Tag “opera”
~ Tag
Recordings tagged as “opera”
8,596 recordings found
- 1 - Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Eugen Onegin: “Koda… Kuda…” (Lenski) by Rolando Villazón (tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Michel Plasson (conductor)
- 1 - Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" by Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Otto Gerdes (conductor and producer)
- 1 - Eugen Onegin: Polonaise by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Semyon Bychkov (conductor)
- 1 - Eugen Onegin: Polonaise by Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
- 1 - Eugen Onegin: Walzer by Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
- 1 - Eugene Onegin, op. 24: Act 2. Pour moi ce jour est tout mystère by Enrico Caruso (tenor)
- 1 - Eugene Onegin, op. 24: Polonaise by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Eugene Onegin, op. 24: Waltz by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "A, vot i vi!" (Madame Larina) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Bolyat moyi skori nozhenki" (Peasant Leader) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Kak shchastliv, kak shchastliv ya!" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Kak ya lyublu pod zvuki pesen etikh" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Mesdames! Ya na sebya vzyal smyelost" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Nu ti, moya vostrushka" (Madame Larina) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Skazhi, kotoraya Tatyana?" (Onegin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Slikhali l vi za roschei glas nochnai" (Tatyana, Olga) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Olga) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Peasants) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. "Ya lyublyu vas" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 1. Introduction by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 2. "Nu, zabolta las ya!" (Filipyevna) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 2. "Puskai pogibnu ya, no pryezhde" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 2. Akh, noch minula" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 3. "Dyevitsi-krasavtsi" (Servant Girls) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 3. "Kogda bi zhizn domashnim krugom" (Onegin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act I, Scene 3. "Zdyes on, zdyes on, Yevgeni!" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "A cette fête convié" (Triquet) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "Messieurs, mesdames, mesta zanyat izvolte" (Captain) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "Ti ne tantsuyesh, Lenski?" (Onegin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "V vashem dome! V vashem dome!" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. "Vot tak syurpriz!" (Guests) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 1. Waltz by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 2. "A, vot oni!" (Zaretsky) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 2. "Kuda, kuda, kuda vi udalilis" (Lenski) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act II, Scene 2. "Nu, shto zhe?" (Zaretsky) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. "I zdyes mnye skuchno!" (Onegin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. "Itak, poidyom, tebya predstavlyu ya" (Prince Germin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. "Knayaginya Gremina! Smotrite!" (Guests) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin) by Nicolaï Ghiaurov (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. "Uzhel ta samaya Tatyana" (Onegin) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 1. Polonaise by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 2. "O! Kak mnye tyazhelo!" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Act III, Scene 2. "Onegin! Ya togda molozhe" (Tatyana) by Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti (conductor)
- 1 - Eugene Onegin: Letter Scene from Act I by Анна Юрьевна Нетребко (Anna Netrebko, soprano), Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992), Валерий Абисалович Гергиев (Valery Gergiev, conductor)
- 1 - Eugene Onegin: Polonaise (Act III) by Orchestre philharmonique de Radio France, Paavo Järvi (conductor)
- 1 - Eugène Onéguine. "Kuda, kuda" (Lenski) by Neil Shicoff (tenor), Staatskapelle Dresden (Dresden Symphonic Orchestra), James Levine (US conductor and pianist)
- 1 - Euryanthe, J. 291: Overture by Bamberger Symphoniker (Bamberg Symphony), Rudolf Kempe (conductor)
- 1 - Euryanthe: "Wo berg ich mich? ... Schweigt, glühnden Sehnens" by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
- 1 - Everything's Alright by Sarah Brightman
- 1 - Exsultate jubilate KV 165 by Martin Creed, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
- 1 - Fairest Isle by Luis Enrique Jimeno, Mercedes Parreño, Roberto Liñana, Javier Losada, The City of Prague Philharmonic Orchestra
- 1 - Falstaff: Act III: “Tutto nel mondo è burla” (Finale) by Cincinnati Pops Orchestra, Erich Kunzel (conductor)
