Tag “opera”

Recordings tagged as “opera”

8,596 recordings found

• 1 - Can Can by Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), Ondrej Lenárd (conductor)
• 1 - Candide, Act 1 Scene 12: “Glitter and Be Gay” by Sumi Jo (soprano), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Paolo Olmi
• 1 - Candide: Act I, No. 1a. Westphalia Chorale by London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 2. Life Is Happiness Indeed by June Anderson (soprano), Jerry Hadley (operatic tenor), Della Jones (mezzo-soprano), Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 3. The Best of All Possible Worlds by June Anderson (soprano), Adolph Green, Jerry Hadley (operatic tenor), Della Jones (mezzo-soprano), Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 3a. Universal Good by June Anderson (soprano), Jerry Hadley (operatic tenor), Della Jones (mezzo-soprano), Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 4. Oh, Happy We by June Anderson (soprano), Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 5. It Must Be So (Candide’s Meditation) by Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 6. Westphalia by London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 6a. Battle Music by London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 7. Candide’s Lament by Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 8. Dear Boy by Adolph Green, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 9. Auto‐da‐fé by Clive Bayley (operatic bass vocalist), Lindsay Benson, Adolph Green, Jerry Hadley (operatic tenor), Neil Jenkins (tenor), London Symphony Chorus, Richard Suart (baritone singer), John Treleaven (tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me by Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 11. The Paris Waltz by London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 12. Glitter and Be Gay (1989 studio cast) by June Anderson (soprano), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 13. You Were Dead, You Know by June Anderson (soprano), Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) by June Anderson (soprano), London Symphony Chorus, Christa Ludwig (mezzo-soprano), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act I, No. 15. Quartet Finale by June Anderson (soprano), Jerry Hadley (operatic tenor), London Symphony Chorus, Christa Ludwig (mezzo-soprano), Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 16. Universal Good by London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 17. My Love (Governor’s Serenade) by June Anderson (soprano), Nicolai Gedda (tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 18. We Are Women (Polka) by June Anderson (soprano), Christa Ludwig (mezzo-soprano), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia by Jerry Hadley (operatic tenor), Della Jones (mezzo-soprano), London Symphony Chorus, Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 20. Quiet by June Anderson (soprano), Nicolai Gedda (tenor), Christa Ludwig (mezzo-soprano), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 21. Introduction to Eldorado by London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 22. The Ballad of Eldorado by Jerry Hadley (operatic tenor), London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 23. Words, Words, Words (Martin’s Laughing Song) by Adolph Green, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 24. Bon Voyage by Nicolai Gedda (tenor), London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 25. The Kings’ Barcarolle by Clive Bayley (operatic bass vocalist), Lindsay Benson, Adolph Green, Jerry Hadley (operatic tenor), Neil Jenkins (tenor), Richard Suart (baritone singer), John Treleaven (tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene) by London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 27. What’s the Use by Nicolai Gedda (tenor), London Symphony Chorus, Christa Ludwig (mezzo-soprano), Kurt Ollmann (baritone), John Treleaven (tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 28. The Venice Gavotte by June Anderson (soprano), Adolph Green, Jerry Hadley (operatic tenor), Christa Ludwig (mezzo-soprano), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 29. Nothing More Than This by Jerry Hadley (operatic tenor), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 30. Universal Good (Life Is Neither) by London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Act II, No. 31. Make Our Garden Grow (Finale) by June Anderson (soprano), Nicolai Gedda (tenor), Adolph Green, Jerry Hadley (operatic tenor), Della Jones (mezzo-soprano), London Symphony Chorus, Christa Ludwig (mezzo-soprano), Kurt Ollmann (baritone), London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Candide: Overture (1989 studio cast) by London Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Canope by Krystian Zimerman (pianist)
• 1 - Cantique de Noël by Andrea Bocelli (tenor)
• 1 - Cantique de Noel (O Holy Night) by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Kurt Herbert Adler (conductor)
• 1 - Canzonets to Four Voices: Construe My Meaning by The King’s Singers
