A Midsummer Night’s Dream, op. 64

~ Veröffentlichung von Benjamin Britten; London Symphony Orchestra, Sir Colin Davis (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1A Midsummer Night’s Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck)
Produzent(in):
Ursula Singer
Chorgesang [Fairies]:
New London Children’s Choir (in 1995-12)
Diskantstimme [Cobweb (Fairy)]:
David Newman (treble) (in 1995-12)
Diskantstimme [Moth]:
Matthew Long (tenor) (in 1995-12)
Soprangesang [Mustardseed (Fairy)]:
Sara Rey (in 1995-12)
Soprangesang [Peaseblossom (Fairy)]:
Claudia Conway (in 1995-12)
Sprecher [Puck]:
Carl Ferguson (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:51
2A Midsummer Night’s Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania)
Produzent(in):
Ursula Singer
Chorgesang [Fairies]:
New London Children’s Choir (in 1995-12)
Countertenorgesang [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
Soprangesang [Tytania]:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:18
3A Midsummer Night’s Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck)
Produzent(in):
Ursula Singer
Countertenorgesang [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
Sprecher [Puck]:
Carl Ferguson (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:39
4A Midsummer Night’s Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia)
Produzent(in):
Ursula Singer
Mezzosoprangesang [Hermia]:
Ruby Philogene (mezzo-soprano) (in 1995-12)
Tenor-Gesang [Lysander]:
John Mark Ainsley (tenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:26
5A Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena)
Produzent(in):
Ursula Singer
Baritongesang:
Paul Whelan (NZ bass-baritone) (in 1995-12)
Countertenorgesang [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
Soprangesang:
Janice Watson (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:40
6A Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon)
Produzent(in):
Ursula Singer
Countertenorgesang [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon) (in 1995-12)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:45
7A Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics)
Produzent(in):
Ursula Singer
Baritongesang:
Neil Davies (bass-baritone) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
Bass-Gesang:
Gwynne Howell (operatic bass) (in 1995-12) und Stephen Richardson (British bass) (in 1995-12)
Tenor-Gesang:
Ian Bostridge (tenor) (in 1995-12) und Mark Tucker (tenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten6:35
8A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia)
Produzent(in):
Ursula Singer
Mezzosoprangesang:
Ruby Philogene (mezzo-soprano) (in 1995-12)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:21
9A Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
Produzent(in):
Ursula Singer
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:38
10A Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
Produzent(in):
Ursula Singer
Baritongesang:
Paul Whelan (NZ bass-baritone) (in 1995-12)
Mezzosoprangesang:
Ruby Philogene (mezzo-soprano) (in 1995-12)
Soprangesang:
Janice Watson (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:13
11A Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
Produzent(in):
Ursula Singer
Soprangesang:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:12
12A Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
Produzent(in):
Ursula Singer
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:21
13A Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
Produzent(in):
Ursula Singer
Countertenorgesang:
Brian Asawa (countertenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:35
14A Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood
Produzent(in):
Ursula Singer
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:21
15A Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
Produzent(in):
Ursula Singer
Baritongesang:
Neil Davies (bass-baritone) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
Bass-Gesang:
Gwynne Howell (operatic bass) (in 1995-12) und Stephen Richardson (British bass) (in 1995-12)
Tenor-Gesang:
Ian Bostridge (tenor) (in 1995-12) und Mark Tucker (tenor) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:48
16A Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
Produzent(in):
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
Soprangesang:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:11
17A Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
Produzent(in):
Ursula Singer
Soprangesang:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten1:34
18A Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
Produzent(in):
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
Soprangesang:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:09
19A Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania)
Produzent(in):
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
Soprangesang:
Sylvia McNair (soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:00
20A Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
Produzent(in):
Ursula Singer
Baritongesang:
Paul Whelan (NZ bass-baritone) (in 1995-12)
Countertenorgesang:
Brian Asawa (countertenor) (in 1995-12)
Mezzosoprangesang:
Ruby Philogene (mezzo-soprano) (in 1995-12)
Orchester:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
aufgenommen bei:
Barbican Centre: Barbican Hall in London (Greater London) (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
Teil von:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:49
2▶CD

Nennungen

Veröffentlichung

Produzent(in):Ursula Singer