Tag “opera”
~ Tag
Recordings tagged as “opera”
8,596 recordings found
- 1 - Aida: Atto IV, scena 1. “L’aborrita rivale a me sfuggia” (Amneris) by Fedora Barbieri (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 1. “Ohimè! morir mi sento!” (Amneris) by Fedora Barbieri (mezzo-soprano), Richard Tucker (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 1. “Spirto del nume” (Amneris, Ramfis) by Fedora Barbieri (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 1. Duetto “Già i sacerdoti adunansi” (Amneris, Radamès) by Fedora Barbieri (mezzo-soprano), Richard Tucker (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 2. “La fatal pietra socra me si chiuse” (Radamès, Aida, Sacerdoti, Sacerdotesse) by Maria Callas (soprano), Richard Tucker (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 2. “O terra, addio” (Aida, Radamès, Coro, Amneris) by Fedora Barbieri (mezzo-soprano), Maria Callas (soprano), Richard Tucker (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV, scena 2. “Vedi? Di morte l'angelo…Immenso Fthà” (Radamès, Aida, Sacerdoti, Sacerdotesse) by Maria Callas (soprano), Richard Tucker (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Atto IV. “O terra, addio” by Coro del Teatro dell’Opera di Roma, Rita Gorr (Belgian operatic mezzo-soprano), Leontyne Price (soprano), Jon Vickers (tenor), Orchestra del Teatro dell’Opera di Roma, Luigi Ricci (assistant conductor), Sir Georg Solti (conductor)
- 1 - Aida: Atto terzo. Romanza: “Qui Radamès verrà! … O patria mia” (Aida) by Katia Ricciarelli (soprano), Claudio Abbado (conductor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
- 1 - Aida: Coro e marcia trionfale “Gloria all’Egitto” (Aida: Triumphal March) by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Giuseppe Sinopoli (conductor)
- 1 - Aida: Gloria all'Egitto (Atto II) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
- 1 - Aida: Grand March by Philip Jones Brass Ensemble, Elgar Howarth (English conductor, composer and trumpeter)
- 1 - Aida: Grand March (extract) by Boston Pops, Arthur Fiedler (conductor)
- 1 - Aida: Grand March and Ballet “Gloria all’Egitto” by Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Lorin Maazel (conductor)
- 1 - Aida: Grand March and Ballet / “Gloria all’Egitto, ad Iside” by Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Franci (Conductor, composer)
- 1 - Aïda: La fatal pietra sovra me si chiuse… Immenso Fhtà by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
- 1 - Aida: Marche triomphale / Grand March & Ballet by Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Franci (Conductor, composer)
- 1 - Aida: Nume custode e vindice by Giovanni Martinelli (tenor), Ezio Pinza (operatic bass), Metropolitan Opera Orchestra, Giulio Setti (conductor)
- 1 - Aïda: O terra, addio Aïda, by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
- 1 - Aida: Preludio by Orchestra del Teatro dell’Opera di Roma, Tullio Serafin (conductor)
- 1 - Aida: Preludio by Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
- 1 - Aida: Preludio by Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Claudio Abbado (conductor)
- 1 - Aida: Preludio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Aida: Preludio by RIAS Symphony Orchestra Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
- 1 - Aida: Ritorna vincitor by Birgit Nilsson (soprano), Orchestra del Teatro dell'Opera di Roma, Zubin Mehta (conductor)
- 1 - Aida: Tanz der kleinen Mohrensklaven by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Aida: Tanz der Priesterinnen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Aida: Triumphmarsch by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Ain’t No Sunshine by David Garrett (classical violinist)
- 1 - Air by David Garrett (classical violinist)
- 1 - Akhnaten: Act I, Prelude: Refrain, Verse 1, Verse 2 by David Warrilow (actor), The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act I, Prelude: Verse 3 by David Warrilow (actor)
- 1 - Akhnaten: Act I, Scene 1. Funeral of Amenhotep III by The Stuttgart State Opera Chorus, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act I, Scene 2. The Coronation of Akhnaten by The Stuttgart State Opera Chorus, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act I, Scene 3. The Window of Appearances by Paul Esswood (countertenor), Melinda Liebermann, Milagro Vargas, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act II, Scene 1. The Temple by The Stuttgart State Opera Chorus, Paul Esswood (countertenor), Helmut Holzapfel, Melinda Liebermann, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act II, Scene 2. Akhnaten and Nefertiti by Paul Esswood (countertenor), Milagro Vargas, David Warrilow (actor), The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act II, Scene 3. The City – Dance (Beginning) by David Warrilow (actor)
- 1 - Akhnaten: Act II, Scene 3. The City – Dance (Conclusion) by The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act II, Scene 4. Hymn by The Stuttgart State Opera Chorus, Paul Esswood (countertenor), The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act III, Scene 1. The Family by Paul Esswood (countertenor), Maria Koupilová‐Ticha, Geraldine Rose, Victoria Schneider, Angelika Schwarz (opera singer), Milagro Vargas, David Warrilow (actor), Lynne Wilhelm‐Königer, Christina Wächtler, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act III, Scene 2. Attack and Fall by The Stuttgart State Opera Chorus, Tero Hannula (Finnish bass singer), Cornelius Hauptmann (operatic bass), Helmut Holzapfel, The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Akhnaten: Act III, Scene 3. The Ruins by David Warrilow (actor), The Stuttgart State Opera Orchestra, Dennis Russell Davies (conductor and pianist)
- 1 - Alceste: Act 4. Il faut passer tôt ou tard by Gérard Souzay (baritone), English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
