2UE Top 40 The First 40 Years

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Intro: 2UE Top 40 Theme / April Love
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrazione di:
April Love
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Leo Feist, Inc.
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Pat Boone3:10
2Oh Boy
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrazione di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Buddy and The Crickets2:08
3Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:30
4Twelfth Of Never
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:30
5Fascination
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1957)
registrazione di:
Fascination (English version)
paroliere:
Maurice de Féraudy (nel 1905)
compositore:
Fermo Dante Marchetti (nel 1904)
traduttore:
Dick Manning (American songwriter)
versione tradotta di:
Fascination (original French version)
Nat King Cole2:29
6Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:01
7My Special Angel
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrazione di:
My Special Angel
paroliere e compositore:
Jimmy Duncan (US songwriter & producer from Texas)
editore:
J. Albert & Son e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Helms2:59
8Diana
registrata a:
New York, New York, Stati Uniti
produttore:
Joe Sherman
direttore d'orchestra:
Joe Sherman
arrangiatore:
Joe Sherman
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1963)
è stato produttore per:
Camy Productions, Inc.
registrazione di:
Diana
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka2:20
9Great Balls Of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:52
10Chances Are
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
Chances Are
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:03
11Pub With No Beer
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1957) e EMI Music Australia (defunct holding company, not for release label use!) (nel 1958)
registrazione di:
A Pub With No Beer
paroliere e compositore:
Gordon Parsons
editore:
EMI Music Publishing (do not use as a release label!)
Slim Dusty3:00
12Joey's Song
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
registrazione di:
Joey’s Song
autore:
Joe Reisman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bill Haley and His Comets2:57
13Bye, Bye Baby
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1959)
registrazione di:
Bye Bye Baby Goodbye
paroliere e compositore:
Frank McNulty
editore:
Southern Music (publisher)
Col Joye and The Joy Boys2:22
14Theme From Exodus
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1960)
registrazione cover di:
Main Theme From “Exodus”
compositore:
Ernest Gold
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
parte di:
Grammy Award: Song of the Year nominees (numero: 1961 winner)
parte di:
Exodus (1960 film soundtrack)
Ferrante and Teicher2:57
15Runaway
registrazione di:
Runaway
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon2:21
16Moon River
diritti fonografici (℗) detenuti da:
RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1961)
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Henry Mancini2:40
17Que Sera, Sera
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione di:
Que será, será (Whatever Will Be, Will Be)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Normie Rowe2:35
18Last Waltz
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrazione di:
The Last Waltz
autore:
Barry Mason (English songwriter) e Les Reed
editore:
Donna Music Ltd. (publisher) e J. Albert & Son
Engelbert Humperdinck3:00
19Pushbike Song
diritti fonografici (℗) detenuti da:
The Image Music Group Pty. Ltd. (nel 1996)
registrazione di:
The Pushbike Song
autore:
Idris Lloyd Jones (The Mixtures) e James Evan Jones (The Mixtures)
editore:
PolyGram Music Publishing e Universal Publishing
The Mixtures2:32
20Maggie May
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971)
registrazione di:
Maggie May
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart5:12
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Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1998)