111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 2009 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2025-01-22 12:22 UTC.

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▶Digital Media
5▶Digital Media
6▼Digital Media
#TitleArtistRatingLength
1Recuerdos de la Alhambra
recorded in:
New York, New York, United States (in 1955-03)
guitar:
Andrés Segovia (guitarist) (in 1955-03)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (in 1955-03)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega5:12
2Exsultate, jubilate, K.165: 4. Alleluia
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
soprano vocals:
Maria Stader (soprano) (from 1960-06-03 until 1960-06-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-06-03 until 1960-06-04)
conductor:
Ferenc Fricsay (conductor) (from 1960-06-03 until 1960-06-04)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1960-06-03 until 1960-06-04)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1960-06-03 until 1960-06-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:36
3Nabucco: Act 3: Va pensiero, sull'ali dorate
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:55
4Ave Maria (after prelude in C major, BWV 846)
producer:
Wolfgang Stengel
soprano vocals:
Cheryl Studer (soprano) (from 1991-03-25 until 1991-03-30)
orchestra:
London Symphony Orchestra (from 1991-03-25 until 1991-03-30)
conductor:
Ion Marin (conductor) (from 1991-03-25 until 1991-03-30)
arranger:
Carlo Sabatini
balance engineer:
Jochen Gottschall (from 1991-03-25 until 1991-03-30)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1991-03-25 until 1991-03-30)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 1991-03-25 until 1991-03-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles Gounod2:05
5Cavatina (arranged by John Williams)
engineer:
Lars Finnström (engineer) (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (classical guitarist) (from 1981-05 until 1981-06)
guitar arranger:
John Williams (classical guitarist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality) (from 1981-05 until 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:37
6Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai)
recorded in:
Berlin (in 1927)
orchestra:
Staatskapelle Berlin (in 1927)
conductor:
Richard Strauss (German composer) (in 1927)
recording of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: IV. Allegro assai (in 1927)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
Wolfgang Amadeus Mozart4:54
7Lo spazzocamino
soprano vocals:
Rita Streich (soprano) (in 1958-05)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-05)
conductor:
Kurt Gaebel (conductor) (in 1958-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1958-05)
recording of:
Seste romanze: No. 4. Lo spazzacamino (in 1958-05)
lyricist:
S. Manfredo Maggioni
composer:
Giuseppe Verdi (Italian opera composer) (in 1845)
part of:
Seste romanze (second set)
Giuseppe Verdi2:50
8Songs of Travel: I. The Vagabond
piano:
Malcolm Martineau (pianist) (in 1995-02)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1995-02)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1995-02)
recording of:
Songs of Travel: I. The Vagabond (in 1995-02)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams3:11
9Lohengrin: Act III, WWV. 75: Prelude to Act III
orchestra:
The Philadelphia Orchestra (in 1997-04)
conductor:
Christian Thielemann (German conductor) (in 1997-04)
recorded at:
Giandomenico Studios in Collingswood (in 1997-04)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1997-04)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:06
10Nanni
instruments:
The Andalucian Dogs (in 2004-08)
soprano vocals:
Dawn Upshaw (soprano) (in 2004-08)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 2004-08)
recording of:
Ayre: V. Nanni (in 2004-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Osvaldo Golijov (Argentinean composer)
part of:
Ayre
Osvaldo Golijov3:18
11Rigoletto: Act I: Questa o quella
tenor vocals:
Rolando Villazón (tenor) (in 2007-03)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2007-03)
conductor:
Daniele Callegari (conductor) (in 2007-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Auditorium di Milano, Fondazione Cariplo in Milano (Milan) (in 2007-03)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 2007-03)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:51
12Suite for Cello Solo no. 5 in C minor, BWV 1011: 3. Courante
cello:
Jian Wang (cellist) (in 2003-07)
recorded at:
Convento da Cartuxa in Caxias (in 2003-07)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: III. Courante (Cello Suite No. 5 in C minor, BWV 1011: III. Courante) (in 2003-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach2:18
13Etude no. 10 "Der Zauberlehring"
piano:
王羽佳 (Yuja Wang, pianist) (in 2008-11)
recorded at:
Friedrich-Ebert-Halle in Hamburg (in 2008-11)
recording of:
Études, Book II: No. 10. Der Zauberlehrling (in 2008-11)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti2:15
14Organ Concerto no. 4 in F, op. 4 no. 4: 1. Allegro
organ:
Eduard Müller (organist) (in 1966-07)
orchestra:
Schola Cantorum Basiliensis (in 1966-07)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor) (in 1966-07)
recorded at:
Tituskirche in Basel (in 1966-07)
recording of:
Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro (in 1966-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in F major, op. 4 no. 4, HWV 292
George Frideric Handel4:27
15Zärtliche Liebe
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich) (from 1965-10-31 until 1965-11-03)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (from 1965-10-31 until 1965-11-03)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 287) and Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
Ludwig van Beethoven2:11
16Wachet auf, ruft uns die Stimme, BWV 645
organ:
Helmut Walcha (German organist) (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:18
175 Preludes, W419: No. 1 in E minor
guitar:
Narciso Yepes (classical guitarist) (in 1971-02)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1971-02)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (in 1971-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos4:56
18Chanson dans la nuit
producer:
Heinz Reinicke
harp:
Nicanor Zabaleta (harpist) (in 1957-01)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-01)
recording of:
Chanson dans la nuit (in 1957-01)
composer:
Carlos Salzedo
Carlos Salzedo3:58
19Sonatensatz "FAE sonate": III. Scherzo
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
piano:
Daniel Barenboim (pianist and conductor) (in 1974-11)
violin:
Pinchas Zukerman (violinist/conductor) (in 1974-11)
balance engineer:
Hans‐Rudolf Müller (engineer) and Klaus Scheibe (editor/engineer) (in 1974-11)
recorded at:
Manhattan Center in Midtown Manhattan (in 1974-11)
recording of:
F-A-E Sonata: III. Scherzo c-moll (Sonata for Violin and Piano, WoO post 2, "F-A-E": III. Scherzo in C minor) (in 1974-11)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 2)
part of:
F-A-E Sonata
Johannes Brahms5:37
204 Impromptus, op. 90, D. 899: No. 4 in A-flat major: Allegretto
piano:
Krystian Zimerman (pianist) (in 1990-02)
recorded at:
Rudolf‐Oetker‐Halle in Bielefeld (in 1990-02)
recording of:
Impromptu in A‐flat major, op. 90, D. 899: No. 4. Allegretto (in 1990-02)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert8:00