Tag “opera”

Recordings tagged as “opera”

8,596 recordings found

• 1 - Fantaisie de Concert sur des motifs de l’opéra « Carmen », op. 25: Introduction. Allegro moderato by Anne‐Sophie Mutter (violinist), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
• 1 - Fantaisie de Concert sur des motifs de l’opéra « Carmen », op. 25: IV. Moderato by Anne‐Sophie Mutter (violinist), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
• 1 - Farnace: Act 1: "Ti parli in seno amore" by Vince Yi (countertenor), Armonia Atenea (Greek camerata), George Petrou (Greek conductor)
• 1 - Farnace: Quell'usignolo by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
• 1 - Farnace: Ricordati che sei by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
• 1 - Faust : “Il se fait tard, adieu” by Pierrette Alarie (French Canadian coloratura soprano), Léopold Simoneau (tenor), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Lee Schaenen (conductor)
• 1 - Faust : « Ah je ris de me voir si belle en ce miroir » by Kiri Te Kanawa (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
• 1 - Faust : « Alerte ! Alerte ! … Anges purs » by Franco Corelli (tenor), Nicolaï Ghiaurov (operatic bass), Joan Sutherland (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
• 1 - Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir » by Joan Sutherland (soprano), Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli (conductor)
• 1 - Faust : Acte III. « Il se fait tard » (Marguerite, Faust) by Angela Gheorghiu (Romanian soprano), Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
• 1 - Faust : Acte III. « Les grands seigneurs » … « Ah ! je ris » (Jewel Song) by Victoria de los Ángeles (Spanish soprano), Orchestre de l’Opéra National de Paris, André Cluytens (Belgian-born French conductor)
• 1 - Faust : Acte III. « Ô nuit d’amour » (Marguerite, Faust) by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
• 1 - Faust : Acte III. « Un bouquet ! » … « Ah ! Je ris » (Air des bijoux) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
• 1 - Faust : Acte V. « Alerte, alerte » by Franco Corelli (tenor), Nicolaï Ghiaurov (operatic bass), Joan Sutherland (soprano), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
• 1 - Faust : Chœur des soldats « Gloire immortelle de nos aïeux » by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
• 1 - Faust : Déposons les armes (Soldiers’ chorus) by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Margreta Elkins (mezzo-soprano), Robert Massard (baritone), Monica Sinclair (contralto), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
• 1 - Faust : Je voudrais bien savoir… Il était un roi de Thule… O dieu! Que de bijoux…ah! Je ris by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
• 1 - Faust : Le Veau d'or by Ezio Pinza (operatic bass)
• 1 - Faust : Vous qui faites l'endormie by Ezio Pinza (operatic bass)
• 1 - Faust: « Le veau d’or est toujours debout ! » by Choeurs de l'Opéra Royal de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera), Boris Christoff (Bulgarian bass), Chorus of the Paris Opera (Paris National Opera Chorus), Orchestre de l’Opéra national de Paris, André Cluytens (Belgian-born French conductor)
• 1 - Faust: « Quel trouble inconnu » … « Salut! demeure chaste et pure » by Luciano Pavarotti (tenor), Wiener Volksopernorchester, Leone Magiera (conductor, pianist)
• 1 - Faust: Acte III. Cavatine "Quel trouble inconnu me pénètre !" - "Salut, demeure chaste et pure" (Faust) by Rolando Villazón (tenor), Orchestre philharmonique de Radio France, Evelino Pidò (conductor)
• 1 - Faust: Ah! Je ris de me voir si belle (Jewel Song) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
• 1 - Faust: Alerte, alerte!... Anges purs, anges radieux by Nicolaï Ghiaurov (operatic bass), Mirella Freni (soprano), Plácido Domingo (tenor), Orchestre de l’Opéra National de Paris & Georges Prêtre (French conductor)
• 1 - Faust: Ballettmusik by Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
• 1 - Faust: Quel trouble inconnu me pénètre?... Salut! demeure chaste et pure by Jonas Kaufmann (tenor), Prague Philharmonic Orchestra, Marco Armiliato (conductor)
• 1 - Faust: Soldatenchor by Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
• 1 - Faust: Soldiers' Chorus by Chorus of the Rhine Opera (Rhine Opera Chorus), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
• 1 - Fedora: "Amor ti vieta" by Andrea Bocelli (tenor), Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda (conductor)
• 1 - Fedora: “Amor ti vieta” by Jussi Björling (tenor), Orchestra del Maggio Musicale Fiorentino, Alberto Erede (conductor)
• 1 - Fedora: “Amor ti vieta” by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
• 1 - Fedora: Act 2. Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fedora: Act II. “Amor ti vieta” (Loris) by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer), Nicola Rescigno (conductor)
• 1 - Fedora: Act II. Amor ti vieta di non amar by Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder (conductor)
• 1 - Festive Overture, op. 96 by Boston Pops Orchestra, John Williams (American score composer and conductor)
• 1 - Feuilles Mortes by Krystian Zimerman (pianist)
• 1 - Feux dʼartifice by Krystian Zimerman (pianist)
• 1 - Fidelio op. 72, Act 1: "Mir ist so wunderbar" by Hildegard Behrens (soprano), Sona Ghazarian (soprano), David Kuebler (tenor), Hans Sotin (operatic bass), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
• 1 - Fidelio op. 72, Act 2 "O namenlose Freude" by Hildegard Behrens (soprano), Peter Hofmann (German tenor/rock singer), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
• 1 - Fidelio op.72 / Act 1 - "O welche Lust, in freier Luft den Atem leicht zu heben!" by Robert Johnson (tenor), Philip Kraus (baritone), Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti (conductor)
• 1 - Fidelio, Act I, No. 1: Duett: Der arme Jaquino dauert mich beinahe by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 1: Duett: Jetzt, Schätzchen, jetzt sind wir allein by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 2: Arie: Guten Tag, Marzelline, Ist Fidelio noch nicht zurück? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 3: Quartett: Höre, Fidelio, weißt du, was ich tue? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 4: Arie: Ihr könnt das leicht sagen, Meister Rocco by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 5: Terzett: Gut, Söhnchen, gut, hab' immer Mut by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 6: Marsch: Wo sind die Depeschen by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 7: Arie mit chor: Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 8: Duett: Jetzt, Alter, jetzt hat es Eile! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 9: Rezitativ und Arie: Rocco, Ihr verspracht mir so oft by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 10: Finale: Ach! Vater, eilt! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 10: Finale: Nun sprecht, wie ging's? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act I, No. 10: Finale: O welche Lust! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: I. Introduktion und Arie: Gott! Welch Dunkel hier! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: II. Melodram und Duett: Wie kalt ist es in diesem unterirdischen Gewölbe by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: III. Nur hurtig fort by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: IV. Er erwacht! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: IX. Es schlägt der Rache Stunde! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: V. Terzett: Euch werde Lohn in besser'n Welten by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: VI. Alles ist bereit by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: VII. Quartett: Er sterbe! Doch er soll erst wissen by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: VIII. Vater Rocco! Vater Rocco! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: X. Duett: O namenlose Freude! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: XI. Finale: Heil sei dem Tag, heil sei der Stunde by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, Act II: XII. Du schlossest auf des Edlen Grab by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) by Horst Laubenthal (tenor), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) by José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 6. March by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” by Werner Hollweg (tenor), Siegfried Rudolf Frese (German operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) by Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) by Adolf Dallapozza (tenor), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) by Lucia Popp (soprano), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) by Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) by Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) by Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene II, no. 6. March by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Karl Terkal (Austrian Tenor), Alfred Šramek (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)