Tag „opera“
~ Tag
Aufnahmen, die als „opera“ getaggt sind
8.596 Aufnahmen gefunden
- 1 - Suor Angelica: “Sorella, o buona sorella” von Cristina Gallardo‐Domâs (soprano), London Voices, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: “Sorelle in umiltà” von Sara Fulgoni (mezzo-soprano), London Voices, Judith Rees, Dorothea Röschmann (soprano), Elena Zilio (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: “Suor Angelica, sentite!” von Cristina Gallardo‐Domâs (soprano), London Voices, Francesca Pedaci (soprano), Dorothea Röschmann (soprano), Rachele Stanisci (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: “Suor Angelica!” von Cristina Gallardo‐Domâs (soprano), London Voices, Felicity Palmer (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: “Tutto ho offerto alla Vergine” von Cristina Gallardo‐Domâs (soprano), Bernadette Manca di Nissa (contralto), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: Atto I. “Senza mamma” von Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 1 - Suor Angelica: Ave Maria von London Voices, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: Interlude von Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Pappano (conductor and pianist)
- 1 - Suor Angelica: Intermezzo von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 1 - Suor Angelica: Senza mamma, o bimbo, tu sei morto von Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 1 - Super Mario Galaxy: Gusty Garden Galaxy (The Greatest Video Game Music 1) von London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Andrew Skeet
- 1 - Sylvia, Act 1: No. 3 Les Chasseresses (fanfare) von Orchestre de l’Opéra national de Paris, André Cluytens (Belgian-born French conductor)
- 1 - Symphony no. 2 in D major, op. 43: 1. Allegretto von Tokyo Symphony Orchestra, Naoto Otomo (Japanese conductor)
- 1 - Symphony No. 2, Op. 9 “Antar”: I. Largo - Allegro giocoso - Adagio - Largo - (Tempo I) - Allegretto vivace - Adagio - Allegretto vivace - Largo (Tempo I) von Rotterdam Philharmonic Orchestra, David Zinman (conductor)
- 1 - Symphony No. 2, Op. 9 “Antar”: II. Allegro - Molto allegro - Meno mosso, allargando - Allegro (Tempo I) von Rotterdam Philharmonic Orchestra, David Zinman (conductor)
- 1 - Symphony No. 2, Op. 9 “Antar”: III. Allegro risoluto alla marcia von Rotterdam Philharmonic Orchestra, David Zinman (conductor)
- 1 - Symphony No. 2, Op. 9 “Antar”: IV. Allegretto vivace - Andante amoroso - Animato assai - Tempo I von Rotterdam Philharmonic Orchestra, David Zinman (conductor)
- 1 - Symphony no. 4 in D major, K. 19: II. Andante von Mozart Akademie Amsterdam, Jaap ter Linden (cellist/violist/conductor)
- 1 - Symphony no. 5 in C minor, Op. 67 “Fate”: I. Allegro con brio von London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
- 1 - Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato von Arnhem Philharmonic Orchestra (Arnhem Philharmonic), Japan Philharmonic Orchestra, Ken-Ichiro Kobayashi
- 1 - Symphony no. 8 “ Unfinished “: Andante con moto von Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), Kovács János (conductor)
- 1 - Symphony no. 9 in E minor, op. 95 "From the New World": 4. Allegro con fuoco von Tokyo Symphony Orchestra, Norichika Iimori (conductor)
- 1 - Symphony no. 41 in C major, K. 551 "Jupiter": 1. Allegro vivace von Czech Philharmonic Orchestra (Tschechische Philharmonie, formerly Czech Philharmonic Orchestra), Hideaki Muto
- 1 - T’estimo von José Carreras (Spanish tenor)
- 1 - Tancredi: "Addio o miei sospiri" von Max Emanuel Cenčić (countertenor), Armonia Atenea (Greek camerata), George Petrou (Greek conductor)
- 1 - Tancredi: “Di tanti palpiti” von Marilyn Horne (American operatic mezzo-soprano), L’Orchestre de la Suisse Romande (OSR), Henry Lewis (conductor)
- 1 - Tancredi: Overture von Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
- 1 - Tannhäuser and the Contest of Song on the Wartburg: Overture von Wiener Philharmoniker, Karl Böhm (Austrian conductor)
- 1 - Tannhäuser und der Sängerkrieg auf Wartburg: Bacchanale (Venusberg) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 1 - Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre von Wiener Philharmoniker, Herbert von Karajan (conductor)
- 1 - Tannhäuser und der Sängerkrieg auf Wartburg: Overtüre von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 1 - Tannhäuser, WWV 70: Act I. Bacchanale von Wiener Philharmoniker, Sir Georg Solti (conductor)
- 1 - Tannhäuser, WWV 70: Overture von Wiener Philharmoniker, Sir Georg Solti (conductor)
- 1 - Tannhäuser, WWV 70: Venusberg music von Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Tannhäuser: "Allmächt'ge Jungfrau, hör mein Flehen" (Elisabeth) von Gundula Janowitz (soprano), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Ferdinand Leitner (conductor)
