Radio: Original Motion Picture Soundtrack

~ Release by James Horner (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Eyes of the Heart (Radio’s song)
producer:
“Big Jim” Wright for Flyte Tyme Fylms, Inc. (US producer, musician, singer and songwriter aka Big Jim), Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
recording of:
Eyes Of The Heart (Radio’s Song)
writer:
“Big Jim” Wright (US producer, musician, singer and songwriter aka Big Jim), James Horner (American score composer), India.Arie (Soul and R&B singer-songwriter and musician), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) and Obataiye Samuel (composer)
India.Arie4:42
2We Can Work It Out
recording of:
We Can Work It Out
lyricist and composer:
John Lennon (The Beatles) (in 1965) and Paul McCartney (The Beatles) (in 1965)
publisher:
EMI Blackwood Music Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Stevie Wonder3:16
3That Lady, Pt. 1
recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers3:13
4I’ll Be Around
recording of:
I’ll Be Around
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:12
5If You Don’t Know Me by Now
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
lead vocals:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:27
6Sha La La (Make Me Happy)
recording of:
Sha-La-La (Make Me Happy)
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
Al Green2:57
7We’re an American Band
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad3:26
8China Grove
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood
recording of:
China Grove
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:15
9Wake Up Everybody (Part 1)
recording of:
Wake Up Everybody
writer:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden and John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:43
10The Rubberband Man
recording of:
The Rubberband Man
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:34
11Be Thankful for What You Got
producer:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) and Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 374)
recording of:
Be Thankful for What You Got
lyricist and composer:
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:26
12Going in Circles
recording of:
Going in Circles (The Friends of Distinction)
lyricist and composer:
Jerry Peters and Anita Porée
publisher:
Porpete Music (BMI)
Friends of Distinction34:09
13Radio’s Day
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Radio's Day
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner featuring India.Arie4:19
14Gift of the Ball
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Gift of the Ball
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner1:45
15Learning the Ropes
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Learning the Ropes
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner1:53
16Being Left Behind
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Being Left Behind
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner2:40
17Resignation
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Resignation
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner4:41
18Never So Alone
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Never So Alone
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner featuring India.Arie7:12
19Night Game
recording engineer, producer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Lisa Jaime
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recording of:
Night Game
miscellaneous support:
Julyce Monbleaux (music supervisor) (task: music scoring supervisor)
composer:
James Horner (American score composer)
James Horner2:39
20Radio
recording of:
Radio
writer:
Chuck Brodsky
Chuck Brodsky4:08

Credits

Release

mastering:Gavin Lurssen (American mastering engineer)