• 1 - Capriccio, op. 85: Andante con moto (Mondscheinmusik) by Gundula Janowitz (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Karl Böhm (Austrian conductor)
• 1 - Capriccio, op. 85: Mondschein-Musik by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Capriccio, op. 85: Monolog der Gräfin by Anna Tomowa‐Sintow (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Capriccio: "Morgen mittag um elf ! ... Kein Andres, das mir so im Herzen loht" (Die Gräfin) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Wolfgang Sawallisch (conductor)
• 1 - Capriccio: Letzte Szene “Du Spiegelbild der verliebten Madeleine” by Gundula Janowitz (soprano), Karl Christian Kohn (operatic bass), Hedwig Bilgram (harpsichordist and organist), Rudolf Koeckert (the father, founder of the Koeckert-Quartett), Walter Nothas (cellist), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Karl Böhm (Austrian conductor)
• 1 - Capriccio: Letzte Szene “Ihre Liebe schlägt mir entgegen” by Gundula Janowitz (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Karl Böhm (Austrian conductor)
• 1 - Capriccio: Letzte Szene “Kein andres, das mir so im Herzen loht” by Gundula Janowitz (soprano), Wladimir Haag (harpist), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Karl Böhm (Austrian conductor)
• 1 - Capriccio: Letzte Szene “Wo ist mein Bruder?” by Gundula Janowitz (soprano), Karl Christian Kohn (operatic bass), Hedwig Bilgram (harpsichordist and organist), Rudolf Koeckert (the father, founder of the Koeckert-Quartett), Walter Nothas (cellist), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Karl Böhm (Austrian conductor)
• 1 - Capriccio: Letzte Szene. "Ihre Liebe schlägt mir entgegen" by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Heinrich Hollreiser (conductor)
• 1 - Capriccio: Letzte Szene. "Kein andres, das mir so im Herzen loht" by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Heinrich Hollreiser (conductor)
• 1 - Capriccio: Letzte Szene. "Wo ist mein Bruder?" by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Heinrich Hollreiser (conductor)
• 1 - Capriccio: Letzte Szene. Andante con moto by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Heinrich Hollreiser (conductor)
• 1 - Care selve by Robert Meadmore
• 1 - Carmen : « L'amour est un oiseau rebelle » (Habanera) by Chœur de Radio France, Jessye Norman (soprano), Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), Seiji Ozawa (conductor and composer)
• 1 - Carmen : « Les voici, les voici ! » by John Alldis Chorus (The John Alldis Choir), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Georg Solti (conductor)
• 1 - Carmen : Acte I, Nº 1. Introduction « Sur la place chacun passe » (Les Soldats, Moralès) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Stuart Harling (English baritone), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I, Nº 2. Marche et Chœur des Gamins « Avec la garde montante » (Chœur des Gamins) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I, Nº 5. Scène « Carmen, sur tes pas, nous nous pressons tous » (Les Jeunes Gens, Les Cigarières, Don José) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Plácido Domingo (tenor), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Robert Lloyd (operatic bass), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José) by Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen) by Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Robert Lloyd (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné” by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Robert Lloyd (operatic bass), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Carmen ! Sur tes pas, nous nous pressons tous ! » (Chœur, Carmen, José) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José) by Plácido Domingo (tenor), Robert Lloyd (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « L’amour est un oiseau rebelle » by Claude Calès (French baritone), Robert Geay (bass vocals), Mario Del Monaco (tenor), Chœur du Grand Théâtre de Genève, Regina Resnik (soprano, mezzo-soprano, alto), Joan Sutherland (soprano), Orchestre de la Suisse Romande (OSR), Thomas Schippers (conductor and composer)
• 1 - Carmen : Acte I. « L’amour est un oiseau rebelle » by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) by Victoria de los Ángeles (Spanish soprano), French National Radio Chorus, Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France), Sir Thomas Beecham (conductor)
• 1 - Carmen : Acte I. « La cloche a sonné… » / « Dans l’air, nous suivons des yeux la fumée » (Chœur) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Ma mère, je la vois… » (Don José, Micaëla) by Ileana Cotrubaș (Romanian soprano), Plácido Domingo (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Mais nous ne voyons pas la Carmencita. » (Les Soldats, Les Jeunes Gens) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Mon officier, c'était une querelle... » (José, Zuniga, Carmen) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / Nº 6: Duo « Parle‐moi de ma mère ! » (Don José, Micaëla) by Ileana Cotrubaș (Romanian soprano), Plácido Domingo (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Parle‐moi de ma mère ! » (José, Micaëla) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Quand