- 1 - Tannhäuser: "Dich teure Halle grüß ich wieder" (Elisabeth) von Gundula Janowitz (soprano), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Ferdinand Leitner (conductor)
- 1 - Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance) von Hildegard Behrens (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Peter Schneider (classical and opera conductor)
- 1 - Tannhäuser: „O du, mein holder Abendstern” von Tom Krause (bass-baritone), Vienna Opera Orchestra (Vienna State Opera Orchestra), Argeo Quadri (conductor)
- 1 - Tannhäuser: Akt II. »Dich, teure Halle« von Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Walter Süsskind (conductor)
- 1 - Tannhäuser: Dich teure Halle (Act II) von Marilyn Richardson (soprano), Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010), Werner Andreas Albert (conductor)
- 1 - Tannhäuser: II. Aufzug "Blick' ich umher" (Herbert Janssen, 1930) von Herbert Janssen (operatic bass-bariton), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Elmendorff
- 1 - Tannhäuser: II. Aufzug "Dich, teure Halle" (Maria Müller, 1930) von Maria Müller (soprano), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Elmendorff
- 1 - Tannhäuser: III. Aufzug "Allmächt'ge Jungfrau" (Kirsten Flagstad, 1948) von Kirsten Flagstad (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Исай Добровейн (Russian conductor, composer and pianist)
- 1 - Tannhäuser: III. Aufzug "Wie Todesahnung... O du mein holder Abendstern" (Gerhard Hüsch, 1936) von Gerhard Hüsch (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Hanns Udo Müller (pianist)
- 1 - Tannhäuser: III. Aufzug "Wohl wusst' ich" (Gerhard Hüsch, 1936) von Gerhard Hüsch (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Hanns Udo Müller (pianist)
- 1 - Tannhäuser: Overture von Berliner Philharmoniker, Klaus Tennstedt (conductor)
- 1 - Tannhäuser: Overture & Venusberg Music (Paris version) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 1 - Tannhäuser: Wie Todesahnung … O du mein holder Abendstern von Dietrich Fischer‐Dieskau (baritone), Orchester der Staatsoper Berlin, Franz Konwitschny (conductor)
- 1 - Telling Stories (live, 2000-06-06: Parco Novi Sad, Modena, Italy) von Tracy Chapman (American singer‐songwriter)
- 1 - Thaïs : Méditation von Michel Schwalbé (Polish violinist), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 1 - Thaïs, Act II: Meditation von Christer Thorvaldsson (Swedish violinist), Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Neeme Järvi (Estonian conductor)
- 1 - Thais: Meditation von Nigel Kennedy (violinist), English Chamber Orchestra
- 1 - Thais: Meditation von Lászlo Kóte (violin), Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), András Kórodi (conductor), János Sándor
- 1 - Thaïs: Meditation von Pieter Schoeman (violinist and conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
- 1 - Thaïs: Méditation von John Georgiadis, London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Thamos, König in Ägypten, KV 345: 1. Chor: "Schon weichet dir, Sonne" (final version) von Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 1a. Chor: "Schon weichet dir, Sonne" (original version) von Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 2. Zwischenakt von English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 3. Zwischenakt von English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 4. Zwischenakt von English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 5. Zwischenakt von English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 6. Chor: "Gottheit, über alle mächtig!" (final version) von Julian Clarkson (baritone), Frances Jellard, Angela Kazimierczuk (Classical soprano), Monteverdi Choir (English vocal Baroque ensemble), Paul Tindall (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 6a. Chor: "Gottheit, über alle mächtig!" (original version) von Julian Clarkson (baritone), Frances Jellard, Angela Kazimierczuk (Classical soprano), Monteverdi Choir (English vocal Baroque ensemble), Paul Tindall (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 7. Chor mit Solo (Sethos): "Ihr Kinder des Staubes, erzittert und bebet" (final version) von Alastair Miles (operatic bass), Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - Thamos, König in Ägypten, KV 345: 7a. Schlußmusik zum Fünften Akt (original version) von English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 1 - The Abduction From the Seraglio K. 384: Aria: Martern aller Arten (Aria of Konstanze, Act 2) von Sylvia Greenberg, Frankfurt Radio Symphony Orchestra (Frankfurt Radio Symphony), Marcello Viotti (conductor)
- 1 - The Abduction from the Seraglio, K. 384, Act II: "Martern aller Arten" (Konstanze's Aria) von Sylvia Greenberg, Frankfurt Radio Symphony Orchestra (Frankfurt Radio Symphony), Marcello Viotti (conductor)
