Midnight in the Garden of Good and Evil: Music From and Inspired by the Motion Picture

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Label: Warner Bros. Records - Catalog #: 46829

Annotation last modified on 2006-09-25 16:56 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Skylark
recording engineer:
Al Schmitt
miscellaneous support:
Patti Zimmitti (task: contractor)
mixer:
Joe Ferla
cello:
Dennis Karmazyn, Armen Ksajikian, Miguel Martinez (cellist) and David Shamban
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Ralph Penland (Drums)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
viola:
Carrie Holzman Little, Dan Neufeld, Pam Goldsmith (American violist) and Harry Shirinian
violin:
Darius Campo, Lily Ho Chen, Armen Garabedian, Berj Garabedian, Endre Granat (Hungarian violinist), Jackie Brand, Jennifer Bellusci, Patricia Johnson (violinist), Karen Jones (violinist), Jay Rosen (violinist), Kwihee Shamban and Daniel Shindaryov (Session Musician)
vocals:
k.d. lang
arranger:
Lennie Niehaus (American saxophonist and score composer)
recorded at:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
k.d. lang3:50
2Too Marvelous for Words
recording engineer:
James Farber (sound engineer)
mixer:
Joe Ferla
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set) [drums]:
Gregory Hutchinson
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
vocals:
Joe Williams (US jazz vocalist)
recorded at:
Sear Sound in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Joe Williams3:40
3Autumn Leaves
recording engineer and mixer:
Joe Ferla
accordion:
Domenic Cortese
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set) [drums]:
Clarence Penn (Drummer)
guitar:
Marc Antoine (French jazz guitarist)
vocals:
Paula Cole
recorded at and mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Paula Cole15:08
4Fools Rush In (Where Angels Fear to Tread)
additional recording engineer:
Al Schmitt
recording engineer:
Bernie Kirsh
miscellaneous support:
Patti Zimmitti (task: contractor)
mixer:
Joe Ferla
cello:
Dennis Karmazyn, Armen Ksajikian, Miguel Martinez (cellist) and David Shamban
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Larance Marable
piano:
Alan Broadbent
viola:
Carrie Holtzman Little, Dan Neufeld, Pam Goldsmith (American violist) and Harry Shirinian
vocals:
Rosemary Clooney
arranger:
Lennie Niehaus (American saxophonist and score composer)
additionally recorded at:
Ocean Way Recording in Hollywood
recorded at:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Fools Rush In (Where Angels Fear to Tread)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Rosemary Clooney4:11
5Dream
recording engineer and mixer:
James Farber (sound engineer)
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set) [drums]:
Gregory Hutchinson
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
arranger:
Brad Mehldau (American jazz pianist, composer, and arranger)
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
cover recording of:
Dream
lyricist and composer:
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Brad Mehldau5:10
6Days of Wine and Roses
recording engineer and mixer:
James Farber (sound engineer)
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set) [drums]:
Gregory Hutchinson
guitar:
Russell Malone
tenor saxophone:
Joshua Redman (tenor saxophonist)
vocals:
Cassandra Wilson
arranger:
Cassandra Wilson
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
cover recording of:
Days of Wine and Roses
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
Cassandra Wilson4:47
7That Old Black Magic
additional recording engineer:
Paul Brown (smooth jazz performer/producer)
recording engineer:
Al Schmitt
miscellaneous support:
Patti Zimmitti (task: contractor)
mixer:
Joe Ferla
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Ralph Penland (Drums)
guitar:
Kevin Eubanks (American jazz & fusion guitarist, and composer)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Peter Christlieb
trombone:
Bill Watrous
trumpet:
Warren Luening
vocals:
Kevin Spacey
arranger:
Lennie Niehaus (American saxophonist and score composer)
additionally recorded at:
Sunset Sound Recording in Hollywood
recorded at:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Kevin Spacey3:32
8Come Rain or Come Shine
recording engineer:
Paul Brown (smooth jazz performer/producer)
mixer:
Joe Ferla
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Larance Marable
piano:
Alan Broadbent
tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
vocals:
Alison Eastwood
arranger:
Alan Broadbent
recorded at:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Alison Eastwood4:31
9Ac-cent-tchu-ate the Positive
recording engineer:
Al Schmitt
miscellaneous support:
Patti Zimmitti (task: contractor)
mixer:
Joe Ferla
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Ralph Penland (Drums)
guitar:
Kevin Eubanks (American jazz & fusion guitarist, and composer)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Peter Christlieb
trombone:
Bill Watrous
trumpet:
Warren Luening
vocals:
Clint Eastwood (American actor and director)
arranger:
Lennie Niehaus (American saxophonist and score composer)
recorded at:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Clint Eastwood3:37
10This Time the Dream's on Me
recording engineer:
Bernie Kirsh
mixer:
Joe Ferla
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set) [drums]:
Larance Marable
piano:
Alan Broadbent
tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
vocals:
Alison Krauss
arranger:
Alan Broadbent
recorded at:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
This Time the Dream’s on Me
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
Alison Krauss3:46
11Laura
additional recording engineer:
Ken Freeman (US sound engineer)
recording engineer:
James Farber (sound engineer)
miscellaneous support:
Louise Schulman (violinist and violist) (task: contractor)
producer:
Clint Eastwood (American actor and director) and Matt Pierson (producer)
mixer:
Al Schmitt
alto flute:
Susan Rotholz
bass flute:
Sheryle Henze (American flutist)
cello:
Eugene Moye, Michael Mermagen (cellist and engineer) and Maxine Neuman
cello [principal cello]:
Richard Locker (cellist)
concert flute [C flute]:
Timothy Malosh
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Gregory Hutchinson
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
viola:
Ronald Lawrence, Nardo Poy, Ann Roggen, Sally Shumway (violist) and Stephanie Fricker
viola [principal viola]:
Louise Schulman (violinist and violist)
vocals:
Kevin Mahogany
conductor:
Abba Bogin
arranger:
Gil Goldstein
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (New York City) in New York, New York, United States
cover recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Kevin Mahogany4:50
12Midnight Sun
recording engineer and mixer:
Joe Ferla
double bass [bass]:
Christian McBride (American jazz bassist)
guitar:
Russell Malone
piano:
Diana Krall
vocals:
Diana Krall
arranger:
Diana Krall
recorded at:
Sear Sound in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
Diana Krall4:01
13I'm an Old Cowhand (From the Rio Grande)
recording engineer and mixer:
James Farber (sound engineer)
double bass [bass]:
Christian McBride (American jazz bassist)
drums (drum set) [drums]:
Gregory Hutchinson
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
arranger:
Joshua Redman (tenor saxophonist)
recorded at:
Sear Sound in New York, New York, United States
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
instrumental cover recording of:
I’m an Old Cowhand (From the Rio Grande)
lyricist and composer:
Johnny Mercer
publisher:
The Johnny Mercer Foundation and WC Music Corp.
Joshua Redman5:02
14I Wanna Be Around
engineer:
Ted Brosnan and Frank Laico
producer:
Ernest Altschuler
piano:
Ralph Sharon (on 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-10-19)
conductor:
Marty Manning (on 1962-10-19)
arranger:
Ralph Burns and Marty Manning
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1962-10-19)
cover recording of:
I Wanna Be Around (on 1962-10-19)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:10

Credits

Release

mastered at:Masterdisk in New York, New York, United States