- 1 - Falstaff: Atto I, Parte I. "Falstaff!" - "Olà!" (Dr Cajus, Falstaff, Bardolfo, Pistola) by Renato Ercolani (tenor), Tito Gobbi (baritone), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte I. "L'onore! Ladri!" - "Io stesso, sì, io, io" (Falstaff) by Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte I. "Ma è tempo d'assottigliar l'ingegno" (Falstaff, Pistola, Bardolfo) by Renato Ercolani (tenor), Tito Gobbi (baritone), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte I. "So che se andiam, la notte" (Falstaff, Pistola, Bardolfo) by Renato Ercolani (tenor), Tito Gobbi (baritone), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. "Alice!" - "Meg!" - "Nannetta!" (Meg, Alice, Quickly, Nannetta) by Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. "Falstaff m'ha canzonata" (Alice, Meg, Nannetta, Quickly) by Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. "Fulgida Alice! amor t'offro" (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. "Pst, pst, Nannetta!" - "Vien qua" - "Labbra di foco!" (Fenton, Nannetta) by Luigi Alva (tenor), Anna Moffo (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto I, Parte II. "Torno all'assalto" - "Torna alla gara" (Fenton, Nannetta) by Luigi Alva (tenor), Anna Moffo (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "È sogno? o realtà?" (Ford) by Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Eccomi qua. Son pronto" (Falstaff, Ford) by Tito Gobbi (baritone), Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Lo conoscete?" - "Il diavolo se lo porti all'inferno" (Ford, Falstaff) by Tito Gobbi (baritone), Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Reverenza!" (Quickly, Falstaff) by Fedora Barbieri (mezzo-soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Siam pentiti e contriti" (Bardolfo, Pistola, Falstaff) by Renato Ercolani (tenor), Tito Gobbi (baritone), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford, Falstaff, Bardolfo, Pistola) by Renato Ercolani (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Va, vecchio John" (Falstaff, Bardolfo) by Renato Ercolani (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte I. "Ve lo dirò. C'è a Windsor una dama" (Ford, Falstaff) by Tito Gobbi (baritone), Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Al ladro!" (Cajus, Ford, Pistola, Bardolfo) by Renato Ercolani (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Alfin t'ho colto, raggiante fior" (Falstaff, Alice) by Tito Gobbi (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Bella! ridente!" (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Cajus, Falstaff, Meg, Quickly, Gente del vicinato, Alice) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Facciamo le viste d'attendere ai panni" (Quickly, Cajus, Ford, Meg, Bardolfo, Pistola, Falstaff) by Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Gaie comari di Windsor! È l'ora!" (Quickly, Alice, Meg, Nannetta) by Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Giunta all'Albergo della Giarrettiera" (Quickly, Alice, Meg, Nannetta) by Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Presenteremo un "bill" per una tassa al parlamento" (Alice, Quickly, Meg) by Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Quand'ero paggio del Duca di Norfolk" (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) by Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "T'immagino fregiata del mio stemma" (Falstaff, Alice) by Tito Gobbi (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto II, Parte II. "Vien qua" - "Che chiasso!" (Nannetta, Fenton) by Luigi Alva (tenor), Anna Moffo (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "Avrò con me dei putti" (Alice, Meg, Nannetta, Fenton, Ford, Cajus, Quickly) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "Brava! Quelle corna saranno la mia gioia!" (Ford, Alice, Meg, Fenton, Nannetta) by Luigi Alva (tenor), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "Buono. Ber del vin dolce" (Falstaff) by Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "Ehi! Taverniere!" - "Io, dunque, avrò vissuto tanti anni" (Falstaff) by Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "Reverenza! La bella Alice" (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) by Fedora Barbieri (mezzo-soprano), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte I. "T'aspetterò nel Parco Real" (Falstaff, Quickly, Ford, Alice, Nannetta, Meg) by Fedora Barbieri (mezzo-soprano), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Ahimè! tu puzzi come una puzzola" (Falstaff, Coro, Alice, Quickly, Meg, Cajus, Ford, Bardolfo, Pistola) by Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Alto là!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) by Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Dal labbro il canto estasiato vola" (Fenton, Nannetta) by Luigi Alva (tenor), Anna Moffo (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Ninfe! Elfi! Silfi! Doridi! Sirene!" (Nannetta, Fate, Falstaff, Alice) by Tito Gobbi (baritone), Anna Moffo (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Nossignore! Tu indossa questa cappa" (Alice, Fenton, Nannetta, Quickly, Meg) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Ogni sorta di gente dozzinale" (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Sul fil d'un soffio etesio" (Nannetta, Fate) by Anna Moffo (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Un coro e terminiam la scena" - "Tutto nel mondo è burla" (Falstaff, Ford, Tutti) by Luigi Alva (tenor), Fedora Barbieri (mezzo-soprano), Renato Ercolani (tenor), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Anna Moffo (soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Tomaso Spataro (tenor), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, Parte II. "Un poco di pausa" (Falstaff, Quickly, Ford, Meg, Alice, Coro) by Fedora Barbieri (mezzo-soprano), Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” (Falstaff, Alice, Meg) by Tito Gobbi (baritone), Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Fantaisie de Concert sur des motifs de l’opéra « Carmen », op. 25: I. Moderato by Anne‐Sophie Mutter (violinist), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)