Tag “opera”

Recordings tagged as “opera”

8,596 recordings found

• 1 - Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » by Maria Callas (soprano)
• 1 - Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » by Maria Callas (soprano), Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 1 - Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 1 - Samson et Dalila : Samson, recherchant ma présence…amour! Viens aider ma faiblesse! by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 1 - Samson et Dalila, Act II: Mon coeur s’ouvre à ta voix by Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
• 1 - Samson et Dalila, Mon Coeur S'ouvre À Ta Voix by Marilyn Horne (American operatic mezzo-soprano), Wiener Opernorchester (Vienna State Opera Orchestra), Wiener Opernorchester (see annotation before use), Henry Lewis (conductor)
• 1 - Samson et Dalila, op. 47, R. 288, Act 2: "Mon coeur s'ouvre à ta voix" by Regina Resnik (soprano, mezzo-soprano, alto), Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes (conductor)
• 1 - Samson et Dalila, Op. 47: Amour, viens aider ma faiblesse by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 1 - Samson HWV 57: Act 3: "Let the bright seraphim" by Renée Fleming (soprano), Orchestra of the Age of Enlightenment, Harry Bicket (harpsichordist, organist and conductor)
• 1 - Samson, HWV 57: Act III, Scene 2. Air: “How willing my paternal love” (Manoa) by Thomas Stewart (bass-baritone), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Samson, HWV 57: Act III, Scene 3. Air: “Let the bright Seraphim” (Israelitish Woman) by Sheila Armstrong (soprano), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Samson: Let the Bright Seraphim by Joan Sutherland (soprano), Chorus of the Royal Opera House, Covent Garden, Harry Dilley, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli (conductor)
• 1 - Sanctus by Romano Gandolfi (chorus master and conductor), Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Marcello Viotti (conductor)
• 1 - Santa Lucia by Mario Lanza (tenor)
• 1 - Santa Lucia luntana (live, 1994-09-13: Parco Novi Sad, Modena, Italy) by Luciano Pavarotti (tenor) · Giorgia (Italian singer Giorgia Todrani)
• 1 - Sarà settembre (September Morn) by Andrea Bocelli (tenor)
• 1 - Satyagraha: Act I, Scene 3. The Vow (1906) by New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene
• 1 - Satyagraha: Act II, Scene 2. Indian Opinion (1906) by New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene
• 1 - Satyagraha: Act III. Newcastle March (1913), Part 1 by New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene
• 1 - Satyagraha: Act III. Newcastle March (1913), Part 2 by New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene
• 1 - Saül: O Lord, whose mercies numberless by Paul Esswood (countertenor), English Chamber Orchestra, Philip Ledger
• 1 - Scena et Aria “Ah! perfido”, op. 65 by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
• 1 - Scent of a Woman: Tango (Por una cabeza) by Itzhak Perlman (violinist and conductor), Pittsburgh Symphony Orchestra, John Williams (American score composer and conductor)
• 1 - Se all' impero (La clemenza di Tito) by Rockwell Blake (tenor), London Symphony Orchestra, Nicholas McGegan
• 1 - Se di lauri (Mitridate, re di Ponto) by Rockwell Blake (tenor), London Symphony Orchestra, Nicholas McGegan
• 1 - Se è vero che ci sei by Biagio Antonacci · Luciano Pavarotti (tenor)
• 1 - Selve amiche by Cecilia Bartoli (mezzo‐soprano), György Fischer (pianist and conductor)
• 1 - Semiramide, RV 733: "Quegl' occhi luminosi" by Simone Kermes (soprano), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
• 1 - Semiramide: “Bel raggio lusinghier di speme” by Joan Sutherland (soprano), Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli (conductor)
• 1 - Semiramide: Atto I. “Bel raggio lusinghier” by Rita Streich (soprano), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Artur Rother (conductor)
• 1 - Semiramide: Atto I. “Bel raggio lusinghier” by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
• 1 - Semiramide: Atto I. "Eccomi alfine in Babilonia" / " Ah, quel giorno" (Arsace) by Max Emanuel Cenčić (countertenor), Orchestre de chambre de Genève (Geneva Chamber Orchestra), Michael Hofstetter (conductor, academic)
• 1 - Semiramide: E prigioniero e re by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
• 1 - Semiramide: Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Semiramide: Overture by Plovdiv Philharmonic Orchestra, Rouslan Raychev (Rouslan Raichev, conductor)
