Party Central

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Date on case is 2001 - 2002-01-08 release date from Best Buy product page (https://www.bestbuy.com/site/party-central-cd/4471887.p?skuId=4471887). Not listed as a purchase link due to not being available for purchase.

UPC is typed only on case/insert - actual barcode is D142351.

Anmerkung zuletzt geändert am 2021-10-09 19:17 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What Is Love
Produzent(in):
Dee Dee Halligan und Junior Torello
Mix:
Gary Jones (British recording engineer)
Sologesang:
Nester Alexander Haddaway
arranger:
Dee Dee Halligan und Alex Trime
phonographisches Urheberrecht (℗) von:
Coconut Records (Canadian) (in 1992, in 1993) und Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1992)
recording of:
What Is Love
Texter:
Junior Torello
Komponist(in):
Dee Dee Halligan
publisher:
A la Carte Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hanseatic Musikverlag GmbH (1964–2001) und Warner/Chappell Music Australia Pty. Ltd.
Haddaway3.44:30
2Pump Up the Jam
Techniker(in):
Spencer Henderson (engineer)
Produzent(in):
Jo “Thomas de Quincey” Bogaert (Belgian producer)
zusätzlich Synthesizer:
Patrick de Meyer (Belgian electronic music producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
phonographisches Urheberrecht (℗) von:
ARS Productions Belgium (in 1989) und ARS Productions (in 1990)
aufgenommen bei und mixed at:
Swanyard Studios in Islington und The Haunted House (private home studio of Jo Bogaert) in Aalst
engineered at:
Swanyard Studios in Islington
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic4.155:22
3The Reflex
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recording of:
The Reflex
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) und Gloucester Place Music Ltd.
Duran Duran4:24
4Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:33
5100% Pure Love
zusätzliche Schlagzeug-Programmierung:
Sean Spencer (American DJ and record producer)
Techniker(in):
Brian "G" und David Sussman
Koproduzent(in):
The Basement Boys (house music production team)
Produzent(in):
Kenny Hicks (Sologesang)
Mix:
The Basement Boys (house music production team)
Gitarre:
Wayne Cooper (in 1993)
Keyboard:
Fruity (house keyboardist Thomas Roberts Jr.) (in 1993), Mark Harris (US keyboardist, arranger and composer, active in Italy) (in 1993) und Gary Hudgins (in 1993)
Solo-Orgel:
Gary Hudgins (in 1993)
arranger:
The Basement Boys (house music production team)
Sologesang arranger:
Kenny Hicks
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1994)
aufgenommen bei:
The Basement Boys Studio in Baltimore (in 1993)
recording of:
100% Pure Love (in 1993)
Verfasser(in):
Thomas Davis (house), Teddy Douglas, Jay Steinhour und Crystal Waters
publisher:
BMG Music, Control (ASCAP), Basement Boys Music (in 1994) und C-Water Music (in 1994)
Crystal Waters4:41
6Be My Lover
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1996)
recording of:
Be My Lover
Texter:
Lane McCray und Melanie Thornton (American‐German Euro‐dance artist)
Komponist(in):
Ulli Brenner und Amir Saraf
publisher:
Beam Edition, Far Musikverlag GmbH und Co., KG, Neue Welt Musikverlag GmbH (2017 – present), Warner Chappell, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
La Bouche3:57
7U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:16
8Here Comes the Hotstepper (Heartical mix)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Here Comes the Hotstepper (Heartical mix)
Verfasser(in):
Antoine Dominique Domino (Fats Domino), Ini Kamoze, Chris Kenner, A. Konley, Kenton Nix und Salaam Remi
Version von:
Here Comes the Hotstepper
Ini Kamoze4:11
9Let’s Talk About Sex
Produzent(in):
Hurby Luv Bug und The Invincibles (Production Team)
Hintergrundgesang:
Alpha, Omega (US rapper) und Hurby Luv Bug
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990) und Next Plateau Records Inc. (in 1991)
recording of:
Let’s Talk About Sex
Texter und Komponist(in):
Fingerprints
publisher:
Next Plateau Music Inc. und Sons of K-oss Music
Salt‐N‐Pepa33:31
10Dancing With Myself
Bass:
Tony James (UK bassist/guitarist) (in 1981)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1981) und Steve New (in 1981)
Schlagzeug:
Terry Chimes (in 1981)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981)
arranger:
Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 1984, in 2001) und Chrysalis Records, Inc. (not for release label use!) (in 1981, in 1982, in 2002)
Bearbeitung von:
Dancing With Myself (“Don’t Stop” remix) von Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
recording of:
Dancing With Myself
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol with Generation X4.353:20
11Point of No Return
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 7)
recording of:
Point of No Return (Exposé song)
Texter und Komponist(in):
Lewis A. Martineé
Exposé53:29
12C’mon n’ Ride It (The Train)
phonographisches Urheberrecht (℗) von:
Big Beat Records, Inc. (not for release label use!) (in 1996)
recording of:
C'mon N' Ride It (The Train)
Verfasser(in):
C.C. Lemonhead, Jay “Ski” McGowan und Barry White
Quad City DJ’s3:59
13Things That Make You Go Hmmmm…
Programmierung:
Alan Friedman
assistierende(r) Produzent(in):
Ricky Crespo und Alan Friedman
Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Gitarre:
Paul Pesco
Keyboard:
Alan Friedman
Perkussion und Schlagzeug:
Robert Clivillés (record producer, songwriter, arranger, music video director)
vocals:
Freedom Williams
Keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
recording of:
Things That Make You Go Hmmmm…
Verfasser(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
WB Music Corp. (1929–2019), Cole/Clivillés Music (vom 1990 bis ????), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (vom 1990 bis ????) und R.B.G. Dome Music (vom 1990 bis heute)
C&C Music Factory presenting Freedom Williams45:24
14Girlfriend
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1987)
recording of:
Girlfriend
Verfasser(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:19
15Strut
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
Verfasser(in):
Charlie Dore und Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und PolyGram Music Publishing
Sheena Easton4:01
16I Like It
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1989)
recording of:
I Like It
Verfasser(in):
Dino (Dean Esposito)
Dino5:08
17All Night Long (Touch Me)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1990)
recording of:
Touch Me (All Night Long)
Verfasser(in):
Patrick Adams (US disco, soul, boogie songwriter and producer) und Greg Carmichael (owner of the NY disco label Red Greg)
publisher:
Larry Spier Music LLC, Memory Lane Music Ltd. und Personal Music Publishing Inc.
Cathy Dennis4:03

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