100 Jahre Salzburger Festspiele

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Compilation of significant recordings over 70 years from the Salzburg Festival. Released as part of the 100th anniversary of the festival.

Anmerkung zuletzt geändert am 2020-09-20 09:00 UTC.

Titelliste

1▶CD: Strauss: Arabella (Act I)
2▶CD: Strauss: Arabella (Act II)
3▶CD: Strauss: Arabella (Act III)
4▶CD: Strauss: Ariadne auf Naxos (Prologue & Opera 1)
5▶CD: Strauss: Ariadne auf Naxos (Opera 2)
6▶CD: Verdi: Don Carlo (Acts I & II/1)
7▶CD: Verdi: Don Carlo (Acts II/2. & III)
8▶CD: Gluck: Orfeo ed Euridice (Acts I & II)
9▶CD: Gluck: Orfeo ed Euridice (Act III)
10▶CD: Strauss: Die schweigsame Frau (Acts I & II/1)
11▶CD: Strauss: Die schweigsame Frau (Acts II/2 & III)
12▶CD: Strauss: Der Rosenkavalier (Act I)
13▶CD: Strauss: Der Rosenkavalier (Act II)
14▶CD: Strauss: Der Rosenkavalier (Act III)
15▶CD: Mozart: Idomeneo (Acts I & II/1)
16▶CD: Mozart: Idomeneo (Acts II/2 & III)
17▶CD: Verdi: Il trovatore (Parts I & II)
18▼CD: Verdi: Il trovatore (Parts III & IV)
Nr.TitelKünstlerBewertungLänge
1Il trovatore: Parte terza, Coro d'introduzione. "Or co' dadi ... Squilli, echeggi la tromba guerriera" (armigeri, Ferrando)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Bass-Gesang [Ferrando]:
Nicola Zaccaria (operatic bass) (am 1962-07-31)
Chorgesang:
Chor der Wiener Staatsoper (am 1962-07-31) und Kammerchor der Salzburger Festspiele (Austrian chamber choir) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
live recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:11
2Il trovatore: Parte terza, Scena e terzetto. "In braccio al mio rival!" (conte, Ferrando, coro, Azucena)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Bass-Gesang [Ferrando]:
Nicola Zaccaria (operatic bass) (am 1962-07-31)
Chorgesang:
Chor der Wiener Staatsoper (am 1962-07-31) und Kammerchor der Salzburger Festspiele (Austrian chamber choir) (am 1962-07-31)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
3Il trovatore: Parte terza, Scena e terzetto. "Giorni poveri vivea" (Azucena, Ferrando, conte, coro)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Bass-Gesang [Ferrando]:
Nicola Zaccaria (operatic bass) (am 1962-07-31)
Chorgesang:
Chor der Wiener Staatsoper (am 1962-07-31) und Kammerchor der Salzburger Festspiele (Austrian chamber choir) (am 1962-07-31)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:31
4Il trovatore: Parte terza, Scena er aria. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
5Il trovatore: Parte terza, Scena er aria. "Ah! sì, ben mio" (Manrico)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:08
6Il trovatore: Parte terza, Scena er aria. "L'onda de' suoni mistici" (Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:34
7Il trovatore: Parte terza, Scena er aria. "Di quella pira" (Manrico, Ruiz, coro)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (am 1962-07-31)
Chorgesang:
Chor der Wiener Staatsoper (am 1962-07-31) und Kammerchor der Salzburger Festspiele (Austrian chamber choir) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:28
8Il trovatore: Parte quarta, Scena, aria e miserere. "Siam giunti, ecco la torre" (Ruiz, Leonora)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
9Il trovatore: Parte quarta, Scena, aria e miserere. "D'amor sull'ali rosee" (Leonora)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:47
10Il trovatore: Parte quarta, Scena, aria e miserere. "Misere ...Ah! che la morte ognora" (coro, Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Chorgesang:
Chor der Wiener Staatsoper (am 1962-07-31) und Kammerchor der Salzburger Festspiele (Austrian chamber choir) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:46