• 1 - Semiramide: Overture by Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
• 1 - Semiramide: Sento l'amica speme (Semiramide) by Diana Damrau (soprano), Le Cercle de l'Harmonie, Jérémie Rhorer (conductor)
• 1 - Semirande: Atto I. “Bel raggio lusinghier” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Tonini (conductor)
• 1 - Semirande: Atto I. “Bel raggio lusinghier” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Tonini (conductor)
• 1 - Sempre sempre by Andrea Bocelli (tenor)
• 1 - September Song by Robert Meadmore
• 1 - Serenade no. 10 in B-flat major, K. 370a/361: Adagio by Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner (conductor)
• 1 - Serse - "Frondi tenere... Ombra mai fu" by George Frideric Handel (German‐British baroque composer)
• 1 - Serse (Xerxes), HWV 40, Act I: Ombra mai fu: Largo (Serse) by József Mukk (tenor), Camerata Budapest, László Kovács (conductor)
• 1 - Serse (Xerxes), HWV 40: “Ombra mai fu” by Richard Lewis (Welsh tenor), Hallé Orchestra, Sir John Barbirolli (conductor and cellist)
• 1 - Serse, Act 1: "Ombra mai fù" by Anthony Way (UK chorister and classical singer), Daniel Phillips (organist), English Sinfonia, Neil Page (conductor, musical director)
• 1 - Serse, Act I: Arietta "Né men con l'ombre d'infedeltà" by Barbara Hendricks (soprano), La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire (conductor and oboist)
• 1 - Serse, Act III: Aria "Crude furie degl'orridi abissi" - Recitativo "Perfidi! E ancor" (Carolyn Watkinson, All) by La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire (conductor and oboist)
• 1 - Serse, Akt I: “Ombra mai fu” by Rolando Villazón (tenor), Gabrieli Players, Paul McCreesh (conductor)
• 1 - Serse, HWV 40 (Suite): Aria: “Quella che tutta fè” by Richard Lewis (Welsh tenor), Valda Aveling (pianist, harpsichordist and clavichordist), Hallé Orchestra, Sir John Barbirolli (conductor and cellist)
• 1 - Serse, HWV 40, Act 1: "Ombra mai fu" by Kathleen Ferrier (contralto), London Symphony Orchestra, Sir Malcolm Sargent (conductor)
• 1 - Serse, HWV 40, Act I: "Né men con l'ombre" by Il Pomo d’Oro, Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
• 1 - Serse, HWV 40, Act I: Aria. Nemmen coll’ombre (Romilda) by Lucy Crowe (soprano), The English Concert, Harry Bicket (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) by Emily D'Angelo (mezzo‐soprano), The English Concert, Harry Bicket (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40, Act I: Frondi tenere by The Hanover Band, Nicholas McGegan
• 1 - Serse, HWV 40, Act I: Ombra mal fu by The Hanover Band, Nicholas McGegan
• 1 - Serse, HWV 40, Act III: “Crude furie degli orridi abissi” by Franco Fagioli (countertenor), Il Pomo d’Oro, Zefira Valova
• 1 - Serse, HWV 40, Act III: Aria. Crude furie (Serse) by Emily D'Angelo (mezzo‐soprano), The English Concert, Harry Bicket (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: "Frondi tenere... ombra mai fù" (Serse) by David Daniels (American countertenor), Orchestra of the Age of Enlightenment, Sir Roger Norrington (conductor)
• 1 - Serse, HWV 40: “Ombra mai fu” by Bryn Terfel (bass‐baritone opera singer), Scottish Chamber Orchestra, Charles Mackerras (Australian conductor)
• 1 - Serse, HWV 40: Act 1, Accompagnato: "Frondi tenere e belle" (Serse) by Rolando Villazón (tenor), Gabrieli Players, Paul McCreesh (conductor)
• 1 - Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) by Gérard Lesne (countertenor), Il Seminario Musicale (French baroque music ensemble)
• 1 - Serse, HWV 40: Act 1: Aria: "Ne men con l'ombre d'infidelta" by Jennifer Smith (soprano), Hanover Band, Nicholas McGegan
• 1 - Serse, HWV 40: Act 1: Overture by The Hanover Band, Nicholas McGegan
• 1 - Serse, HWV 40: Act 3: "Crude furie degl' orridi abissi" by Yuriy Mynienko (countertenor), Armonia Atenea (Greek camerata), George Petrou (Greek conductor)