- 1 - Alcina: Act I, I. Overture by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina) by Joan Sutherland (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Alcina: Act I, XXI. Aria “Tornami a vagheggiar” (Morgana) by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act II, XVII. Aria “Ah! Mio cor!” (Alcina) by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act II, XXIII. Aria “Ombre pallide, lo so, mi udite” (Alcina) by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act II, XXIV. Il Ballo by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act III, I. Sinfonia by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Act III, XXI. Tamburino by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ivor Bolton (conductor and harpsichordist)
- 1 - Alcina: Atto I, Scena XIV. Aria “Tornami a vagheggiar” (Morgana) by Natalie Dessay (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Alcina: Atto II, Scena XIII. Aria “Ombre pallide” (Alcina) by Arleen Augér (soprano), City of London Baroque Sinfonia (chamber orchestra), Richard Hickox (conductor)
- 1 - Allemande by Michele Barchi
- 1 - Also sprach Zarathustra by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Also sprach Zarathustra, op. 30 by Sächsische Staatskapelle Dresden (Dresden Symphonic Orchestra), Rudolf Kempe (conductor)
- 1 - Alzira: Overture (Sinfonia) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Amarilli mia bella by Dame Janet Baker (mezzo‐soprano and alto), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - Amarilli mia Bella by Johannette Zomer (soprano), Fred Jacobs (lutenist & theorbist)
- 1 - Amarilli, mia bella by Dmitri Hvorostovsky (Russian operatic baritone), John Constable (pianist), Elizabeth Kenny (lutenist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - Amazing Grace by Il Divo
- 1 - Amdigi di Gaula, HWV 11: “Desterò dall’empia Dite” (Melissa) by Magdalena Kožená (mezzo-soprano), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
- 1 - America (live: Greek Theatre, Los Angeles, CA, USA) by Josh Groban
- 1 - Amor Ti Vieta by Grover Washington, Jr.
- 1 - An Chloé by Barbara Bonney (soprano), Geoffrey Parsons (pianist)
- 1 - Anacréon - Ouvertüre by Wiener Philharmoniker (Vienna Philharmonic), Karl Münchinger (German conductor)
- 1 - Andrea Chénier, opera: La mamma morta (from "Philadelphia") by Éva Marton (soprano)
- 1 - Andrea Chénier: "Colpito qui m'avete ov'io geloso" / "Un dì all'azzurro spazio" by Ben Heppner (tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Roberto Abbado (conductor)
- 1 - Andrea Chénier: "Come un bel dì di maggio" by Andrea Bocelli (tenor), Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda (conductor)
- 1 - Andrea Chénier: "Come un bel dì di maggio" by Ben Heppner (tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Roberto Abbado (conductor)
- 1 - Andrea Chenier: "La mamma morta" by Lila Larinova (soprano), Slovak Radio Symphony Orchestra, Johannes Wildner (conductor)
- 1 - Andrea Chénier: “La mamma morta” by Montserrat Caballé (soprano), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Riccardo Chailly (conductor)
- 1 - Andrea Chénier: Act III. "La mamma morta" by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 1 - Andrea Chénier: Atto III. “La mamma morta” by Montserrat Caballé (soprano), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Riccardo Chailly (conductor)
- 1 - Andrea Chénier: Atto III. “La mamma morta” by Maria Callas (soprano)
- 1 - Andrea Chénier: Come un bel di cli maggio by Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder (conductor)
- 1 - Andrea Chénier: La mamma morta by Montserrat Caballé (soprano), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Riccardo Chailly (conductor)
- 1 - Anna Bolena: “Al dolce guidami castel natio” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
- 1 - Anna Bolena: Atto II. “Piangete voi?” … “Al dolce guidami castel natio” by Maria Callas (soprano), John Lanigan (tenor), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Duncan Robertson (tenor), Joseph Rouleau (operatic bass), Monica Sinclair (contralto), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
- 1 - Anne Trulove’s Aria (The Rake’s Progress): "I Go, I Go to Him" by Kate Royal (soprano), Academy of St Martin in the Fields, Edward Gardner (conductor)
- 1 - Another Brick in the Wall, Part 2 (live, 1990‐07‐21: Potsdamer Platz, Berlin, Germany) by Roger Waters and The Bleeding Heart Band feat. Cyndi Lauper
- 1 - Anvil Chorus from Il trovatore Act II by Chorus of the Sofia National Opera, Sofia Philharmonic Orchestra (Sofia Philharmonic), Rouslan Raichev (conductor)
- 1 - Anything but Lonely by Sarah Brightman
- 1 - Anytime, Anywhere by Sarah Brightman
- 1 - Anytime, Anywhere (live, 2004-03-13: MGM Grand Garden Arena, Las Vegas, NV, USA) by Sarah Brightman
- 1 - Apres un reve by Robert Meadmore
- 1 - Aquarela do Brasil by Yo‐Yo Ma (cellist)
- 1 - Arabella: Act III. "Das war sehr gut, Mandryka" by Lisa della Casa (soprano), Alfred Poell (baritone), Wiener Philharmoniker (Vienna Philharmonic), Rudolf Moralt (conductor)
- 1 - Arabella: Akt III. »Das war sehr gut« by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Josef Metternich (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Lovro von Matačić (conductor)
- 1 - Aria (Monostatos) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Pamina) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Papageno) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Papageno) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Queen Of The Night) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Sarastro, Chorus) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Sarastro) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Aria (Tamino) by The Orchestra of the Royal Opera House, Sir Colin Davis (English conductor)
- 1 - Ariadne auf Naxos: "Es gibt ein Reich" by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Heinrich Hollreiser (conductor)
- 1 - Arianna by Paul Schwartz