Midnight in the Garden of Good and Evil: Music From and Inspired by the Motion Picture

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Label: Warner Bros. Records - Catalog #: 46829

Anmerkung zuletzt geändert am 2006-09-25 16:56 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Skylark
recording engineer:
Al Schmitt
sonstige Unterstützung:
Patti Zimmitti (Aufgabe: contractor)
Mix:
Joe Ferla
Bratsche / Viola:
Carrie Holzman Little, Dan Neufeld, Pam Goldsmith (American violist) und Harry Shirinian
Cello:
Dennis Karmazyn, Armen Ksajikian, Miguel Martinez (cellist) und David Shamban
Geige / Violine:
Darius Campo, Lily Ho Chen, Armen Garabedian, Berj Garabedian, Endre Granat (Hungarian violinist), Jackie Brand, Jennifer Bellusci, Patricia Johnson (violinist), Karen Jones (violinist), Jay Rosen (violinist), Kwihee Shamban und Daniel Shindaryov (Session Musician)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Schlagzeug [drums]:
Ralph Penland (Drums)
Tenorsaxophon:
Joshua Redman (tenor saxophonist)
vocals:
k.d. lang
arranger:
Lennie Niehaus (American saxophonist and score composer)
aufgenommen bei:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Skylark
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
k.d. lang3:50
2Too Marvelous for Words
recording engineer:
James Farber (sound engineer)
Mix:
Joe Ferla
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug [drums]:
Gregory Hutchinson
vocals:
Joe Williams (US jazz vocalist)
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Joe Williams3:40
3Autumn Leaves
recording engineer und Mix:
Joe Ferla
accordion:
Domenic Cortese
Gitarre:
Marc Antoine (French jazz guitarist)
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug [drums]:
Clarence Penn (Drummer)
vocals:
Paula Cole
aufgenommen bei und mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Paula Cole15:08
4Fools Rush In (Where Angels Fear to Tread)
recording engineer:
Bernie Kirsh
zusätzlich recording engineer:
Al Schmitt
sonstige Unterstützung:
Patti Zimmitti (Aufgabe: contractor)
Mix:
Joe Ferla
Bratsche / Viola:
Carrie Holtzman Little, Dan Neufeld, Pam Goldsmith (American violist) und Harry Shirinian
Cello:
Dennis Karmazyn, Armen Ksajikian, Miguel Martinez (cellist) und David Shamban
Klavier:
Alan Broadbent
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Schlagzeug [drums]:
Larance Marable
vocals:
Rosemary Clooney
arranger:
Lennie Niehaus (American saxophonist and score composer)
aufgenommen bei:
Sunset Sound Recording in Hollywood
zusätzlich aufgenommen bei:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Fools Rush In (Where Angels Fear to Tread)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Rosemary Clooney4:11
5Dream
recording engineer und Mix:
James Farber (sound engineer)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug [drums]:
Gregory Hutchinson
arranger:
Brad Mehldau (American jazz pianist, composer, and arranger)
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
cover recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Brad Mehldau5:10
6Days of Wine and Roses
recording engineer und Mix:
James Farber (sound engineer)
Gitarre:
Russell Malone
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug [drums]:
Gregory Hutchinson
Tenorsaxophon:
Joshua Redman (tenor saxophonist)
vocals:
Cassandra Wilson
arranger:
Cassandra Wilson
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
cover recording of:
Days of Wine and Roses
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
Cassandra Wilson4:47
7That Old Black Magic
recording engineer:
Al Schmitt
zusätzlich recording engineer:
Paul Brown (smooth jazz performer/producer)
sonstige Unterstützung:
Patti Zimmitti (Aufgabe: contractor)
Mix:
Joe Ferla
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
Gitarre:
Kevin Eubanks (American jazz & fusion guitarist, and composer)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Posaune:
Bill Watrous
Schlagzeug [drums]:
Ralph Penland (Drums)
Tenorsaxophon:
Peter Christlieb
Trompete:
Warren Luening
vocals:
Kevin Spacey
arranger:
Lennie Niehaus (American saxophonist and score composer)
aufgenommen bei:
Ocean Way Recording in Hollywood
zusätzlich aufgenommen bei:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Kevin Spacey3:32
8Come Rain or Come Shine
recording engineer:
