Oper für Dummies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La traviata, Act 1 Scene 2: No. 2b, Brindisi, "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1980-07-05 bis 1980-07-15)
Soprangesang [Violetta]:
Renata Scotto (operatic soprano) (von 1980-07-05 bis 1980-07-15)
Tenor-Gesang [Alfredo]:
Alfredo Kraus (tenor) (von 1980-07-05 bis 1980-07-15)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1980-07-05 bis 1980-07-15)
conductor:
Riccardo Muti (conductor) (von 1980-07-05 bis 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1980-07-05 bis 1980-07-15)
aufgenommen bei:
Kingsway Hall in London (Greater London) (von 1980-07-05 bis 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (von 1980-07-05 bis 1980-07-15)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:52
2La traviata, Act 2 Scene 10: "Noi siamo zingarelle" (Zingare, Flora, Marchese, Dottore)
Bass-Gesang [Marchese d'Obigny]:
Richard van Allan (operatic bass-baritone) (von 1980-07-05 bis 1980-07-15)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1980-07-05 bis 1980-07-15)
Mezzosoprangesang [Flora]:
Sarah Walker (British mezzosoprano) (von 1980-07-05 bis 1980-07-15)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1980-07-05 bis 1980-07-15)
conductor:
Riccardo Muti (conductor) (von 1980-07-05 bis 1980-07-15)
aufgenommen bei:
Kingsway Hall in London (Greater London) (von 1980-07-05 bis 1980-07-15)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (von 1980-07-05 bis 1980-07-15)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:54
3Il trovatore, Act 2 Scene 1: No. 4, Coro, "Vedi! Le fosche notturne spoglie" (Zingari)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:02
4Rigoletto: "Gualtier Maldè"
Baritongesang:
Sherrill Milnes (baritone)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi6:45
5Rigoletto: "La donna è mobile"
Tenor-Gesang [Duca]:
Alfredo Kraus (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:19
6Nabucco, Act 3: "Va, pensiero, sull'ali dorate" (Chorus)
Produzent(in):
John Mordler (producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1977-07-10 bis 1978-02-08)
conductor:
Riccardo Muti (conductor) (von 1977-07-10 bis 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1977-07-10 bis 1978-02-08)
Tonmeister(in):
Stuart Eltham (engineer) (von 1977-07-10 bis 1978-02-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei:
Kingsway Hall in London (Greater London) (von 1977-07-10 bis 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (von 1977-07-10 bis 1978-02-08)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:12
7Otello, Act 4 Scene 2: "Ave Maria, piena di grazia" (Desdemona)
Soprangesang [Desdemona]:
Maria Callas (soprano)
Orchester:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi4:36
8Don Carlo (1886 Modena Five-Act Version), Act 4 Scene 1: Scena, "Ella giammai m'amò" (Filippo)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London) (von 1970-08-18 bis 1970-08-31)
teilweise recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi7:32
9Aïda, Act 2 Scene 2: Triumphal March
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi1:31
10Gianni Schicchi: "O mio babbino caro" (Lauretta)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Lauretta]:
Montserrat Caballé (soprano) (von 1970-03-31 bis 1970-04-10)
Orchester:
London Symphony Orchestra (von 1970-03-31 bis 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (von 1970-03-31 bis 1970-04-10)
Tonmeister(in):
Neville Boyling (engineer) (von 1970-03-31 bis 1970-04-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
aufgenommen bei:
Kingsway Hall in London (Greater London) (von 1970-03-31 bis 1970-04-10)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (von 1970-03-31 bis 1970-04-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:41
11Manon Lescaut, Act 1: "Donna non vidi mai simile a questa!" (Des Grieux)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Tenor-Gesang:
Plácido Domingo (tenor) (in 1972)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
Giacomo Puccini2:28
12La Bohème, Act 1: "Che gelida manina" (Rodolfo)
Tenor-Gesang [Rodolfo]:
Nicolai Gedda (tenor)
Orchester:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:26
13La Bohème, Act 1: "Sì. Mi chiamano Mimi" (Mimi, Rodolfo)
recorded in:
Roma (Rom) (am 1969-07-17)
Soprangesang [Mimì]:
Mirella Freni (soprano) (am 1969-07-17)
Orchester:
Orchestra del Teatro dell’Opera di Roma (am 1969-07-17)
conductor:
Thomas Schippers (conductor and composer) (am 1969-07-17)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1964)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (am 1969-07-17)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
14La Bohème, Act 1: "O soave fanciulla, o dolce viso" (Rodolfo, Marcello, Mimi)
Baritongesang [Marcello]:
Mario Sereni (baritone)
Soprangesang und Soprangesang [Mimì]:
Mirella Freni (soprano)
Tenor-Gesang und Tenor-Gesang [Rodolfo]:
Nicolai Gedda (tenor)
vocals:
Mirella Freni (soprano) (in 1964), Nicolai Gedda (tenor) (in 1964) und Mario Sereni (baritone) (in 1964)
Orchester:
Orchestra del Teatro dell’Opera di Roma (in 1964)
conductor:
Thomas Schippers (conductor and composer) (in 1964)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1964)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:01
15Tosca, Act 2 Scene 5: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia, Spoletta)
Soprangesang [Floria Tosca]:
Maria Callas (soprano) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
conductor:
Georges Prêtre (French conductor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Salle Wagram in Paris (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1964-12-03 bis 1964-12-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1964-12-07 bis 1964-12-12)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (am 1964-12-14)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (am 1965-01-19)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini33:05
16Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi)
Tenor-Gesang [Mario Cavaradossi]:
Carlo Bergonzi (tenor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
vocals:
Carlo Bergonzi (tenor)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
conductor:
Georges Prêtre (French conductor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
aufgenommen bei:
Salle Wagram in Paris (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1964-12-03 bis 1964-12-04)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1964-12-07 bis 1964-12-12)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (am 1964-12-14)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (am 1965-01-19)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:02
17Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)
Soprangesang [Butterfly]:
Victoria de los Ángeles (Spanish soprano) (von 1959-09-23 bis 1959-10-03)
Orchester:
Orchestra del Teatro dell’Opera di Roma (von 1959-09-23 bis 1959-10-03)
conductor:
Gabriele Santini (conductor) (von 1959-09-23 bis 1959-10-03)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Teatro dell’Opera di Roma in Roma (Rom) (in 1959, von 1959-09-23 bis 1959-10-03)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
18Madama Butterfly, Act 2, Scene 1: Humming Chorus
Chorgesang:
Coro del Teatro dell’Opera di Roma
Orchester:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
aufgenommen bei:
Teatro dell’Opera di Roma in Roma (Rom) (in 1959)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:08
19Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus)
Chorgesang:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
Tenor-Gesang [Calaf]:
José Carreras (Spanish tenor)
Orchester:
Orchestre philharmonique de Strasbourg (Philharmonieorchester Straßburg)
conductor:
Alain Lombard (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:11
20Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
21Pagliacci, Act 1 Scene 4: "Recitar! Mentre preso dal delirio … Vesti la giubba" (Canio)
Tenor-Gesang [Canio]:
José Carreras (Spanish tenor) (in 1979)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
teilweise recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1979)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:02
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