Tag „classical“
~ Tag
Aufnahmen, die als „classical“ getaggt sind
87.012 Aufnahmen gefunden
- 2 - (Die Walküre) Walkürenritt (Ride of the Valkyries) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - (Medley): Blackbird / Bye Bye Blackbird von Richard Stoltzman (clarinetist)
- 2 - (Quello che faro) sara per te (Everything I Do) I Do It for You von Katherine Jenkins (mezzo-soprano)
- 2 - 2 morceaux, op. 57: Désir von Glenn Gould (pianist)
- 2 - 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato von Martha Argerich (Argentine pianist)
- 2 - 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro von Martha Argerich (Argentine pianist)
- 2 - 3 German Dances, K. 605: No. 3 in C major "Die Schlittenfahrt" von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - 3 Gymnopédies: I. Lent et douloureux von Finghin Collins (pianist)
- 2 - 3 Marches for 2 Pianos, op. 45 no. 2 in E-flat major: Vivace von Jörg Demus (pianist), Norman Shetler (Austrian pianist, puppeteer, teacher)
- 2 - 3 Marches for 2 Pianos, op. 45 no. 3 in D major: Vivace von Jörg Demus (pianist), Norman Shetler (Austrian pianist, puppeteer, teacher)
- 2 - 3 Mazurkas, op. 59: No. 1 in A minor. Moderato von Martha Argerich (Argentine pianist)
- 2 - 3 morceaux en forme de poire: I. Manière de commencement (Assez modérément – Un peu plus vif) von Anne Queffélec (pianist), Catherine Collard (pianist)
- 2 - 3 Piano Pieces, op. 59: I. Impromptu. Allegro fluente - Moderato e molto pesante von John Ogdon (pianist and composer)
- 2 - 3 Piano Pieces, op. 59: II. Molto adagio von John Ogdon (pianist and composer)
- 2 - 3 Piano Pieces, op. 59: III. Allegro non troppo - Più allegro von John Ogdon (pianist and composer)
- 2 - 3 Violin Duets: I. Praeludium (Molto moderato) von Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist), Pinchas Zukerman (violinist/conductor)
- 2 - 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce) von Jill Gomez (soprano), City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - 4 Contredances, KV 101: No. 1 in F von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 2 in G von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 3 in D von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Contredances, KV 101: No. 4 in F von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 4 Pièces, op. 56: III. Nuances (Fondu, velouté) von Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - 4 Romantic Pieces, op. 75: I. Allegro moderato von Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: II. Allegro maestoso von Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: III. Allegro appassionato von Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4 Romantic Pieces, op. 75: IV. Larghetto von Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 2 - 4ème Gnossienne, Lent von Jean‐Yves Thibaudet (pianist)
- 2 - 5 Contredanses, KV 609: No. 3 in D von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 5 Rückertlieder: Blicke mir nicht in die Lieder! von Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Ich atmet' einen linden Duft! von Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Ich bin der Welt abhanden gekommen von Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Liebst du um Schönheit (orch. Max Puttmann) von Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Rückertlieder: Um Mitternacht von Janet Baker (mezzo‐soprano and alto), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Barbirolli (conductor and cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 1. Mit Humor von Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 2. Langsam von Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 3. Nicht schnell, mit viel Ton zu spielen von Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 4. Nicht zu rasch von Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Stücke im Volkston, Op. 102: No. 5. Stark und markiert von Emanuel Ax (pianist), Yo‐Yo Ma (cellist)
- 2 - 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 von Alfred Brendel (Austrian pianist)
- 2 - 5ème Gnossienne, Modéré von Jean‐Yves Thibaudet (pianist)
- 2 - 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ von Ton Koopman (conductor, organist and harpsichordist)
- 2 - 6 Ecossaises in E-flat major, WoO 83 von Alfred Brendel (Austrian pianist)
- 2 - 6 German Dances for Orchestra No. 1 in D major, K. 509: German Dance & Trio / No. 2 in G major, K. 509: German Dance & Trio / No. 3 in E-flat major, K. 509: German Dance & Trio / No. 4 in F major, K. 509: German Dance & Trio / No. 5 in A major, K. 509: Ge von Luc Devos (Flemish pianist)
