Tag “opera”
~ Tag
Recordings tagged as “opera”
8,596 recordings found
- 1 - I vespri siciliani: “È di monforte il cenno!” … “Giorno di pianto” by José Carreras (Spanish tenor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Jesús López Cobos (conductor)
- 1 - I vespri siciliani: Atto V. “Mercè, dilette amiche” by Rita Streich (soprano), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ernst Märzendorfer (conductor)
- 1 - I vespri siciliani: Bolero “Mercè, dilette amiche” by Maria Chiara (soprano), Orchestra of the Royal Opera House, Covent Garden, Nello Santi (conductor)
- 1 - I vespri siciliani: O tu Palermo by Alexander Kipnis (operatic bass)
- 1 - I vespri siciliani: Sinfonia by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - I Want to Vanish by Anne Sofie von Otter (mezzo-soprano) meets Elvis Costello
- 1 - I Was Born to Love You (George Demure Almost Vocal mix) by Freddie Mercury
- 1 - I Was Born to Love You (original 1985 extended version) by Freddie Mercury
- 1 - I’ te vurria vasà by Andrea Bocelli (tenor)
- 1 - I’ te vurría vasá by Russell Watson (tenor)
- 1 - I’ll Be Home for Christmas by Plácido Domingo (tenor), Wiener Symphoniker (Vienna Symphony Orchestra)
- 1 - I’ll Walk With God by Russell Watson (tenor)
- 1 - I’ve Dreamed of You (Questo e per te) by Katherine Jenkins (mezzo-soprano)
- 1 - Ich baue ganze (Die Entführung aus dem Serail) by Rockwell Blake (tenor), London Symphony Orchestra, Nicholas McGegan
- 1 - Idomeneo (Atto I): "Quando avran fine omai... Padre, germani, addio!" (llia) by Barbara Hendricks (soprano), English Chamber Orchestra, Jeffrey Tate (conductor)
- 1 - Idomeneo, K. 366 - "Oh smanie!" - "D'Oreste, d'Aiace" by Anna Netrebko (soprano), Orchestra Mozart, Claudio Abbado (conductor)
- 1 - Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) by Ian Bostridge (tenor), Scottish Chamber Orchestra, Charles Mackerras (Australian conductor)
- 1 - Idomeneo, K. 366: "Non temer, amato bene", K. 490 by Irmgard Seefried (soprano), Wolfgang Schneiderhan (violinist), Wiener Symphoniker (Vienna Symphony Orchestra), Ferdinand Leitner (conductor)
- 1 - Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) by Lisa Milne (soprano), Scottish Chamber Orchestra, Charles Mackerras (Australian conductor)
- 1 - Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo) by Werner Hollweg (tenor), Orchester der Oper Zürich (aka Philharmonia Zürich), Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: Il padre adorato (Idamante) by Trudeliese Schmidt (mezzo-soprano), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 11. Aria: Se il padre perdei (Ilia) by Rachel Yakar (soprano), Chorus of the Zürich Opera House, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 12a. Aria: Fuor del mar (Idomeneo) by Werner Hollweg (tenor), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 13. Aria: Idol mio, se ritroso (Electra) / No. 14. Marcia e recitativo: Odo da lunge armonioso suono (Electra) by Felicity Palmer (mezzo-soprano), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 19. Aria: Zeffiretti lusinghieri (Ilia) / Recitativo: Ei stesso vien... Oh dei! (Ilia) by Rachel Yakar (soprano), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 27. Recitativo: Padre, mio caro padre (Idamante, Idomeneo, Ilia, High Priest, Electra) / No. 28d. La voce ha vinto amore (The Voice) by Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: No. 29. Recitativo: Oh ciel pietoso! (Idomeneo, Idamante, Ilia, Arbace, Electra) by Werner Hollweg (tenor), Trudeliese Schmidt (mezzo-soprano), Rachel Yakar (soprano), Kurt Equiluz (tenor), Felicity Palmer (mezzo-soprano), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: Overture by English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner
- 1 - Idomeneo, K. 366: Overture by Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: Overture by Royal Philharmonic Orchestra, Sir Colin Davis (English conductor)
- 1 - Idomeneo, K. 366: Overture by Staatskapelle Dresden (Dresden Symphonic Orchestra), Hans Vonk (conductor)
