3 Gymnopédies: I. Lent et douloureux di Finghin Collins (pianist)
- 1 - 3 Mazurkas, op. 59: No. 1 in A minor. Moderato di Martha Argerich (Argentine pianist)
- 1 - 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto di Martha Argerich (Argentine pianist)
- 1 - 3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace di Martha Argerich (Argentine pianist)
- 1 - 3 Preludes: Bruyeres di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - 3 Preludes: General Lavine - Eccentric di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - 3 Preludes: Les fees sont d'exequises denseuses di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - 3 Violin Duets: I. Praeludium (Molto moderato) di Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist), Pinchas Zukerman (violinist/conductor)
- 1 - 4 Romantic Pieces, op. 75: I. Allegro moderato di Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 1 - 4 Romantic Pieces, op. 75: II. Allegro maestoso di Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 1 - 4 Romantic Pieces, op. 75: III. Allegro appassionato di Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 1 - 4 Romantic Pieces, op. 75: IV. Larghetto di Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 1 - 4 Variations on "Guárdame las vacas" di Narciso Yepes (classical guitarist)
- 1 - 5 Klavierstücke, op. 3: I. Andante di Glenn Gould (pianist)
- 1 - 5 Klavierstücke, op. 3: III. Largo di Glenn Gould (pianist)
- 1 - 5 Klavierstücke, op. 3: V. Allegro marcatissimo di Glenn Gould (pianist)
- 1 - 5 Stücke im Volkston, Op. 102: No. 1. Mit Humor di Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 1 - 5 Stücke im Volkston, Op. 102: No. 2. Langsam di Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 1 - 5 Stücke im Volkston, Op. 102: No. 3. Nicht schnell, mit viel Ton zu spielen di Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 1 - 5 Stücke im Volkston, Op. 102: No. 4. Nicht zu rasch di Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 1 - 5 Stücke im Volkston, Op. 102: No. 5. Stark und markiert di Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 1 - 6 Bagatelles, op. 126: No. 1 in G major: Andante con moto cantabile e compiacevole di Glenn Gould (pianist)
- 1 - 6 Bagatelles, op. 126: No. 2 in G minor: Allegro di Glenn Gould (pianist)
- 1 - 6 Bagatelles, op. 126: No. 3 in E‐flat major: Andante cantabile e grazioso di Glenn Gould (pianist)
- 1 - 6 Bagatelles, op. 126: No. 4 in B minor: Presto di Glenn Gould (pianist)
- 1 - 6 Bagatelles, op. 126: No. 5 in G major: Quasi Allegretto di Glenn Gould (pianist)
- 1 - 6 Bagatelles, op. 126: No. 6 in E‐flat major: Presto – Andante amabile e con moto di Glenn Gould (pianist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 645: Wachet auf, ruft uns die Stimme di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 646: Wo soll ich fliehen hin di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 647: Wer nur den lieben Gott lässt walten di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 648: Meine Seele erhebet den Herren di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 650: Kommst du nun, Jesu, vom Himmel herunter di Ton Koopman (conductor, organist and harpsichordist)
- 1 - 7 Bagatelles, Op. 33 No. 6 in D major: Allegretto, quasi andante (Con una certa espressione parlante) di Glenn Gould (pianist)
- 1 - 7 Bagatelles, Op. 33 No. 7 in A-flat major: Presto di Glenn Gould (pianist)
- 1 - 7 Bagatelles, op. 33: No. 1 in E-flat major: Andante grazioso quasi Allegretto di Glenn Gould (pianist)
- 1 - 7 Bagatelles, op. 33: No. 2 in C major: Scherzo: Allegro di Glenn Gould (pianist)
- 1 - 7 Bagatelles, op. 33: No. 3 in F major: Allegretto di Glenn Gould (pianist)
- 1 - 7 Bagatelles, op. 33: No. 4 in A major: Andante di Glenn Gould (pianist)
- 1 - 7 Bagatelles, op. 33: No. 5 in C major: Allegro ma non troppo di Glenn Gould (pianist)
- 1 - 8 Short Preludes and Fugues: BWV 553 in C major di Simon Preston (organist, conductor, composer)
- 1 - 8 Short Preludes and Fugues: BWV 556 in F major di Simon Preston (organist, conductor, composer)
- 1 - 8 Short Preludes and Fugues: BWV 557 in G major di Simon Preston (organist, conductor, composer)
- 1 - 8 Short Preludes and Fugues: BWV 559 in A minor di Simon Preston (organist, conductor, composer)
- 1 - 8 Short Preludes and Fugues: BWV 560 in B flat major di Simon Preston (organist, conductor, composer)
- 1 - 12 Violin Concertos, op. 4 "La stravaganza": Concerto no. 8 in D minor, RV 249: 2. Presto di Simon Standage (English violinist and conductor), The English Concert, Trevor Pinnock (conductor / harpsichord)
- 1 - 12 Violin Concertos, op. 4 "La stravaganza": Concerto no. 11 in D major, RV 204: 2. Largo di The English Concert, Trevor Pinnock (conductor / harpsichord)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio - Adagio - Andante con moto di Glenn Gould (pianist)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace; a due - Poco adagio - Tempo I; a tre. - adagio - Tempo I; a quattro - Tema di Glenn Gould (pianist)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I di Glenn Gould (pianist)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II - Presto - Tempo I di Glenn Gould (pianist)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III di Glenn Gould (pianist)
- 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV di Glenn Gould (pianist)