Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▼CD: Bach: St. Matthew Passion (Parts I & II beg.)
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Part One. 1. Chorus: "Kommt, ihr Töchter, helft mir klagen" / Chorale: “O Lamm Gottes, unschuldig”
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) and Ulrich Vette (engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
The English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:59
2St. Matthew Passion, BWV 244: Part One. Annointing in Bethany: 2. Recitative (Evangelist): "Da Jesus diese Rede vollendet hatte"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:36
3St. Matthew Passion, BWV 244: Part One. Annointing in Bethany: 3. Chorale: "Herzliebster Jesu, was hast du verbrochen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:38
4St. Matthew Passion, BWV 244: Part One. Annointing in Bethany: 4a. Recitative (Evangelist): "Da versammelten sich die Hohenpriester" / 4b. Chorus: "Ja nicht auf das Fest" / 4c. Recitative (Evangelist): "Da nun Jesus war zu Bethanien" / 4d. Chorus: "Wozu dienet dieser Unrat?" / 4e. Recitative (Evangelist, Jesus) "Da das Jesus merkete"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:52
5St. Matthew Passion, BWV 244: Part One. Annointing in Bethany: 5. Recitative (alto): "Du lieber Heiland du"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
6St. Matthew Passion, BWV 244: Part One. Annointing in Bethany: 6. Aria (alto): "Buß und Reu"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:14
7St. Matthew Passion, BWV 244: Part One. Judas's Betrayal: 7. Recitative (Evangelist, Judas): "Da ging hin der Zwölfen einer"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:35
8St. Matthew Passion, BWV 244: Part One. Judas's Betrayal: 8. Aria (soprano): "Blute nur, du liebes Herz"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:43
9St. Matthew Passion, BWV 244: Part One. The Last Supper: 9a. Recitative (Evangelist): "Aber am ersten Tage der süßen Brot" / 9b. Chorus: "Wo willst du, dass wir dir bereiten" / 9c. Recitative (Evangelist, Jesus): "Er sprach: Gehet hin in die Stadt" / 9d. Recitative (Evangelist): "Und sie wurden sehr betrübt" / 9e. Chorus: "Herr, ich bin's"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:54
10St. Matthew Passion, BWV 244: Part One. The Last Supper: 10. Chorale: "Ich bin's, ich sollte büßen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:43
11St. Matthew Passion, BWV 244: Part One. The Last Supper: 11. Recitative (Evangelist, Jesus, Judas): "Er antwortete und sprach"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:34
12St. Matthew Passion, BWV 244: Part One. The Last Supper: 12. Recitative (soprano): "Wiewohl mein Herz in Tränen schwimmt"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
13St. Matthew Passion, BWV 244: Part One. The Last Supper: 13. Aria (soprano): "Ich will dir mein Herze schenken"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:56
14St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 14. Recitative (Evangelist, Jesus): "Und da sie den Lobgesang gesprochen hatten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:53
15St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 15. Chorale: "Erkenne mich, mein Hüter"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:51
16St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 16. Recitative (Evangelist, Peter, Jesus): "Petrus aber antwortete und sprach zu ihm"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
baritone vocals [Peter]:
Olaf Bär (baritone) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
17St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 17. Chorale: "Ich will hier bei dir stehen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
18St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 18. Recitative (Evangelist, Jesus): "Da kam Jesus mit ihnen zu einen Hofe"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:28
19St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 19. Recitative (tenor): "O Schmerz! Hier zittert das gequälte Herz" / Chorale: “Was ist die Ursach' aller solcher Plagen”
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:58
20St. Matthew Passion, BWV 244: Part One. Jesus's Despair on the Mount of Olives: 20. Aria: "Ich will bei meinen Jesu wachen" / Chorus: “So schlafen unsre Sünden ein”
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:57
21St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 21. Recitative (Evangelist, Jesus): "Und ging hin ein wenig"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:38
22St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 22. Recitative (bass): "Der Heiland fällt vor seinem Vater nieder"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
23St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 23. Aria (bass): "Gerne will ich mich bequemen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:02
24St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 24. Recitative (Evangelist, Jesus): "Und er kam zu seinen Jüngern"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
25St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
26St. Matthew Passion, BWV 244: Part One. Prayer on the Mount of Olives: 26. Recitative (Evangelist, Jesus): "Und er kam und fand sie aber schlafend" / Recitative (Evangelist, Judas, Jesus): “Und als er noch redete”
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:26
27St. Matthew Passion, BWV 244: Part One. Arrest of Jesus. 27a. Aria (Duet: soprano, alto): "So ist mein Jesus nun gefangen" - Chorus: “Lasst ihn, haltet, bindet nicht” / 27b. Chorus: "Sind Blitze, sind Donner in Wolken verschwunden?"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:28
28St. Matthew Passion, BWV 244: Part One. Arrest of Jesus: 28. Recitative (Evangelist, Jesus): "Und siehe, einer aus denen, die mit Jesu waren"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:48
29St. Matthew Passion, BWV 244: Part One. Arrest of Jesus: 29. Chorale: "O Mensch, bewein dein Sünde groß"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:08
30St. Matthew Passion, BWV 244: Part Two. 30. Aria (alto): "Ach, nun ist mein Jesus hin!" / Chorus: “Wo ist denn dein Freund hingegangen”
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:30
31St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 31. Recitative (Evangelist): "Die aber Jesum gegriffen hatten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
32St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 32. Chorale: "Mir hat die Welt trüglich gericht'"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1988-04)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:39
33St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 33. Recitative (Evangelist, Witnesses I/II, High Priest): "Und wiewohl viel falsche Zeugen herzutraten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
countertenor vocals [First Witness]:
Michael Chance (British countertenor) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
tenor vocals [Second Witness]:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
34St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 34. Recitative (tenor): "Mein Jesus schweigt zu falschen Lügen stille"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:16
35St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 35. Aria (tenor): "Geduld! Wenn mich falsche Zungen stechen!"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:38
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]