je vous aimerai ? » / Nº 4: Havanaise « L’amour est un oiseau rebelle » (Carmen, Chœur) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Teresa Berganza (mezzo-soprano), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Quand je vous aimerai ? », No. 4. Havanaise « L’amour est un oiseau rebelle » (Carmen) by Agnes Baltsa (mezzo-soprano), Chœur de l’Opéra de Paris (Paris National Opera Chorus), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga) by Ileana Cotrubaș (Romanian soprano), Plácido Domingo (tenor), Robert Lloyd (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Quels regards ! Quelle effronterie ! » (José, Micaëla) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Regardez donc cette petite » (Moralès, Les Soldats, Micaëla) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Ileana Cotrubaș (Romanian soprano), Stuart Harling (English baritone), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José) (scripted dialogue, with violins) by Plácido Domingo (tenor), Stuart Harling (English baritone), Robert Lloyd (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Reste là, maintenant, pendant que je lirai » (José, Micaëla) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. « Votre mère avec moi sortait de la chapelle » (Micaëla, Don José) by Ileana Cotrubaș (Romanian soprano), Plácido Domingo (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Richard Amner (pianist), Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Robert Lloyd (operatic bass), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. Entr’acte by London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte I. Entr’acte by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. Finale « Voici l’ordre, partez » (Zuniga, Carmen) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » by Julia Migenes (mezzo-soprano), Chœur de Radio France, Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), Lorin Maazel (conductor)
• 1 - Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » by The John Alldis Choir, Tatiana Troyanos (mezzo-soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Georg Solti (conductor)
• 1 - Carmen : Acte I. Habanera. « L'amour est un oiseau rebelle » by Wilhelm Pitz (chorus master), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Leontyne Price (soprano), Vienna Philharmonic Orchestra (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Carmen : Acte I. Scène et chœur « Sur la place » (Chœur, Moralès, Micaëla) by Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte I. Seguidilla. « Près des remparts de Séville » by Regina Resnik (soprano, mezzo-soprano, alto), Mario Del Monaco (tenor), Orchestre de la Suisse Romande (OSR), Thomas Schippers (conductor and composer)
• 1 - Carmen : Acte II, Nº 11. Chanson « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita) by Teresa Berganza (mezzo-soprano), Yvonne Kenny (Australian soprano), Alicia Nafé (mezzo-soprano), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Teresa Berganza (mezzo-soprano), Yvonne Kenny (Australian soprano), Robert Lloyd (operatic bass), George Main, Sherrill Milnes (baritone), Alicia Nafé (mezzo-soprano), Geoffrey Pogson (tenor), Gordon Sandison (baritone), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte II, Nº 15. Chanson « Amoureuse…ce n’est pas une raison » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / « Halte‐là ! Qui va là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen) by Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Yvonne Kenny (Australian soprano), Alicia Nafé (mezzo-soprano), Geoffrey Pogson (tenor), Gordon Sandison (baritone), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte II, Nº 16. Duo « Je vais danser en votre honneur » (Carmen, Don José) by Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens) by Patrick Criswell (chorusmaster), John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Robert Lloyd (operatic bass), Geoffrey Pogson (tenor), Gordon Sandison (baritone), George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Carmen : Acte II. « Eh bien ! Vite, quelles nouvelles ? » - « Nous avons en tête une affaire » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) by Jane Berbié (mezzo-soprano), Maria Callas (soprano), Jacques Pruvost (French tenor vocalist), Nadine Sautereau (French soprano), Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte II. « Halte là ! » (José, Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado) by Jane Berbié (mezzo-soprano), Maria Callas (soprano), Nicolai Gedda (tenor), Jacques Pruvost (French tenor vocalist), Nadine Sautereau (French soprano), Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte II. « Holà Carmen ! Holà ! Holà ! » (Zuniga, José, Carmen, Le Dancaïre, Le Remendado) by Maria Callas (soprano), Nicolai Gedda (tenor), Maurice Maievski, Jacques Mars (operatic bass), Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)
• 1 - Carmen : Acte II. « La belle, un mot.. … » (Escamillo, Carmen, Zuniga) by Maria Callas (soprano), Jacques Mars (operatic bass), Robert Massard (baritone), Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre (French conductor)