Tag “baroque”

Recordings tagged as “baroque”

11,701 recordings found

• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV. Minore by Glenn Gould (pianist)
• 1 - 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Maggiore. Largo by Glenn Gould (pianist)
• 1 - 24 Préludes, op. 28 no. 1 in C major: Agitato by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 2 in A minor: Lento by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 3 in G major: Vivace by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 4 in E minor: Largo by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 5 in D major: Allegro molto by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 6. in B minor: Lento assai by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 7 in A major: Andantino by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 8 in F‐sharp minor: Molto agitato by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 9 in E major: Largo by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 11 in B major: Vivace by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 13 in F‐sharp major: Lento by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 18 in F minor: Allegro molto by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 20 in C minor: Largo by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 21 in B‐flat major: Cantabile by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 22 in G minor: Molto agitato by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 23 in F major: Moderato by Martha Argerich (Argentine pianist)
• 1 - 24 Préludes, op. 28 no. 24 in D minor: Allegro appassionato by Martha Argerich (Argentine pianist)
• 1 - 24 Preludes, op. 38: no. 1 in C major: Andantino by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 3 in G major: Vivace leggiero by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 8 in F-sharp minor: Andante non troppo by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 10 in C-sharp minor: Non troppo allegro ma agitato by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 16 in B-flat minor: Allegro tenebroso by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 17 in A-flat major: Andantino tranquillo by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 22 in G minor: Scherzando non troppo allegro by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 24 Preludes, op. 38: no. 24 in D minor: Allegro feroce by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - 32 Variations for Piano in C minor on an Original Theme, WoO 80: Var. XXV Leggiermente - Var. XXVI - Var. XXVII - Var. XXVIII by Glenn Gould (pianist)
• 1 - 1812 Overture, op. 49 by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - 1812 Overture, Op. 49 by Leningrad Military Orchestra, Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use), Yuri Temirkanov (conductor)
• 1 - A Day in the Life of a Tree by The Beach Boys (American rock band)
• 1 - A Dio, Florida bella by The Consort of Musicke (British early-music group), Anthony Rooley (lute player / conductor)
• 1 - A Foggy Day by John Williams (classical guitarist)
• 1 - A Nightingale Sang in Berkeley Square by John Williams (classical guitarist)
• 1 - Abdelazer, or The Moor's Revenge: Rondeau by Taverner Players, Andrew Parrott (conductor)
• 1 - Abdelazer: Hornpipe in B. Aire in g by Freiburger Barockorchester (Freiburg Baroque Orchestra), Thomas Hengelbrock (German violinist and conductor)
• 1 - Abdelazer: Rondeau by Roy Goodman (conductor and violinist), The Brandenburg Consort
• 1 - Abdelazer: Rondeau by Bath Festival Orchestra, Yehudi Menuhin (violinist)
• 1 - Abdelazer: Rondeau in d by Freiburger Barockorchester (Freiburg Baroque Orchestra), Thomas Hengelbrock (German violinist and conductor)
• 1 - Ach Gott, tu dich erbarmen, BWV 1109 by Ton Koopman (conductor, organist and harpsichordist)
• 1 - Ach Gott, vom Himmel sieh darein, BWV 741 (in Organo pleno) by Ton Koopman (conductor, organist and harpsichordist)
• 1 - Ach wie flüchtig, ach wie nichtig, BWV 26: No. 1, Chorale fantasia. "Ach wie flüchtig, ach wie nichtig" by Chorus Viennensis, Vienna Boys' Choir (The Vienna Boys Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Ach wie nichtig, ach wie flüchtig, BWV 644 by Helmut Walcha (German organist)
• 1 - Ach, dass ich Wassers g'nug hätte by Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
• 1 - Adagio by Collegium Aureum
• 1 - Adagio (Elegy) for String Quartet After “Katerina’s Aria” From Scene 3 of the Opera “Lady MacBeth of the Mtsensk District”, op. 29 by Emerson String Quartet
• 1 - Adagio (extract) by Baroque Chamber Orchestra (The Baroque Chamber Orchestra), Ettore Stratta (conductor, producer)
• 1 - Adagio and Allegro in A-flat major, op. 70: Langsam, mit innigem Ausdruck by Yo‐Yo Ma (cellist), Emanuel Ax (pianist)
• 1 - Adagio and Allegro in A-flat major, op. 70: Rasch und feurig by Yo‐Yo Ma (cellist), Emanuel Ax (pianist)
