100 Jahre Salzburger Festspiele

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Compilation of significant recordings over 70 years from the Salzburg Festival. Released as part of the 100th anniversary of the festival.

Annotation last modified on 2020-09-20 09:00 UTC.

Tracklist

1▶CD: Strauss: Arabella (Act I)
2▶CD: Strauss: Arabella (Act II)
3▶CD: Strauss: Arabella (Act III)
4▶CD: Strauss: Ariadne auf Naxos (Prologue & Opera 1)
5▶CD: Strauss: Ariadne auf Naxos (Opera 2)
6▶CD: Verdi: Don Carlo (Acts I & II/1)
7▶CD: Verdi: Don Carlo (Acts II/2. & III)
8▶CD: Gluck: Orfeo ed Euridice (Acts I & II)
9▶CD: Gluck: Orfeo ed Euridice (Act III)
10▶CD: Strauss: Die schweigsame Frau (Acts I & II/1)
11▶CD: Strauss: Die schweigsame Frau (Acts II/2 & III)
12▶CD: Strauss: Der Rosenkavalier (Act I)
13▶CD: Strauss: Der Rosenkavalier (Act II)
14▶CD: Strauss: Der Rosenkavalier (Act III)
15▶CD: Mozart: Idomeneo (Acts I & II/1)
16▶CD: Mozart: Idomeneo (Acts II/2 & III)
17▶CD: Verdi: Il trovatore (Parts I & II)
18▼CD: Verdi: Il trovatore (Parts III & IV)
#TitleArtistRatingLength
1Il trovatore: Parte terza, Coro d'introduzione. "Or co' dadi ... Squilli, echeggi la tromba guerriera" (armigeri, Ferrando)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
live recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:11
2Il trovatore: Parte terza, Scena e terzetto. "In braccio al mio rival!" (conte, Ferrando, coro, Azucena)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
3Il trovatore: Parte terza, Scena e terzetto. "Giorni poveri vivea" (Azucena, Ferrando, conte, coro)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:31
4Il trovatore: Parte terza, Scena er aria. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
5Il trovatore: Parte terza, Scena er aria. "Ah! sì, ben mio" (Manrico)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:08
6Il trovatore: Parte terza, Scena er aria. "L'onda de' suoni mistici" (Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:34
7Il trovatore: Parte terza, Scena er aria. "Di quella pira" (Manrico, Ruiz, coro)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:28
8Il trovatore: Parte quarta, Scena, aria e miserere. "Siam giunti, ecco la torre" (Ruiz, Leonora)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
9Il trovatore: Parte quarta, Scena, aria e miserere. "D'amor sull'ali rosee" (Leonora)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:47
10Il trovatore: Parte quarta, Scena, aria e miserere. "Misere ...Ah! che la morte ognora" (coro, Leonora, Manrico)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:46
11Il trovatore: Parte quarta, Scena e duetto. "Udiste? Come albeggi" (conte, Leonora)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:57
12Il trovatore: Parte quarta, Scena e duetto. "Vivrà! Contende il giubilo" (Leonora, conte)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:40
13Il trovatore: Parte quarta, Finale ultimo. "Madre, non dormi?" (Manrico, Azucena)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:48
14Il trovatore: Parte quarta, Finale ultimo. "Sì, la stanchezza m'opprime, o figlio ...Ai nostri monti" (Azucena, Manrico)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
15Il trovatore: Parte quarta, Finale ultimo. "Che! Non m'inganno! Quel fioco lume? ... Ha quest'infame l'amor venduto" (Manrico, Leonora, Azucena)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
16Il trovatore: Parte quarta, Finale ultimo. "Ti scosta! / Non respingermi" (Manrico, Leonora, conte, Azucena)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37
19▶CD: Strauss: Der Rosenkavalier (Act I)
20▶CD: Strauss: Der Rosenkavalier (Act II)
21▶CD: Strauss: Der Rosenkavalier (Act III)
22▶CD: Mozart: Così fan tutte (Act I/1)
23▶CD: Mozart: Così fan tutte (Acts I/2 & II)
24▶CD: Mozart: Don Giovanni (Act I/1)
25▶CD: Mozart: Don Giovanni (Acts I/2 & II/1)
26▶CD: Mozart: Don Giovanni (Act II/2)
27▶CD: Janáček: From the House of the Dead (Acts I & II)
28▶CD: Janáček: From the House of the Dead (Act III)
29▶CD: Verdi: La traviata (Acts I & II/1)
30▶CD: Verdi: La traviata (Acts II/2 & III)
31▶CD: Tchaikovsky: Eugene Onegin (Act I)
32▶CD: Tchaikovsky: Eugene Onegin (Acts II & III)
33▶CD: Mozart: Symphonies nos. 35 “Haffner” & 41 “Jupiter” / Piano Concerto no. 21
34▶CD: Mozart: Symphonies nos. 26 & 30 / Divertimento K 136 / Arias
35▶CD: Mozart: Arias
36▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
37▶CD: Schubert: Symphony no. 3 / Strauss: Ein Heldenleben
38▶CD: Schubert: Symphony no. 8 “Unfinished” / Johann Strauss I & II: Waltzes
39▶CD: Bartók: Piano Concerto no. 3 / Schumann: Symphony no. 4
40▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I)
41▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II)
42▶CD: Wagner: Orchestral Works
43▶CD: Tchaikovsky: Violin Concerto
44▶CD: Beethoven: Missa solemnis (Kyrie - Gloria - Credo)
45▶CD: Beethoven: Missa solemnis (Sanctus - Agnus Dei)
46▶CD: Berlioz: Symphonie fantastique / Liszt: Les Préludes
47▶CD: Tchaikovsky: Overture to “The Tempest” / Symphony no. 6 “Pathétique”
48▶CD: Bartók: Four Orchestral Pieces / Boulez: Notations I-IV / Stravinsky: Le Sacre du printemps
49▶CD: Mahler: Das klagende Lied / Berg: Lulu-Suite
50▶CD: Bruckner: Symphony no. 2
51▶CD: Strauss: Der Bürger als Edelmann
52▶CD: Alfred Brendel: Haydn / Schubert / Liszt
53▶CD: Alfred Brendel: Haydn / Beethoven / Schubert / Mozart
54▶CD: Grigory Sokolov: Mozart
55▶CD: Grigory Sokolov: Chopin / Scriabin / Rameau / Bach
56▶CD: Martha Argerich & Nelson Freire: Brahms / Rachmaninov / Schubert / Ravel
57▶CD: Hofmannsthal: Jedermann
58▶CD: Paumgartner: Erzähltes Leben