- 1 - Idomeneo, K. 366: Pria di partir, oh Dio! (Electra, Idamante, Idomeneo) / Qual nuovo terrore! (Chorus) / Eccoti in me, barbaro Nume! (Idomeneo) / Corriamo, fuggiamo (Chorus) by Felicity Palmer (mezzo-soprano), Trudeliese Schmidt (mezzo-soprano), Werner Hollweg (tenor), Chorus of the Zürich Opera House, Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: Tranquillo è il mar (Idomeneo) by Werner Hollweg (tenor), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, K. 366: Vedrommi intorno l'ombra dolente (Idomeneo) / Cieli! che veggo? (Idomeneo, Idamante) by Werner Hollweg (tenor), Trudeliese Schmidt (mezzo-soprano), Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt (conductor)
- 1 - Idomeneo, re di Creta, K. 366: "Torna la pace al core" by Luciano Pavarotti (tenor), Wiener Philharmoniker (Vienna Philharmonic), Sir John Pritchard (conductor)
- 1 - Idomeneo, re di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) by Kiri Te Kanawa (soprano), London Symphony Orchestra, Sir Colin Davis (English conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) by Barbara Hendricks (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) by Roberta Alexander (soprano), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia) by Barbara Hendricks (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) by Sylvia Sass (Hungarian soprano), Hungarian State Opera Orchestra (Hungarian State Opera Orchestra), Ervin Lukács (conductor)
- 1 - Idomeneo, rè di Creta, K. 366: Atto III, scena X. No. 29a Aria “D’Oreste, d’Aiace” (Elettra) by Edda Moser (soprano), Staatskapelle Dresden (Dresden Symphonic Orchestra), Hans Schmidt‐Isserstedt
- 1 - Idomeneo, re di Creta, K. 366: Atto III: “Zeffiretti lusinghieri” by Rita Streich (soprano), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Artur Rother (conductor)
- 1 - Idomeneo, re di Creta, K. 366: Ouverture by St. Petersburg New Philharmony Orchestra, Alexander Titov (conductor)
- 1 - Idomeneo, re di Creta, K. 366: Ouverture by Wiener Philharmoniker (Vienna Philharmonic), Ferenc Fricsay (conductor)
- 1 - Idomeneo, re di Creta, K.366 / Act 2: Non Temer, amato bene by Sylvia McNair (soprano), Alfred Brendel (Austrian pianist), Academy of St. Martin in the Fields (Academy of St Martin in the Fields), Sir Neville Marriner (conductor)
- 1 - Idomeneo, rè di Creta: Atto III. Aria “Zeffiretti lunsighieri” (Ilia) by Natalie Dessay (soprano), Orchestra of the Age of Enlightenment, Louis Langrée (conductor)
- 1 - Idomeneo, re di Creta: Zeffiretti lusinghieri by Barbara Hendricks (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
- 1 - Idomeneo: “Fuor del mar ho un mar in seno” (Idomeneo) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
- 1 - Idomeneo: “Fuor del mar” by Plácido Domingo (tenor), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
- 1 - Idomeneo: Atto II, scena 1. “Fuor del mar ho un mar in seno” (Idomeneo) by Luciano Pavarotti (tenor), Wiener Philharmoniker (Vienna Philharmonic), Sir John Pritchard (conductor)
- 1 - Idomeneo: Atto III: "Zeffiretti lusinghieri" (Ilia) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir John Pritchard (conductor)
- 1 - Idomeneo: Fuor del mar by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Idomeneo: Fuor del mar by Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - If by Mario Lanza (tenor)
- 1 - If I Loved You by Charlotte Church
- 1 - Ifigenia in Aulide: "O di spietati numi più spietato ministro! …Tu, spietato, non farai cader vittima" by Xavier Sabata (Spanish countertenor), Armonia Atenea (Greek camerata), George Petrou (Greek conductor)
- 1 - Ihr Bild D 957 Nr. 9 by Fritz Wunderlich (operatic tenor), Rolf Reinhardt (German conductor 1927-2006)
- 1 - II barbiere di Siviglia: “Ecco, ridente in cielo” by William Matteuzzi (tenor), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
- 1 - Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) by Thomas Allen (baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
- 1 - Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) by Agnes Baltsa (mezzo-soprano), Academy of St Martin in the Fields, Neville Marriner (conductor)
- 1 - Il barbiere di Siviglia (Der Barbier von Sevilla): “Largo al factotum” by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa” by Sumi Jo (soprano), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Paolo Olmi