Paul Brown (smooth jazz performer/producer)
Mix:
Joe Ferla
Klavier:
Alan Broadbent
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Schlagzeug [drums]:
Larance Marable
Tenorsaxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
vocals:
Alison Eastwood
arranger:
Alan Broadbent
aufgenommen bei:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Alison Eastwood4:31
9Ac-cent-tchu-ate the Positive
recording engineer:
Al Schmitt
sonstige Unterstützung:
Patti Zimmitti (Aufgabe: contractor)
Mix:
Joe Ferla
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
Gitarre:
Kevin Eubanks (American jazz & fusion guitarist, and composer)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Posaune:
Bill Watrous
Schlagzeug [drums]:
Ralph Penland (Drums)
Tenorsaxophon:
Peter Christlieb
Trompete:
Warren Luening
vocals:
Clint Eastwood (American actor and director)
arranger:
Lennie Niehaus (American saxophonist and score composer)
aufgenommen bei:
Ocean Way Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Ac‐cent‐tchu‐ate the Positive
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Clint Eastwood3:37
10This Time the Dream's on Me
recording engineer:
Bernie Kirsh
Mix:
Joe Ferla
Klavier:
Alan Broadbent
Kontrabass [bass]:
Charlie Haden (American jazz bassist)
Schlagzeug [drums]:
Larance Marable
Tenorsaxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
vocals:
Alison Krauss
arranger:
Alan Broadbent
aufgenommen bei:
Sunset Sound Recording in Hollywood
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
This Time the Dream’s on Me
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
Alison Krauss3:46
11Laura
recording engineer:
James Farber (sound engineer)
zusätzlich recording engineer:
Ken Freeman (US sound engineer)
sonstige Unterstützung:
Louise Schulman (violinist and violist) (Aufgabe: contractor)
Produzent(in):
Clint Eastwood (American actor and director) und Matt Pierson (producer)
Mix:
Al Schmitt
Altflöte:
Susan Rotholz
Bassflöte:
Sheryle Henze (American flutist)
Bratsche / Viola:
Ronald Lawrence, Nardo Poy, Ann Roggen, Sally Shumway (violist) und Stephanie Fricker
Bratsche / Viola [principal viola]:
Louise Schulman (violinist and violist)
Cello:
Eugene Moye, Michael Mermagen (cellist and engineer) und Maxine Neuman
Cello [principal cello]:
Richard Locker (cellist)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Larry Grenadier
Querflöte (Böhmflöte) [C flute]:
Timothy Malosh
Schlagzeug [drums]:
Gregory Hutchinson
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Kevin Mahogany
conductor:
Abba Bogin
arranger:
Gil Goldstein
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten
cover recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
Kevin Mahogany4:50
12Midnight Sun
recording engineer und Mix:
Joe Ferla
Gitarre:
Russell Malone
Klavier:
Diana Krall
Kontrabass [bass]:
Christian McBride (American jazz bassist)
vocals:
Diana Krall
arranger:
Diana Krall
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Midnight Sun
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
Diana Krall4:01
13I'm an Old Cowhand (From the Rio Grande)
recording engineer und Mix:
James Farber (sound engineer)
Klavier:
Brad Mehldau (American jazz pianist, composer, and arranger)
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug [drums]:
Gregory Hutchinson
Tenorsaxophon:
Joshua Redman (tenor saxophonist)
arranger:
Joshua Redman (tenor saxophonist)
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten
mixed at:
Presence Studios Westport (East Haven, Connecticut) in New Haven County
instrumental cover recording of:
I’m an Old Cowhand (From the Rio Grande)
Texter und Komponist(in):
Johnny Mercer
publisher:
The Johnny Mercer Foundation und WC Music Corp.
Joshua Redman5:02
14I Wanna Be Around
Techniker(in):
Ted Brosnan und Frank Laico
Produzent(in):
Ernest Altschuler
Klavier:
Ralph Sharon (am 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-10-19)
conductor:
Marty Manning (am 1962-10-19)
arranger:
Ralph Burns und Marty Manning
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1962-10-19)
cover recording of:
I Wanna Be Around (am 1962-10-19)
Texter:
Johnny Mercer und Sadie Vimmerstedt
Komponist(in):
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:10

Nennungen

Veröffentlichung

mastered at:Masterdisk in New York, New York, Vereinigte Staaten