• 1 - Adagio and Fugue for String Quartet in C minor, K. 546: I. Adagio by Gidon Kremer (violinist), Daniel Phillips (violinist), Kim Kashkashian (violist), Yo‐Yo Ma (cellist)
• 1 - Adagio and Fugue for String Quartet in C minor, K. 546: II. Fuga. Allegro by Gidon Kremer (violinist), Daniel Phillips (violinist), Kim Kashkashian (violist), Yo‐Yo Ma (cellist)
• 1 - Adagio and Fugue in C, K. 546 by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Adagio for Organ and Strings in G minor by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Adagio for Strings and Organ in G minor by Maria Teresa Garatti (keyboardist), I Musici
• 1 - Adagio for Strings, op. 11a by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
• 1 - Adagio from Concerto in c minor for oboe and orchestra by Societas Musica Chamber Orchestra Copenhagen, Jørgen Ernst Hansen (organist)
• 1 - Adagio from Divertimento no. 17 in D, K. 334 by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Adagio g-Moll für Orchester und Orgel by Societas Musica Chamber Orchestra Copenhagen, Jørgen Ernst Hansen (organist)
• 1 - Adagio in G minor by Pavel Bogacz (violinist), Capella Istropolitana, Richard Edlinger (conductor and composer)
• 1 - Adagio in G minor by Carlo Curley (US organist)
• 1 - Adagio in G minor by Ian Watson (conductor and keyboardist), City of London Sinfonia (chamber orchestra), Andrew Watkinson (violinist/conductor)
• 1 - Adagio in G minor by Wolfgang Meyer (organist, harpsichordist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Adagio in G minor by Martin Haselböck (organist, conductor and composer), Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra), Karl Münchinger (German conductor)
• 1 - Adagio in G minor by The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields), Iona Brown (violinist and director of the Academy of St Martin in the Fields)
• 1 - Adagio in G minor for Strings and Organ, “Albinoni’s Adagio” by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
• 1 - Adagio in G minor for Strings and Organ, T. Mi 26 by David Bell (organist), Leon Spierer (violinist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Adagio und Fuge c-moll, KV 546: Adagio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Adagio und Fuge c-moll, KV 546: Fuga by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Adriana Lecouvreur: Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Aeneas & Belinda: 'If not for mine, for Empire's sake' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Aeneas & Dido: 'Behold, upon my bended spear' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - AGNUS DEI by Lingua Ignota
• 1 - Agnus Dei, Op. 11 by Choir of Trinity College, Richard Marlow (English choral conductor and organist)
• 1 - Ägyptischer Marsch, op. 335 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Ahi, bella si, ma cruda mia nemica by Modo Antiquo
• 1 - Aida: “A lui vivo, la tomba!” … “Sacerdoti: compiste un delitto!” (Amneris / Ramfis / Sacerdoti) by Agnes Baltsa (mezzo-soprano), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Ruggero Raimondi (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Alta cagion v’aduna” (Il Re / Messaggero / Aida / Radamès / Amneris / Ministri / Capitani) by Agnes Baltsa (mezzo-soprano), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Mirella Freni (soprano), Thomas Moser (tenor), José van Dam (Belgian operatic bass-baritone), José Carreras (Spanish tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Celeste Aida” (Radamès) by José Carreras (Spanish tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Che veggo! Egli? Mio padre!” … “Ma tu, Re, tu signore possente” (Aida / Amneris / Amonasro / Il Re / Schiave / Prigioneri / Ramfis / Sacerdoti / Popolo) by Agnes Baltsa (mezzo-soprano), Piero Cappuccilli (baritone), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Mirella Freni (soprano), José van Dam (Belgian operatic bass-baritone), José Carreras (Spanish tenor), Ruggero Raimondi (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Chi mai fra gl’inni e i plausi” (Schiave / Amneris) by Agnes Baltsa (mezzo-soprano), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Ciel! mio padre!” (Aida / Amonasro) by Piero Cappuccilli (baritone), Mirella Freni (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Fu la sorte dell’armi a’ tuoi funesta” (Amneris / Aida) by Agnes Baltsa (mezzo-soprano), Mirella Freni (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Fuggiam gli ardori inospiti” … “Là, tra foreste vergini” (Aida / Radamès) by Mirella Freni (soprano), José Carreras (Spanish tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Già i sacerdoti adunansi” (Amneris / Radamès) by Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Aida: “Gloria all’Egitto, ad Iside” (Popolo / Sacerdoti) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)