• 1 - Serse, HWV 40: Act I, Scene 1. “Rec. Acc. Frondi tenere, e belle” Aria. “Ombra mai fu” (Serse) by Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 2-3. “Rec. e Arioso, O voi che penate” (Romilda, Arsamene, Elviro, Serse) by Monica Piccinini (soprano), Biagio Pizzuti, Marina de Liso (mezzo-soprano), Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 2. “Rec. Siam giunti, Elviro”, “Sinfonia e Rec. Sento un soave concento” (Arsamene, Elviro) by Marina de Liso (mezzo-soprano), Biagio Pizzuti, Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 3. “Aria, Io le dirò che l’amo” (Serse, Arsamene) by Arianna Vendittelli (soprano), Marina de Liso (mezzo-soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 3. “Rec. Arsamene. Mio Sire”, “Aria Va godendo vezzoso e bello” (Serse, Arsamene, Romilda) by Arianna Vendittelli (soprano), Marina de Liso (mezzo-soprano), Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 3. “Rec. Quel canto a un bell’amor” (Serse, Arsamene) by Arianna Vendittelli (soprano), Marina de Liso (mezzo-soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 4-5. “Rec. Presto, Signor” (Elviro, Arsamene, Serse, Romilda) by Biagio Pizzuti, Marina de Liso (mezzo-soprano), Arianna Vendittelli (soprano), Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 4. “Aria, Sì sì, mio ben, sì, sì (Atalanta) by Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 4. “Rec. Arsamene. Romilda, oh Dei” (Romilda, Arsamene, Atalanta) by Monica Piccinini (soprano), Marina de Liso (mezzo-soprano), Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 5. “Aria, Meglio in voi col mio partire” (Arsamene) by Marina de Liso (mezzo-soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 6. “Rec. Bellissima Romilda”, “Aria Di tacere e di schernirmi” (Serse) by Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 7. “Aria Se cangio spoglia” (Amastre) by Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 8-9. “Rec. Pugnammo amici”, “Rec. Ecco Serse” (Ariodate, Amastre, Serse) by Luigi De Donato (bass vocalist), Delphine Galou (contralto), Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 9. “Aria, Soggetti al mio volere” (Ariodate) by Luigi De Donato (bass vocalist), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 10. “Aria, Più che penso alle fiamme del core” (Serse) by Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 10. “Rec. Queste vittorie, io credo” (Serse, Amastre) by Arianna Vendittelli (soprano), Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 11. “Aria, Non so, se sia la speme” (Arsamene) by Marina de Liso (mezzo-soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 11. “Rec. Eccoti il foglio, Elviro”, “Aria, Signor, Signor, lasciate fare a me” by Marina de Liso (mezzo-soprano), Biagio Pizzuti, Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 12. “Rec. Tradir di reggia sposa”, “Aria, Saprà delle mie offese” (Amastre) by Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 13. “Aria, Se l’idol mio rapir mi vuoi” (Romilda) by Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 13. “Rec. Al fin sarete sposa” (Atalanta, Romilda) by Francesca Aspromonte (soprano), Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I, Scene 14. “Rec. Per rapir quel tesoro”, “Aria, Un cenno leggiadretto” (Atalanta) by Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act I: Aria. Romilda: ‘Nemmen coll’ombre d’infedeltà’. Larghetto, e pianissimo by Early Opera Company (Dir: Christian Curnyn), Christian Curnyn (conductor)
• 1 - Serse, HWV 40: Act I: Aria. Serse: ‘Ombra mai fu’. Larghetto by Early Opera Company (Dir: Christian Curnyn), Christian Curnyn (conductor)
• 1 - Serse, HWV 40: Act II, Scena 1. “Aria, Or che siete speranze tradite” (Amastre) by Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 1. “Arioso, Ah! Chi voler fiora” (Elviro) by Biagio Pizzuti, Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 1. “Arioso, Speranze mie fermate” (Amastre) by Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 1. “Rec. E chi direbbe mai” (Elviro, Amastre) by Biagio Pizzuti, Delphine Galou (contralto), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 2. “Rec. e Arioso. Quel curioso è partito” (Elviro, Atalanta) by Biagio Pizzuti, Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 3. “Aria, Dirà, che amor per me” (Atalanta) by Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 3. “Arioso, È tormento troppo fiero” (Serse) by Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 3. “Rec. Di quel foglio, Atalanta” (Serse, Atalanta) by Arianna Vendittelli (soprano), Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 3. “Rec. Voi quel foglio lasciate a me”, “Aria, Dirà, che non m’amò” (Serse, Atalanta) by Arianna Vendittelli (soprano), Francesca Aspromonte (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 4. “Aria, Se bramate d’amar chi vi sdegna” (Serse) by Arianna Vendittelli (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)
• 1 - Serse, HWV 40: Act II, Scene 4. “Rec. Ingannata Romilda!”, “A 2 L’amerete? L’amerò” (Serse, Romilda) by Arianna Vendittelli (soprano), Monica Piccinini (soprano), Accademia Bizantina, Ottavio Dantone (harpsichordist, organist and conductor)