I’d Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture, Volume Two

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

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#TitelArtiestWaarderingDuur
1Malaguena
opgenomen in:
Spanje (in 1962)
flamencogitaar:
Carlos Montoya (in 1962)
Carlos Montoya3:02
2Take Five
technicus:
Fred Plaut (op 1959-07-01)
producent:
Teo Macero (American jazz saxophonist and composer)
altsaxofoon:
Paul Desmond (op 1959-07-01)
contrabas [bass]:
Gene Wright (bass) (op 1959-07-01)
drumstel [drums]:
Joe Morello (op 1959-07-01)
piano:
Dave Brubeck (op 1959-07-01)
opgenomen bij:
30th Street Columbia Studios in Manhattan, New York, New York, Verenigde Staten (op 1959-07-01)
is een opname van:
Take Five (original instrumental version) (op 1959-07-01)
componist:
Paul Desmond
uitgever:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag en シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
deel van:
The Real Book (compilation of jazz standards, volume I)
The Dave Brubeck Quartet5:26
3Ragtime for Eleven Instruments
opgenomen in:
New York, New York, Verenigde Staten (op 1962-01-26)
producent:
John McClure (recording engineer and record producer)
cimbalom:
Toni Koves (op 1962-01-26)
orkest:
Columbia Chamber Ensemble (op 1962-01-26)
was dirigent:
Igor Stravinsky (Russian composer) (op 1962-01-26)
opgenomen bij:
Manhattan Center in Midtown Manhattan (op 1962-01-26)
is een opname van:
Ragtime for 11 Instruments (op 1962-01-26)
componist:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (van 1917 tot 1918-11-11)
toegewijdt aan:
Eugenia Errázuriz
had de première bij:
[concert] (1920-04-27) (premiere for Stravinsky's Ragtime for 11 Instruments)
uitgever:
J. & W. Chester, Ltd. (in 1920) en Wiener Philharmonischer Verlag (in 1924)
deel van:
K Catalog (nummer: K030)
Igor Stravinsky4:39
4Vier letzte Lieder, for soprano and orchestra: Frühling
producent:
Walter Legge (British classical producer)
solo-hoorn [horn]:
Dennis Brain (horn player) (op 1953-09-25)
sopraanvocalen:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (op 1953-09-25)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1953-09-25)
was dirigent:
Otto Ackermann (conductor) (op 1953-09-25)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly) (op 1953-09-25)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (op 1953-09-25)
is een opname van:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (op 1953-09-25)
tekstschrijver:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
componist:
Richard Strauss (German composer) (op 1948-07-20)
uitgever:
Boosey & Hawkes (publisher; do NOT use as release label)
had de première bij:
Royal Albert Hall in Kensington and Chelsea (op 1950-05-22)
deel van:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:24
5Vier letzte Lieder, for soprano and orchestra: September
producent:
Walter Legge (British classical producer)
solo-hoorn [horn]:
Dennis Brain (horn player) (op 1953-09-25)
sopraanvocalen:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (op 1953-09-25)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1953-09-25)
was dirigent:
Otto Ackermann (conductor) (op 1953-09-25)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly) (op 1953-09-25)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (op 1953-09-25)
is een opname van:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (op 1953-09-25)
tekstschrijver:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
componist:
Richard Strauss (German composer) (op 1948-09-20)
uitgever:
Boosey & Hawkes (publisher; do NOT use as release label)
had de première bij:
Royal Albert Hall in Kensington and Chelsea (op 1950-05-22)
deel van:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:06
6Vier letzte Lieder, for soprano and orchestra: Beim Schlafengehen
producent:
Walter Legge (British classical producer)
solo-hoorn [horn]:
Dennis Brain (horn player) (op 1953-09-25)
sopraanvocalen:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (op 1953-09-25)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1953-09-25)
was dirigent:
Otto Ackermann (conductor) (op 1953-09-25)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly) (op 1953-09-25)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (op 1953-09-25)
is een opname van:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (op 1953-09-25)
tekstschrijver:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
componist:
Richard Strauss (German composer) (op 1948-08-04)
uitgever:
Boosey & Hawkes (publisher; do NOT use as release label)
had de première bij:
Royal Albert Hall in Kensington and Chelsea (op 1950-05-22)
deel van:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:28
7Vier letzte Lieder, for soprano and orchestra: Im Abendrot
producent:
Walter Legge (British classical producer)
solo-hoorn [horn]:
Dennis Brain (horn player) (op 1953-09-25)
sopraanvocalen:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (op 1953-09-25)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1953-09-25)