- 1 - Il Barbiere di Siviglia, Act I: La ran la le ra la ran la la ... Largo al factotum (Figaro) by Sherrill Milnes (baritone), London Symphony Orchestra, James Levine (US conductor and pianist)
- 1 - Il barbiere di Siviglia: “Io sono docile” by Cecilia Bartoli (mezzo‐soprano), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
- 1 - Il barbiere di Siviglia: “La calunnia è un venticello” by Nicolaï Ghiaurov (operatic bass), Orchestra Rossini di Napoli, Silvio Varviso (conductor)
- 1 - Il barbiere di Siviglia: “Largo al factotum” by Robert Merrill (American operatic baritone), Metropolitan Orchestra (Metropolitan Opera Orchestra), Erich Leinsdorf (conductor)
- 1 - Il barbiere di Siviglia: “Largo al factotum” by Hermann Prey (baritone), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Il barbiere di Siviglia: “Largo al factotum” by Leo Nucci (baritone), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
- 1 - Il barbiere di Siviglia: "Una voce poco fa" / "Io sono docile" by Frederica von Stade (mezzo-soprano), Rotterdam Philharmonic Orchestra, Edo de Waart (conductor)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ah, che bella vita!” (Figaro, Conte) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ah, che d'amore la fiamma io sento“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ecco ridente in cielo” (Conte) by Luigi Alva (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello?” (Conte, Fiorello, Coro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Gente indiscreta!” (Conte, Fiorello, Figaro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” (Conte, Fiorello, Coro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Oh, cielo!” (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Oh, il meglio mi scordavo“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Piano, piano... Un'altra idea!“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 1. Cavatina: “Largo al factotum della città” (Figaro) by Sesto Bruscantini (bass-baritone), Royal Philharmonic Orchestra, Vittorio Gui (conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “A un dottor della mia sorte” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah, disgraziato Figaro!” (Bartolo, Rosina) by Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah, venisse, il caro oggetto” (Conte, Bartolo, Rosina) by Luigi Alva (tenor), Maria Callas (soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah! Barbiere d'inferno” (Bartolo, Basilio) by Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah! Che ne dite?” (Bartolo, Basilio) by Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Che cosa accadde, signori miei” (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) by Roberto Benaglio (conductor), Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Dunque, lei vuol battaglia?” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro) by Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ehi, di casa, buona gente” (Conte, Bartolo) by Luigi Alva (tenor), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fermi tutti, nessun si muova” (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale) by Roberto Benaglio (conductor), Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Finora in questa camera” (Berta, Conte) by Luigi Alva (tenor), Gabriella Carturan (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fortunati affetti miei” (Figaro, Rosina) by Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fredda ed immobile” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. "La calunnia è un venticello" (Basilio) by Ruggero Raimondi (bass-baritone), London Symphony Orchestra, James Levine (US conductor and pianist)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “La calunnia è un venticello” (Basilio) by Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ma signor... ma un dottor” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ora mi sento meglio” (Rosina, Bartolo) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. “Sì, sì, la vincerò” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) by Roberto Servile (baritone), Failoni Chamber Orchestra, Will Humburg (conductor)
- 1 - Il barbiere di Siviglia: Atto I. "All'idea di quel metallo" (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)