Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 2 - Adagio in G minor for Strings and Organ, “Albinoni’s Adagio” by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
• 2 - Adagio sognando From 24 Preludes, op. 46 by Daniel Hope (violinist), Jacques Ammon (German-Chilean pianist)
• 2 - Adagio, K. 287 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” (mono) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Adriana Lecouvreur: Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Ænema by The Section
• 2 - After the Rain by Kevin Kern (American pianist)
• 2 - After You've Gone by Marion Harris
• 2 - Agnus Dei by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Kurt Herbert Adler (conductor)
• 2 - Agon: Double Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Coda by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Gaillarde by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Interlude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Saraband Step by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Prélude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle double by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle gay by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle simple by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Coda by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Four Duos by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Four Trios by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Interlude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Pas de deux by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Triple Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Águas de Março by Yo‐Yo Ma (cellist)
• 2 - Ägyptischer Marsch, op. 335 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Ah, la paterna mano (from "MacBeth") by Andrea Bocelli (tenor)
• 2 - Aida: “Gloria all’Egitto” by Romano Gandolfi (chorus master and conductor), Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Claudio Abbado (conductor)
• 2 - Aida: “Se quel guerrier io fossi!” … “Celeste Aida” by Plácido Domingo (tenor), Los Angeles Philharmonic, Carlo Maria Giulini (conductor)
• 2 - Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) / Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) by Carlo Bergonzi (tenor), Renata Tebaldi (soprano), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) by Plácido Domingo (tenor), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Riccardo Muti (conductor)
• 2 - Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Su! del Nilo al sacro lido” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) by Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Mortal, diletto ai Numi” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Possente, possente Fthà … Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Su! del Nilo al sacro lido” (Coro, Amneris, Aida) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. Introduzione – Scena e coro di donne "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Che veggo! ... Egli? ... Mio padre!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Il re, popolo) by Singverein der Gesellschaft der Musikfreunde Wien, Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Ma tu, Re, tu signore possente” (Amonastro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “O re: pei sacri numi!” (Radamès, il Re, Amneris, coro, Ramfis) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Quest'assisa ch'io vesto vi dica” (Amonasro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Salvator della patria” (Il Re, Radamès, Ramfis, Sacerdoti) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. Marcia e ballabile (Grand March & Ballet) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Ciel! mio padre! ... Rivedrai le foreste imbalsamete” (Aida, Amonasro) by Cornell MacNeil (American baritone), Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “O tu che sei d'Osiride madre immortale” (Sacerdotesse, Sacerdoti) by Eugenia Ratti (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Qui Radamès verrà! ... O patria mia” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Tu!... Amonasro!... tu!... il Re?” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Ohimè!... morir mi sento!” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Grand March (extract) by Boston Pops, Arthur Fiedler (conductor)
• 2 - Aida: Preludio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Aida: Tanz der kleinen Mohrensklaven by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Aida: Tanz der Priesterinnen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Air by Roberto Liñana, Javier Losada, The City of Prague Philharmonic Orchestra
• 2 - Air from Suite No.3 in D BWV 1068 by Hallé Orchestra, Owain Arwel Hughes
• 2 - Air on a G String by Societas Musica Chamber Orchestra Copenhagen, Jørgen Ernst Hansen (organist)
• 2 - Air on a G string (from: Suite no. 3 in D, BWV 1068) by Julian Lloyd Webber (cellist), Royal Philharmonic Orchestra, James Judd (conductor)
• 2 - Air on a G String; ‘Hamlet Cigars’ by The Orchestra of St. John’s, Smith Square
• 2 - Air on the G String by City of London Sinfonia (chamber orchestra), Andrew Watkinson (violinist/conductor)
• 2 - Air On The G String by Festival Strings Lucerne, Rudolf Baumgartner (conductor)
• 2 - Airbag by Christopher O’Riley (American pianist)
• 2 - Aire de zamba by John Williams (classical guitarist)
• 2 - Akhnaten: Act I, Prelude: Verse 3 by David Warrilow (actor)
• 2 - Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist by San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt (conductor)
• 2 - Alborada del gracioso by Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
• 2 - Alceste : Acte I. « Divinités du Styx » by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 2 - Alexander Nevsky, op. 78: III. The Crusaders in Pskov by Margaret Hillis (chorus master), Chicago Symphony Chorus, Chicago Symphony Orchestra, Fritz Reiner (conductor)
• 2 - Alexander Nevsky, op. 78: V. The Battle on the Ice by Margaret Hillis (chorus master), Chicago Symphony Chorus, Chicago Symphony Orchestra, Fritz Reiner (conductor)
• 2 - All My Loving by London Symphony Orchestra
• 2 - All You Need Is Love by London Symphony Orchestra
• 2 - Alla marcia (March) from Karelia Suite, op. 11 by Marine Concert Band, H. Glenn Ostrovsky
• 2 - Allabreve D-Dur BWV 589 by Ton Koopman (conductor, organist and harpsichordist)
• 2 - Allabreve in D, BWV 589 by Ton Koopman (conductor, organist and harpsichordist)
• 2 - Allegiance to Denethor by Howard Shore (Canadian score composer)
• 2 - Allegretto for Piano in C minor, Hess 69 by Gianluca Cascioli (pianist)
• 2 - Allegretto quasi andante in G minor, WoO 61a by Steven Osborne (pianist)
• 2 - Allegro by Emilie Autumn
• 2 - Allegro from Eine kleine Nachtmusik by Wiener Kammerorchester (Vienna Chamber Orchestra), Philippe Entremont (French pianist/conductor)
• 2 - Allein Gott in der Höh sei Ehr, BWV 711 (Bicinium) by Ton Koopman (conductor, organist and harpsichordist)
• 2 - Alma brasileira by Yo‐Yo Ma (cellist)
• 2 - Alma redemptoris mater by The Clerks’ Group (UK early music vocal ensemble, fka The Clerks’ Group), Edward Wickham
• 2 - Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, KV 520 by Elly Ameling (soprano), Dalton Baldwin (American pianist)
• 2 - Also sprach Zarathustra by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 2 - Also sprach Zarathustra (extract) by Chicago Symphony Orchestra, Fritz Reiner (conductor)
• 2 - Also sprach Zarathustra, op. 30 by Sächsische Staatskapelle Dresden (Dresden Symphonic Orchestra), Rudolf Kempe (conductor)