- 2 - 6 German Dances, KV 536: No. 6 in F von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 1 in B-flat von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 2 in E-flat von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 3 in G von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 4 in D von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 5 in A von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 567: No. 6 in C von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 1 in D von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 2 in A von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 3 in C von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 4 in G von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 5 in B-flat von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 571: No. 6 in D von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 600: No. 2 in F von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 German Dances, KV 600: No. 5 in G (trio: «Der Kanarienvogel») von Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - 6 Moments musicaux, D780: 3. Allegro moderato (F minor) von Radu Lupu (Romanian concert pianist)
- 2 - 6 Variations for Piano in D major on an Original Theme from "The Ruins of Athens", op. 76 von Alfred Brendel (Austrian pianist)
- 2 - 6 Variations for Piano in F major on an Original Theme, op. 34 von Alfred Brendel (Austrian pianist)
- 2 - 6 Variations for Piano on a Swiss Song in F major, WoO 64: Thema. Andante con moto - Var. I-VI von Mikhail Pletnev (pianist & conductor)
- 2 - 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180 von Ingrid Haebler (pianist)
- 2 - 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398 von Bart van Oort (pianist)
- 2 - 6ème Gnossienne, Avec conviction et avec une tristesse rigoureuse von Jean‐Yves Thibaudet (pianist)
- 2 - 7 Bagatelles for Piano, op. 33 no. 1 in E‐flat major: Andante grazioso quasi allegretto von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 2 in C major: Scherzo. Allegro von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 3 in F major: Allegretto von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 4 in A major: Andante von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 5 in C major: Allegro ma non troppo von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 6 in D major: Allegretto quasi andante. Con una certa espressione parlante von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Bagatelles for Piano, op. 33 no. 7 in A‐flat major: Presto von Михаил Васильевич Плетнев (Mikhail Pletnev, pianist & conductor)
- 2 - 7 Magnificat-Antiphonen: II. O Adonai von Eesti Filharmoonia Kammerkoor (Estnischer Philharmonischer Kammerchor), Tõnu Kaljuste (conductor)
- 2 - 7 Magnificat-Antiphonen: III. O Sproß aus Isais Wurzel von Eesti Filharmoonia Kammerkoor (Estnischer Philharmonischer Kammerchor), Tõnu Kaljuste (conductor)
- 2 - 7 Magnificat-Antiphonen: IV. O Schlüssel Davids von Eesti Filharmoonia Kammerkoor (Estnischer Philharmonischer Kammerchor), Tõnu Kaljuste (conductor)
- 2 - 7 Magnificat-Antiphonen: V. O Morgenstern von Eesti Filharmoonia Kammerkoor (Estnischer Philharmonischer Kammerchor), Tõnu Kaljuste (conductor)
- 2 - 7 Magnificat-Antiphonen: VI. O König aller Völker von Eesti Filharmoonia Kammerkoor (Estnischer Philharmonischer Kammerchor), Tõnu Kaljuste (conductor)
- 2 - 7 Variations for Piano in C major on "God Save the King", WoO 78 von Alfred Brendel (Austrian pianist)
- 2 - 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 von Alfred Brendel (Austrian pianist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 2: Variation II von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 5: Variation V. Si prenda il tempo un poco più vivace von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 6: Variation VI. Adagio von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 7: Variation VII. Allegro ma non troppo von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante von Martha Argerich (Argentine pianist), Mischa Maisky (cellist)
- 2 - 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, K. 25 von Ingrid Haebler (pianist)
- 2 - 8 Fantasiestücke, op. 12: I. Des Abends von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Fantasiestücke, op. 12: II. Aufschwung von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Fantasiestücke, op. 12: III. Warum? von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Fantasiestücke, op. 12: V. In der Nacht von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Fantasiestücke, op. 12: VII. Traumes-Wirren von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Fantasiestücke, op. 12: VIII. Ende vom Lied von Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
- 2 - 8 Slavonic Dances, op. 46: no. 2 in E minor von Hungarian National Philharmonic Orchestra (Ungarische Nationalphilharmonie), Ádám Fischer (Hungarian conductor)
- 2 - 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 von Alfred Brendel (Austrian pianist)
- 2 - 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352 von Bart van Oort (pianist)
- 2 - 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, K. 24 von Pieter-Jan Belder (flutist, harpsichordist and conductor)
- 2 - 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, K. 24 von Ingrid Haebler (pianist)
- 2 - 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613 von Ingrid Haebler (pianist)
- 2 - 8 Variations on G. Sarti: Come un'agnello: "Fra i due litiganti" for Piano in A major, K. 454a/460 von Ton Koopman (conductor, organist and harpsichordist)