- 1 - The Abduction from the Seraglio, K. 384: Act I - “Konstanze, dich wiederzusehen, dich!” von Peter Schreier (German tenor and conductor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Otmar Suitner (conductor)
- 1 - The Abduction from the Seraglio, K. 384: Act II - “Wenn der Freude Tränen fliessen” von Peter Schreier (German tenor and conductor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Otmar Suitner (conductor)
- 1 - The Abduction from the Seraglio, K. 384: Act III - “Ich baue ganz auf deine Stärke” von Peter Schreier (German tenor and conductor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Otmar Suitner (conductor)
- 1 - The Abduction from the Seraglio: “Durch Zärtlichkeit und Schmeicheln” von Donna Robin (soprano), Vienna Mozart Orchestra, Konrad Leitner (conductor)
- 1 - The Abduction from the Seraglio: "Martern aller Arten" von Beverly Sills (soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Aldo Ceccato (conductor)
- 1 - The Abduction from the Seraglio: Pedrillo's Serenade (A Moorish Romance): In Mohrenland gefangen war von Stuart Burrows (tenor), Robert Tear (tenor), Academy of St Martin in the Fields, Sir Colin Davis (English conductor)
- 1 - The Armed Man: Angry Flames von Nicholas Merryweather (baritone), Philip Skahesby, Rachel Lloyd (mezzo soprano), Susan Parkes, Elizabeth Witts, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Jenkins (Welsh composer, conductor and instrumentalist)
- 1 - The Armed Man: Better Is Peace von National Youth Choir of Great Britain, Michael C. Brewer (conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Jenkins (Welsh composer, conductor and instrumentalist)
- 1 - The Barber of Baghdad: Overture von BBC Symphony Orchestra, Sir Adrian Boult (conductor)
- 1 - The Barber of Seville von Sinfonia Varsovia, Yehudi Menuhin (violinist)
- 1 - The Barber of Seville, Act I: Largo al factotum (Figaro) von Sherrill Milnes (baritone), London Symphony Orchestra, James Levine (US conductor and pianist)
- 1 - The Barber of Seville, Largo Al Factotum von Leo Nucci (baritone), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
- 1 - The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” von Sherrill Milnes (baritone), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Silvio Varviso (conductor)
- 1 - The Barber of Seville: Overture von Zagreb Festival Orchestra, Michael Halász (conductor)
- 1 - The Barber of Seville: Overture von Plovdid Philharmonic Orchestra (Philharmonisches Orchester Plovdiv), Rouslan Raychev (Rouslan Raytchev, conductor)
- 1 - The Bartered Bride: Overture von Festival Symphony Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Budapest Symphony Orchestra (Budapester Symphoniker), Orchestre Symphonique de Radio-Tele-Luxembourg (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor, Leopold Hager (conductor)
- 1 - The Carnival of the Animals: The Swan (for cello and harp) von Jacqueline du Pré (cellist), Osian Ellis (Welsh harpist and composer)
- 1 - The Catalogue Aria from ‘Don Giovanni’ von Rolando Panerai (baritone), The Bavarian Radio Symphony Orchestra (Symphonie-Orchester des Bayerischen Rundfunks), Rafael Kubelík (conductor)
- 1 - The Cave, Act 1: II. Who Is Abraham? von Steve Reich (American composer)
- 1 - The Cave, Act 1: IX. Who Is Isaac? von Steve Reich (American composer)
- 1 - The Cave, Act 1: VII. Who Is Ishmael? von Steve Reich (American composer)
- 1 - The Cave, Act 1: X. Genesis XXI von Steve Reich (American composer)
- 1 - The Cave, Act 2: IV. The Near Sacrifice von Steve Reich (American composer)
- 1 - The Christmas Song von Andrea Bocelli (tenor) feat. Natalie Cole
- 1 - The Devil and Kate, op. 112, B. 201 (excerpts): Infernal Dance from Act 2 von Slovak Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), Róbert Stankovský
- 1 - The Devil and Kate, op. 112, B. 201 (excerpts): Overture (B. 201a) von Slovak Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), Róbert Stankovský
- 1 - The Devil and Kate, op. 112, B. 201 (excerpts): Prelude to Act 2 von Slovak Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), Róbert Stankovský
- 1 - The Devil and Kate, op. 112, B. 201 (excerpts): Prelude to Act 3 von Slovak Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), Róbert Stankovský
- 1 - The Devil and Kate, op. 112: Act 2. Opening Chorus von Brno State Philharmonic Chorus, Brno Janáček Opera Orchestra, Jiri Pinkas (pianist/conductor)
- 1 - The Devil and Kate, op. 112: Act 2. Overture von Brno Janáček Opera Orchestra, Jiri Pinkas (pianist/conductor)
- 1 - The English Patient von Gabriel Yared (Lebanese‐French score composer)
- 1 - The Fallen Priest von Freddie Mercury & Montserrat Caballé (soprano)
- 1 - The Fallen Priest (orchestral version) von Freddie Mercury & Montserrat Caballé (soprano)