Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Copy Control CD
2▼Copy Control CD
Nr.TitelKünstlerBewertungLänge
1(Just Like) Starting Over
Techniker(in):
Lee DeCarlo
Produzent(in):
Jack Douglas, John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Bassgitarre:
Tony Levin (US rock bassist/Chapman stick player)
E-Gitarre:
John Lennon (The Beatles), Hugh McCracken und Earl Slick
Keyboard:
George Small
Perkussion:
Arthur Jenkins
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer und Cassandra Wooten
Sologesang:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) und Calderstone Productions Limited (in 2016)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan (von 1980-09-25 bis 1980-09-26)
Musikvideos:
(Just Like) Starting Over von John Lennon (The Beatles)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 76)
recording of:
(Just Like) Starting Over
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:54
2Sorrow
Techniker(in):
Denis Blackeye (engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
arranger:
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC (in 1999)
aufgenommen bei:
Château d'Hérouville in Hérouville
cover recording of:
Sorrow
Verfasser(in) und Komponist(in):
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) und Richard Gottehrer (American songwriter and music executive)
publisher:
EMI Catalogue Partnership, EMI United Partnership Ltd. und Grand Canyon Music Inc.
David Bowie3.852:53
3The Boxer
recording engineer:
Ted Brosnan (am 1969-11-08)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-08)
Gitarre:
Fred Carter, Jr. (am 1969-11-08) und Paul Simon (of Simon & Garfunkel) (am 1969-11-08)
Keyboard:
Larry Knechtel (am 1969-11-08)
Saiteninstrumente:
Ernie Freeman (am 1969-11-08) und Jimmie Haskell (am 1969-11-08)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-08)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 105)
recording of:
The Boxer (am 1969-11-08)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music (in 1968)
Simon & Garfunkel4.155:08
4My Love
Assistent recording engineer:
Mark Vigars (engineer) (von 1973-01-25 bis 1973-01-27)
recording engineer:
Richard Lush (von 1973-01-25 bis 1973-01-27)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Mix:
Richard Lush (am 1973-01-27)
Bassgitarre:
Denny Laine (von 1973-01-25 bis 1973-01-27)
E-Gitarre:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (von 1973-01-25 bis 1973-01-27)
Hybrid-Piano und Sologesang:
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Schlagzeug:
Denny Seiwell (US drummer) (von 1973-01-25 bis 1973-01-27)
Hintergrundgesang:
Denny Laine (von 1973-01-25 bis 1973-01-27) und Linda McCartney (von 1973-01-25 bis 1973-01-27)
Orchestrator(in):
Richard Hewson
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993, in 2001) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993, in 2001)
aufgenommen bei:
Abbey Road Studios in St John's Wood (von 1973-01-25 bis 1973-01-26)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood (am 1973-01-27)
mixed at:
Abbey Road Studios in St John's Wood (am 1973-01-27)
recording of:
My Love (von 1973-01-25 bis 1973-01-27)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney and Wings3.94:08
5Nights in White Satin
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4:26
6You Took the Words Right Out of My Mouth
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf4:15
7Age of Reason
assistierende(r) Techniker(in):
Doug Roberts (Australian producer, studio technician and engineer)
Techniker(in):
Doug Brady (engineer)
Produzent(in):
Ross Fraser
Bass:
Wayne Nelson
Gitarre:
Brett Garsed
Keyboard und Solo-Klavier:
David Hirschfelder (Australian score composer)
Schlagzeug:
Angus Burchall
vocals:
Lindsay Field und Venetta Fields
phonographisches Urheberrecht (℗) von:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1988), BMG Australia Limited (not for release label use!) (in 1988) und Wheatley Records (label founded by Glenn Wheatley) (in 1988)
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne
recording of:
Age of Reason
Verfasser(in):
Todd Hunter (Todd Stuart Hunter of Dragon) und Johanna Pigott
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, J. Albert & Son Pty. Ltd. und SBK Songs (publisher)
John Farnham45:04
8You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:15
9Khe Sahn
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:06
10The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:28
11Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:43
12Friday on My Mind
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967) und United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
The Easybeats3.52:41
13Livin’ Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
aufgenommen bei:
De Lane Lea Studios in Soho (in 1976-07) und Musicland Studios (Munich) in München (in 1976-07)
mixed at:
Musicland Studios (Munich) in München
edited at:
Cherokee Studios in Hollywood
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.33:31
14Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:36
15Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:02
16Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.33:53
17Master Blaster (Jammin’)
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1976)
recording of:
Master Blaster (Jammin’)
Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und Jobete Music Co., Inc.
Stevie Wonder4.254:49
18The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:04

Nennungen

Veröffentlichung

lizensiert von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)