Radio: Original Motion Picture Soundtrack

~ Pubblicazione di James Horner (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Eyes of the Heart (Radio’s song)
produttore:
“Big Jim” Wright for Flyte Tyme Fylms, Inc. (US producer, musician, singer and songwriter aka Big Jim), Jimmy Jam (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
registrazione di:
Eyes Of The Heart (Radio’s Song)
autore:
“Big Jim” Wright (US producer, musician, singer and songwriter aka Big Jim), James Horner (American score composer), India.Arie (Soul and R&B singer-songwriter and musician), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) e Obataiye Samuel (composer)
India.Arie4:42
2We Can Work It Out
registrazione di:
We Can Work It Out
paroliere e compositore:
John Lennon (The Beatles) (nel 1965) e Paul McCartney (The Beatles) (nel 1965)
editore:
EMI Blackwood Music Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
Stevie Wonder3:16
3That Lady, Pt. 1
registrazione di:
That Lady
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
versione di:
Who’s That Lady
The Isley Brothers3:13
4I’ll Be Around
registrazione di:
I’ll Be Around
compositore:
Thom Bell (keyboards, songwriter, producer) e Phil Hurtt
editore:
Mighty Three Music Ld. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:12
5If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:27
6Sha La La (Make Me Happy)
registrazione di:
Sha-La-La (Make Me Happy)
paroliere e compositore:
Al Green (US soul singer, songwriter, pastor and record producer)
Al Green2:57
7We’re an American Band
registrazione di:
We’re an American Band
paroliere e compositore:
Don Brewer (drummer for Grand Funk Railroad)
editore:
Brew Music Company
Grand Funk Railroad3:26
8China Grove
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood
registrazione di:
China Grove
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:15
9Wake Up Everybody (Part 1)
registrazione di:
Wake Up Everybody
autore:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden e John Whitehead
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:43
10The Rubberband Man
registrazione di:
The Rubberband Man
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:34
11Be Thankful for What You Got
produttore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974) e Frank Fioravanti (nel 1974)
arrangiatore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1974)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 374)
registrazione di:
Be Thankful for What You Got
paroliere e compositore:
William DeVaughn
editore:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:26
12Going in Circles
registrazione di:
Going in Circles (The Friends of Distinction)
paroliere e compositore:
Jerry Peters e Anita Porée
editore:
Porpete Music (BMI)
Friends of Distinction34:09
13Radio’s Day
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Radio's Day
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner featuring India.Arie4:19
14Gift of the Ball
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Gift of the Ball
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner1:45
15Learning the Ropes
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Learning the Ropes
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner1:53
16Being Left Behind
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Being Left Behind
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner2:40
17Resignation
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Resignation
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner4:41
18Never So Alone
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Never So Alone
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner featuring India.Arie7:12
19Night Game
tecnico di registrazione, produttore e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer) e Randy Kerber
registrazione di:
Night Game
supporto a vario titolo:
Julyce Monbleaux (music supervisor) (incarico: music scoring supervisor)
compositore:
James Horner (American score composer)
James Horner2:39
20Radio
registrazione di:
Radio
autore:
Chuck Brodsky
Chuck Brodsky4:08

Accreditamenti

Pubblicazione

tecnico di mastering:Gavin Lurssen (American mastering engineer)