I’d Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture, Volume Two

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Malaguena
recorded in:
Spain (in 1962)
flamenco guitar:
Carlos Montoya (in 1962)
Carlos Montoya3:02
2Take Five
engineer:
Fred Plaut (on 1959-07-01)
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01)
double bass [bass]:
Gene Wright (bass) (on 1959-07-01)
drums (drum set) [drums]:
Joe Morello (on 1959-07-01)
piano:
Dave Brubeck (on 1959-07-01)
recorded at:
30th Street Columbia Studios in Manhattan, New York, New York, United States (on 1959-07-01)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
The Dave Brubeck Quartet5:26
3Ragtime for Eleven Instruments
recorded in:
New York, New York, United States (on 1962-01-26)
producer:
John McClure (recording engineer and record producer)
cimbalom:
Toni Koves (on 1962-01-26)
orchestra:
Columbia Chamber Ensemble (on 1962-01-26)
conductor:
Igor Stravinsky (Russian composer) (on 1962-01-26)
recorded at:
Manhattan Center in Midtown Manhattan (on 1962-01-26)
recording of:
Ragtime for 11 Instruments (on 1962-01-26)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1917 until 1918-11-11)
dedicated to:
Eugenia Errázuriz
premiered at:
[concert] (1920-04-27) (premiere for Stravinsky's Ragtime for 11 Instruments)
publisher:
J. & W. Chester, Ltd. (in 1920) and Wiener Philharmonischer Verlag (in 1924)
part of:
K Catalog (number: K030)
Igor Stravinsky4:39
4Vier letzte Lieder, for soprano and orchestra: Frühling
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:24
5Vier letzte Lieder, for soprano and orchestra: September
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:06
6Vier letzte Lieder, for soprano and orchestra: Beim Schlafengehen
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:28
7Vier letzte Lieder, for soprano and orchestra: Im Abendrot
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (on 1953-09-25)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:10
8Selections from the Nursery Suite: Aubade
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956)
conductor:
Adrian Boult (conductor) (in 1956)
recording of:
Nursery Suite: I. Aubade (in 1956)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Edward Elgar4:32
9Selections from the Nursery Suite: The Wagon Passes
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956)
conductor:
Adrian Boult (conductor) (in 1956)
recording of:
Nursery Suite: V. The Wagon (Passes) (in 1956)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Edward Elgar1:31
10The Gordian Knot Untied, Z. 597: Overture
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: I. Overture (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell3:32
11The Gordian Knot Untied, Z. 597: Air (Moderato)
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: II. Air (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:39
12The Gordian Knot Untied, Z. 597: Rondeau Minuet
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: III. Rondeau Minuet (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell2:16
13The Gordian Knot Untied, Z. 597: Air (Allegro)
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: IV. Air (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:41
14The Gordian Knot Untied, Z. 597: Jig
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: V. Jig (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:38
15The Gordian Knot Untied, Z. 597: Chaconne
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: VI. Chaconne (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell2:09
16The Gordian Knot Untied, Z. 597: Air (Allegro)
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: VII. Air (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell0:37
17The Gordian Knot Untied, Z. 597: Minuet
engineer:
Marc Aubort (engineer / producer) (in 1960)
orchestra:
Chamber Orchestra of the Hartford Symphony (in 1960)
conductor:
Fritz Mahler (conductor) (in 1960)
recording of:
The Gordian Knot Unty’d, Z. 597: VIII. Minuet (in 1960)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:45
18Preludes, Book I, L. 117: La cathédrale engloutie (Profondément calme)
recorded in:
Paris (on 1953-11-20)
piano:
Walter Gieseking (classical pianist 1895–1956) (on 1953-11-20)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (on 1953-11-20)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:33
19My Robin is to the Greenwood Gone
engineer:
C. R. Fine
producer:
Wilma Cozart
orchestra:
Eastman-Rochester "Pops" Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959)
conductor:
Frederick Fennell (conductor) (in 1959)
recorded at:
Eastman Theatre in Rochester (in 1959)
recording of:
My Robin Is to the Greenwood Gone (in 1959)
composer:
Percy Grainger (Australian composer 1882–1961) (in 1912)
Percy Grainger4:10
20Vetcheryai Rado
recorded in:
Paris (in 1955)
conductor:
Philip Koutev (in 1955)
arranger:
Philip Koutev
Ensemble of the Bulgarian Republic1:39
21Polegnale e Todora
recorded in:
Paris (in 1955)
conductor:
Philip Koutev (in 1955)
arranger:
Philip Koutev
Ensemble of the Bulgarian Republic2:58
22Fantasia on a Theme of Thomas Tallis
miscellaneous support:
Ralph Vaughan Williams (English composer) (task: supervisor)
cello:
Peter Beaven (on 1936-01-29)
viola:
Max Gilbert (classical viola player, and teacher) (on 1936-01-29)
violin:
David Martin (violinist) (on 1936-01-29) and Louis Willoughby (classical violinist) (on 1936-01-29)
orchestra:
The Boyd Neel String Orchestra (on 1936-01-29)
conductor:
Boyd Neel (on 1936-01-29)
recorded at:
Chenil Galleries (not the original) in Chelsea (on 1936-01-29)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1936-01-29)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams15:39
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