Easy Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Keep Forgettin' (Every Time You're Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:42
2Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:32
3Reminiscing
recorded in:
Australien (in 1978-03)
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1978-03)
E-Gitarre:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
Gast-Hybrid-Piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
Saiteninstrumente:
Rick Formosa (in 1978-03)
Schlagzeug:
Derek Pellicci (in 1978-03)
Solo-Flügelhorn:
Bob Venier (brass) (in 1978-03)
Solo-Trompete:
Bill Harrower (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 17) und Billboard Year-End Hot 100 singles of 1978 (Nummer: 65)
recording of:
Reminiscing (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:15
4This Is It
assistierende(r) Techniker(in):
Michael Carnévale (engineer)
Techniker(in):
Steve Gersky (The Miami Kid)
Produzent(in):
Tom Dowd
Bassgitarre:
George Hawkins (folk/soft rock bassist)
Gitarre:
Mike Hamilton (US guitarist based in Laguna Beach, CA) und Kenny Loggins
Keyboard:
Brian Mann (keyboardist, accordionist, composer)
Klavier:
Michael McDonald (R&B & soul singer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) und Michael McDonald (R&B & soul singer)
Sologesang:
Kenny Loggins und Michael McDonald (R&B & soul singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood
recording of:
This Is It
Verfasser(in):
Kenny Loggins und Michael McDonald (R&B & soul singer)
publisher:
Snug Music (beendet), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:59
5I'd Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:40
6Time Passages
recording of:
Time Passages
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (in 1978) und Frabjous Music (in 1978)
Al Stewart4:40
7Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:10
8Into the Night
recording of:
Into the Night
sonstige Unterstützung:
Kinny Landrum, Bobby Messano und Barry Mraz
Verfasser(in):
Benny Mardones und Robert Tepper
publisher:
Papa Jack Publishing und Spirit Two Music Crescendo
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Benny Mardones4:25
9How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:25
10I Go Crazy
Produzent(in):
Phil Benton und Paul Davis (American singer)
vocals:
Paul Davis (American singer)
phonographisches Urheberrecht (℗) von:
Bang Records (Bert Berns label) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 12)
recording of:
I Go Crazy
Texter und Komponist(in):
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC und Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:55
11Never Gonna Let You Go
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1982)
recording of:
Never Gonna Let You Go
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
ATV Music Corp. (beendet), Dyad Music Ltd., Mann and Weil Songs, Inc., Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sergio Mendes4:18
12When You're in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:57
13Steal Away
Techniker(in):
Gary Brandt
Conga:
Miguel Rivera (percussionist)
Gitarre:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) und Brian Ray
Keyboard:
Rick Chudacoff und Bill Elliott (keyboardist/composer)
Marimba:
Alan Estes
Mundharmonika:
Robbie Dupree
Perkussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas und Miguel Rivera (percussionist)
Saxophon:
Jerry Peterson
Synthesizer:
Michael Boddicker und Bill Elliott (conductor, producer)
Hintergrundgesang:
Kal David, Bill LaBounty, Arno Lucas und Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 64)
recording of:
Steal Away
Texter:
Rick Chudacoff
Komponist(in):
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Robbie Dupree3:30
14Baby, What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland und Sound Labs, Inc. in Hollywood (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:06
15Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
publisher:
Dawnbreaker Music Co.
Seals & Crofts53:58
16Slow Hand
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:51
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