Easy Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1I Keep Forgettin' (Every Time You're Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
2Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.14:32
3Reminiscing
registrata a:
Australia (nel 1978-03)
prodotta a:
Australia
produttore:
John Boylan e Little River Band
archi :
Rick Formosa (nel 1978-03)
basso :
George McArdle (nel 1978-03)
batteria :
Derek Pellicci (nel 1978-03)
chitarra elettrica :
Beeb Birtles (nel 1978-03), David Briggs (producer, guitarist of Little River Band) (nel 1978-03) e Graham Goble (nel 1978-03)
flicorno soprano solista :
Bob Venier (brass) (nel 1978-03)
pianoforte elettrico ospite :
Peter Jones (Australian pianist/composer) (nel 1978-03)
tromba solista :
Bill Harrower (nel 1978-03)
voce:
Beeb Birtles (nel 1978-03), Graham Goble (nel 1978-03) e Glenn Shorrock (nel 1978-03)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978), EMI Music Australia Pty. Limited (not for release label use!) (nel 1978, nel 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 17) e Billboard Year-End Hot 100 singles of 1978 (numero: 65)
registrazione di:
Reminiscing (nel 1978-03)
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:15
4This Is It
assistente tecnico:
Michael Carnévale (engineer)
tecnico:
Steve Gersky (The Miami Kid)
produttore:
Tom Dowd
batteria :
Tris Imboden
chitarra :
Mike Hamilton (US guitarist based in Laguna Beach, CA) e Kenny Loggins
chitarra basso :
George Hawkins (folk/soft rock bassist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte :
Michael McDonald (R&B & soul singer)
tastiera :
Brian Mann (keyboardist, accordionist, composer)
voce di accompagnamento [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) e Michael McDonald (R&B & soul singer)
voce principale:
Kenny Loggins e Michael McDonald (R&B & soul singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
registrata presso:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood
registrazione di:
This Is It
autore:
Kenny Loggins e Michael McDonald (R&B & soul singer)
editore:
Snug Music (conclusa), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:59
5I'd Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:40
6Time Passages
registrazione di:
Time Passages
autore:
Al Stewart (UK folk singer/songwriter) e Peter White (smooth jazz/jazz fusion guitarist)
editore:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (nel 1978) e Frabjous Music (nel 1978)
Al Stewart4:40
7Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:10
8Into the Night
registrazione di:
Into the Night
supporto a vario titolo:
Kinny Landrum, Bobby Messano e Barry Mraz
autore:
Benny Mardones e Robert Tepper
editore:
Papa Jack Publishing e Spirit Two Music Crescendo
sub-editore:
フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Benny Mardones4:25
9How Long
produttore:
John Anthony (British producer and record executive)
diritti fonografici (℗) detenuti da:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (nel 1974) e Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2015)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 31) e The Downloader’s Music Source Book (numero: 121)
registrazione di:
How Long?
paroliere e compositore:
Paul Carrack
editore:
Anchor Music Ltd. e Minder Music Ltd.
Ace3.653:25
10I Go Crazy
produttore:
Phil Benton e Paul Davis (American singer)
voce:
Paul Davis (American singer)
diritti fonografici (℗) detenuti da:
Bang Records (Bert Berns label) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 12)
registrazione di:
I Go Crazy
paroliere e compositore:
Paul Davis (American singer)
editore:
Paul and Jonathan Songs, Sony/ATV Songs LLC e Web IV Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:55
11Never Gonna Let You Go
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1982)
registrazione di:
Never Gonna Let You Go
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
ATV Music Corp. (conclusa), Dyad Music Ltd., Mann and Weil Songs, Inc., Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sergio Mendes4:18
12When You're in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:57
13Steal Away
tecnico:
Gary Brandt
armonica (a bocca) :
Robbie Dupree
chitarra :
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) e Brian Ray
congas :
Miguel Rivera (percussionist)
marimba :
Alan Estes
percussione :
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas e Miguel Rivera (percussionist)
sassofono :
Jerry Peterson
sintetizzatore :
Michael Boddicker e Bill Elliott (conductor, producer)
tastiera :
Rick Chudacoff e Bill Elliott (keyboardist/composer)
voce di accompagnamento:
Kal David, Bill LaBounty, Arno Lucas e Michael McDonald (R&B & soul singer)
arrangiatore:
Bill Elliott (keyboardist/composer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 64)
registrazione di:
Steal Away
paroliere:
Rick Chudacoff
compositore:
Robbie Dupree
editore:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Robbie Dupree3:30
14Baby, What a Big Surprise
assistente tecnico di registrazione e tecnico di registrazione:
Armin Steiner (archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
chitarra acustica e basso :
James William Guercio (nel 1977)
voce di accompagnamento aggiuntiva:
Tim Cetera (nel 1977) e Carl Wilson (Beach Boys) (nel 1977)
orchestratore:
Peter Cetera, Dominic Frontiere e James William Guercio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977, nel 1978), Chicago Records Inc. (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2002, nel 2007)
registrata presso:
Caribou Ranch Recording Studio in Nederland e Sound Labs, Inc. in Hollywood (archi)
mixata presso:
Caribou Ranch Recording Studio in Nederland
registrazione di:
Baby, What a Big Surprise (nel 1977)
orchestratore:
Dominic Frontiere
paroliere e compositore:
Peter Cetera (nel 1977)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. e Universal Music Publishing MGB Ltd.
Chicago33:06
15Get Closer
tecnico:
Joe Bogan (Recording- and mixing engineer)
produttore:
Louie Shelton
voce di accompagnamento:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews e Carolyn Willis
voce di soprano solista:
Carolyn Willis
esecutore:
Seals & Crofts
arrangiatore archi :
David Paich
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Get Closer (nel 1976)
autore:
Dash Crofts e Jim Seals
editore:
Dawnbreaker Music Co.
Seals & Crofts53:58
16Slow Hand
registrazione di:
Slow Hand
paroliere:
John Bettis
compositore:
Michael Clark (songwriter, composer)
editore:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:51
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stampata a:Stati Uniti