was dirigent:
Otto Ackermann (conductor) (op 1953-09-25)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly) (op 1953-09-25)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
opgenomen bij:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (op 1953-09-25)
is een opname van:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (op 1953-09-25)
tekstschrijver:
Joseph von Eichendorff
componist:
Richard Strauss (German composer) (op 1948-05-06)
uitgever:
Boosey & Hawkes (publisher; do NOT use as release label)
had de première bij:
Royal Albert Hall in Kensington and Chelsea (op 1950-05-22)
deel van:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:10
8Selections from the Nursery Suite: Aubade
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956)
was dirigent:
Adrian Boult (conductor) (in 1956)
is een opname van:
Nursery Suite: I. Aubade (in 1956)
componist:
Edward Elgar (composer)
deel van:
Nursery Suite
Edward Elgar4:32
9Selections from the Nursery Suite: The Wagon Passes
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956)
was dirigent:
Adrian Boult (conductor) (in 1956)
is een opname van:
Nursery Suite: V. The Wagon (Passes) (in 1956)
componist:
Edward Elgar (composer)
deel van:
Nursery Suite
Edward Elgar1:31
10The Gordian Knot Untied, Z. 597: Overture
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: I. Overture (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell3:32
11The Gordian Knot Untied, Z. 597: Air (Moderato)
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: II. Air (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:39
12The Gordian Knot Untied, Z. 597: Rondeau Minuet
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: III. Rondeau Minuet (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell2:16
13The Gordian Knot Untied, Z. 597: Air (Allegro)
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: IV. Air (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:41
14The Gordian Knot Untied, Z. 597: Jig
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: V. Jig (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:38
15The Gordian Knot Untied, Z. 597: Chaconne
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: VI. Chaconne (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell2:09
16The Gordian Knot Untied, Z. 597: Air (Allegro)
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: VII. Air (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:37
17The Gordian Knot Untied, Z. 597: Minuet
technicus:
Marc Aubort (engineer / producer) (in 1960)
orkest:
Chamber Orchestra of the Hartford Symphony (in 1960)
was dirigent:
Fritz Mahler (conductor) (in 1960)
is een opname van:
The Gordian Knot Unty’d, Z. 597: VIII. Minuet (in 1960)
componist:
Henry Purcell (Baroque composer)
uitgever:
Public Domain (refers to works that are in the public domain)
deel van:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:45
18Preludes, Book I, L. 117: La cathédrale engloutie (Profondément calme)
opgenomen in:
Paris (op 1953-11-20)
piano:
Walter Gieseking (classical pianist 1895–1956) (op 1953-11-20)
is een opname van:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (op 1953-11-20)
componist:
Claude Debussy (French composer) (van 1909-12 tot 1910-02)
had de première bij:
[concert] (1910-05-25)
deel van:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:33
19My Robin is to the Greenwood Gone
technicus:
C. R. Fine
producent:
Wilma Cozart
orkest:
Eastman-Rochester "Pops" Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959)
was dirigent:
Frederick Fennell (conductor) (in 1959)
opgenomen bij:
Eastman Theatre in Rochester (in 1959)
is een opname van:
My Robin Is to the Greenwood Gone (in 1959)
componist:
Percy Grainger (Australian composer 1882–1961) (in 1912)
Percy Grainger4:10
20Vetcheryai Rado
opgenomen in:
Paris (in 1955)
was dirigent:
Philip Koutev (in 1955)
verzorgde het arrangement:
Philip Koutev
Ensemble of the Bulgarian Republic1:39
21Polegnale e Todora
opgenomen in:
Paris (in 1955)
was dirigent:
Philip Koutev (in 1955)
verzorgde het arrangement:
Philip Koutev
Ensemble of the Bulgarian Republic2:58
22Fantasia on a Theme of Thomas Tallis
diverse ondersteuning:
Ralph Vaughan Williams (English composer) (taak: supervisor)
altviool:
Max Gilbert (classical viola player, and teacher) (op 1936-01-29)
cello:
Peter Beaven (op 1936-01-29)
viool:
David Martin (violinist) (op 1936-01-29) en Louis Willoughby (classical violinist) (op 1936-01-29)
orkest:
The Boyd Neel String Orchestra (op 1936-01-29)
was dirigent:
Boyd Neel (op 1936-01-29)
opgenomen bij:
Chenil Galleries (not the original) in Chelsea (op 1936-01-29)
is een opname van:
Fantasia on a Theme by Thomas Tallis (op 1936-01-29)
componist:
Ralph Vaughan Williams (English composer) (in 1910)
is gebaseerd op:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams15:39
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