Piano Moods: The Definitive Collection

~ Pubblicazione di Oscar Peterson (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

2005 repress of the 1998 compilation Piano Moods: The Very Best of Oscar Peterson

Annotazione modificata l'ultima volta il 2019-07-21 04:03 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloValutazioneDurata
1Happy‐Go‐Lucky Local (aka Night Train)
registrata a:
Los Angeles (dal 1962-12-15 al 1962-12-16)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1962-12-15 al 1962-12-16)
contrabbasso :
Ray Brown (jazz bassist) (dal 1962-12-15 al 1962-12-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1962-12-15 al 1962-12-16)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1963)
registrazione di:
Night Train (Jimmy Forrest’s original instrumental version) (dal 1962-12-15 al 1962-12-16)
compositore:
Jimmy Forrest
si basa su:
Happy Go Lucky Local
4:53
2Surrey With the Fringe on Top
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1959-07)
registrazione strumentale di:
The Surrey With the Fringe on Top (nel 1959-07)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Williamson Music Company (dal 1943 a oggi)
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
2:37
3Fly Me to the Moon
produttore:
H.G. Brunner-Schwer
basso :
Sam Jones (US jazz bassist) (nel 1970)
batteria :
Bobby Durham (nel 1970)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1970)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1970)
registrazione cover di:
Fly Me to the Moon (nel 1970)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
4:41
4Baubles, Bangles and Beads
registrata a:
Chicago (il 1962-09-27)
tecnico:
Val Valentin
produttore:
Jim Davis (jazz producer)
batteria :
Ed Thigpen (il 1962-09-27)
contrabbasso :
Ray Brown (jazz bassist) (il 1962-09-27)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1962-09-27)
registrazione strumentale di:
Baubles, Bangles and Beads (from “Kismet”) (il 1962-09-27)
autore:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Frank Music Corp. e Scheffel Music Corp
si basa su:
String Quartet no. 2 in D major: II. Scherzo. Allegro
parte di:
Kismet (full musical)
4:16
5I Concentrate on You / Moon River
registrata a:
Villingen-Schwenningen (nel 1967-11)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1967-11)
medley che comprende una registrazione dal vivo strumentale di:
I Concentrate on You (nel 1967-11)
paroliere e compositore:
Cole Porter (composer) (nel 1939)
editore:
Chappell & Co., Inc. (USA)
medley che comprende una registrazione dal vivo strumentale di:
Moon River (nel 1967-11)
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
6:29
6Just in Time
registrata a:
Paris (il 1959-05-18)
basso ospite e contrabbasso :
Ray Brown (jazz bassist) (il 1959-05-18)
batteria :
Ed Thigpen (il 1959-05-18)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-05-18)
registrazione strumentale di:
Just in Time (Bells Are Ringing) (il 1959-05-18)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
registrazione di:
Just in Time (Bells Are Ringing)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
1:53
7The Windmills of Your Mind
5:06
8Here’s That Rainy Day
registrazione di:
Here’s That Rainy Day
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:09
9If I Should Lose You
5:23
10Bess You Is My Woman Now
registrazione di:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp
si basa su:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
3:33
11Watch What Happens
registrazione di:
Watch What Happens
paroliere:
Jacques Demy
compositore:
Michel Legrand
traduttore:
Norman Gimbel
versione tradotta di:
Les Parapluies de Cherbourg: Récit de Cassard
6:15
12In the Still of the Night
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (company that specialized in library and production music) e Chappell & Co., Inc. (USA)
2:53
13The Tender Trap
2:45
14Come Rain or Come Shine
chitarra :
Herb Ellis (jazz guitarist) (il 1954-11-15)
contrabbasso :
Ray Brown (jazz bassist) (il 1954-11-15)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1954-11-15)
registrazione strumentale di:
Come Rain or Come Shine (il 1954-11-15)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
4:29
15I’ve Grown Accustomed to Her Face
registrazione di:
I’ve Grown Accustomed to Her Face (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
6:38
16When I Fall in Love
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:17

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (nel 2005)