11Il trovatore: Parte quarta, Scena e duetto. "Udiste? Come albeggi" (conte, Leonora)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:57
12Il trovatore: Parte quarta, Scena e duetto. "Vivrà! Contende il giubilo" (Leonora, conte)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:40
13Il trovatore: Parte quarta, Finale ultimo. "Madre, non dormi?" (Manrico, Azucena)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:48
14Il trovatore: Parte quarta, Finale ultimo. "Sì, la stanchezza m'opprime, o figlio ...Ai nostri monti" (Azucena, Manrico)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
15Il trovatore: Parte quarta, Finale ultimo. "Che! Non m'inganno! Quel fioco lume? ... Ha quest'infame l'amor venduto" (Manrico, Leonora, Azucena)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
16Il trovatore: Parte quarta, Finale ultimo. "Ti scosta! / Non respingermi" (Manrico, Leonora, conte, Azucena)
recording engineer:
Hans Haring (recording engineer)
Audio-Engineering:
Othmar Eichinger und Gottfried Kraus (writer, critic, producer, radio host)
Produzent(in):
Gottfried Kraus (writer, critic, producer, radio host)
Baritongesang [Conte Luna]:
Ettore Bastianini (baritone) (am 1962-07-31)
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano) (am 1962-07-31)
Soprangesang [Leonora]:
Leontyne Price (soprano) (am 1962-07-31)
Tenor-Gesang [Manrico]:
Franco Corelli (tenor) (am 1962-07-31)
Orchester:
Wiener Philharmoniker (am 1962-07-31)
conductor:
Herbert von Karajan (conductor) (am 1962-07-31)
Tonmeister(in):
Josef Sladko (engineer)
aufgenommen bei:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg (am 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (am 1962-07-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37
19▶CD: Strauss: Der Rosenkavalier (Act I)
20▶CD: Strauss: Der Rosenkavalier (Act II)
21▶CD: Strauss: Der Rosenkavalier (Act III)
22▶CD: Mozart: Così fan tutte (Act I/1)
23▶CD: Mozart: Così fan tutte (Acts I/2 & II)
24▶CD: Mozart: Don Giovanni (Act I/1)
25▶CD: Mozart: Don Giovanni (Acts I/2 & II/1)
26▶CD: Mozart: Don Giovanni (Act II/2)
27▶CD: Janáček: From the House of the Dead (Acts I & II)
28▶CD: Janáček: From the House of the Dead (Act III)
29▶CD: Verdi: La traviata (Acts I & II/1)
30▶CD: Verdi: La traviata (Acts II/2 & III)
31▶CD: Tchaikovsky: Eugene Onegin (Act I)
32▶CD: Tchaikovsky: Eugene Onegin (Acts II & III)
33▶CD: Mozart: Symphonies nos. 35 “Haffner” & 41 “Jupiter” / Piano Concerto no. 21
34▶CD: Mozart: Symphonies nos. 26 & 30 / Divertimento K 136 / Arias
35▶CD: Mozart: Arias
36▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
37▶CD: Schubert: Symphony no. 3 / Strauss: Ein Heldenleben
38▶CD: Schubert: Symphony no. 8 “Unfinished” / Johann Strauss I & II: Waltzes
39▶CD: Bartók: Piano Concerto no. 3 / Schumann: Symphony no. 4
40▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I)
41▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II)
42▶CD: Wagner: Orchestral Works
43▶CD: Tchaikovsky: Violin Concerto
44▶CD: Beethoven: Missa solemnis (Kyrie - Gloria - Credo)
45▶CD: Beethoven: Missa solemnis (Sanctus - Agnus Dei)
46▶CD: Berlioz: Symphonie fantastique / Liszt: Les Préludes
47▶CD: Tchaikovsky: Overture to “The Tempest” / Symphony no. 6 “Pathétique”
48▶CD: Bartók: Four Orchestral Pieces / Boulez: Notations I-IV / Stravinsky: Le Sacre du printemps
49▶CD: Mahler: Das klagende Lied / Berg: Lulu-Suite
50▶CD: Bruckner: Symphony no. 2
51▶CD: Strauss: Der Bürger als Edelmann
52▶CD: Alfred Brendel: Haydn / Schubert / Liszt
53▶CD: Alfred Brendel: Haydn / Beethoven / Schubert / Mozart
54▶CD: Grigory Sokolov: Mozart
55▶CD: Grigory Sokolov: Chopin / Scriabin / Rameau / Bach
56▶CD: Martha Argerich & Nelson Freire: Brahms / Rachmaninov / Schubert / Ravel
57▶CD: Hofmannsthal: Jedermann
58▶CD: Paumgartner: Erzähltes Leben