| A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 2:41 | |
| A Midsummer Night's Dream: Act I. "How now, my love?" | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 4:33 | |
| A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 5:15 | |
| A Midsummer Night's Dream: Act I. "Through the forest have I gone" | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:45 | |
| A Midsummer Night's Dream: Act II. "Flower of this purple dye" | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 6:32 | |
| A Midsummer Night's Dream: Act II. "How now, mad spirit" | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 3:06 | |
| A Midsummer Night's Dream: Act II. "Puppet? why so?" | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | | | 3:05 | |
| A Midsummer Night's Dream: Act II. "Up & Down" | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 6:02 | |
| A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 4:46 | |
| A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:20 | |
| A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Robert Tear, Josephine Veasey, Peter Pears, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 1:10 | |
| A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Keith Raggett, Peter Pears, John Shirley‐Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:50 | |
| A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 0:46 | |
| A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 7:24 | |
| Adriana Lecouvreur: Atto II. “L’anim ho stanca” | Plácido Domingo, Josephine Veasey, Teresa Żylis‐Gara, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | | | 1:57 | |
| Beatrice di Tenda, Atto I, scena 4. "Ah! tal onta io meritai..." (Beatrice, Agnese) | John McCarthy, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 8:00 | |
| Beatrice di Tenda: Atto I, scena 2. "Sì: rivale... rivale regnante" (Agnese, Orombello) | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 6:58 | |
| Beatrice di Tenda: Atto I, scena 2. "Silenzio e notte intorno" (Agnese, Orombello) | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 5:00 | |
| Beatrice di Tenda: Atto I. "Ah! non pensar che pieno" (Agnese, Filippo) | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 9:24 | |
| Beatrice di Tenda: Atto II, scena 1. "[Oh, troppo a mie preghiere sordo...]" (Anichino, Agnese) | Josephine Veasey, Joseph Ward, London Symphony Orchestra, Richard Bonynge | | | 6:49 | |
| Beatrice di Tenda: Atto II, scena 1. "Filippo!... Tu! ti appressa" (Agnese, Filippo) | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | | | 2:08 | |
| Das Rheingold: »Wotan, Gemahl, erwache!« (2. Szene; Fricka, Wotan) | Dietrich Fischer‐Dieskau, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | | | 3:41 | |
| Das Rheingold: Szene IV. „So grüß’ ich die Burg“ (Wotan, Fricka, Loge) | Dietrich Fischer‐Dieskau, Josephine Veasey, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | | | 2:06 | |
| Die Zauberflöte, KV 620: Erster Akt: Nr. 8 Finale „Zum Ziele führt Dich diese Bahn“ | Franz Crass, Nicolai Gedda, Agnes Giebel, Philharmonia Chorus, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | | | ?:?? | |
| Die Zauberflöte, KV 620: Zweiter Akt: Nr. 16 Terzett „Seid uns zum zweiten Mal willkommen“ | Agnes Giebel, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | | | ?:?? | |
| Die Zauberflöte, KV 620: Zweiter Akt: Nr. 21 Finale „Bald prangt, den Morgen zu verkünden“ | Agnes Giebel, Gundula Janowitz, Anna Reynolds, Josephine Veasey, Berliner Philharmoniker, Sir Thomas Beecham | | | ?:?? | |
| La Damnation de Faust: D'amour l'ardente flamme | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 8:39 | |
| La Damnation de Faust: Merci, doux crépuscule! | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 4:49 | |
| La Damnation de Faust: Part III, scène 10. « Autrefois un roi de Thulé » | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 5:39 | |
| La Damnation de Faust: Part III, scène 10. « Que l’air est étouffant ! » | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 3:11 | |
| La Damnation de Faust: Part III, scène 13. « Grands Dieux ! » / « Ange adoré ! » | Nicolai Gedda, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 5:45 | |
| La Damnation de Faust: Part III, scène 14. « Allons, il est trop tard ! » / « Je connais donc enfin » | Ambrosian Singers, Jules Bastin, Nicolai Gedda, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 4:39 | |
| La Damnation de Faust: Part IV, scène 15. « Au son des trompettes » | Ambrosian Singers, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 2:20 | |
| La Damnation de Faust: Part IV, scène 15. « D’amour l’ardente flamme » | Ambrosian Singers, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 8:37 | |
| Les nuits d'été Op. 7: Le spectre de la rose | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 7:09 | |
| Les nuits d'été, op. 7: Le spectre de la rose | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | | | 7:26 | |
| Les Troyens, Nr. 48: "Adieu fière cité" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:30 | |
| Les Troyens: Act III: No. 26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:08 | |
| Les Troyens: Act V: No. 48 Air: "Adieu, fière cité" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:32 | |
| Loriot; Das Rheingold: »Folge mir, Frau! In Walhall wohne mit mir.« (4. Szene; Wotan, Fricka); Loriot | Dietrich Fischer‐Dieskau, Loriot, Josephine Veasey, Berliner Philharmoniker, Herbert von Karajan | | | 2:16 | |
| Messa da requiem: I - Requiem. Requiem aeternam | Martina Arroyo, Plácido Domingo, London Symphony Chorus, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 10:40 | |
| Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 10:42 | |
| Messa da requiem: II - Dies irae. Lacrimosa | Martina Arroyo, Plácido Domingo, London Symphony Chorus, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 7:09 | |
| Messa da requiem: II - Dies irae. Liber scriptus | London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 5:09 | |
| Messa da requiem: II - Dies irae. Quid sum miser | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 4:01 | |
| Messa da requiem: II - Dies irae. Recordare | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 4:34 | |
| Messa da requiem: II - Dies irae. Rex tremendae | Martina Arroyo, Plácido Domingo, London Symphony Chorus, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 4:09 | |
| Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 7:04 | |
| Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 5:08 | |
| Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | Martina Arroyo, Josephine Veasey, Plácido Domingo, London Symphony Orchestra, Leonard Bernstein | | | 4:00 | |
| Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 4:34 | |
| Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 4:05 | |
| Messa da requiem: III - Offertorio. Domaine Jesu Christie | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 5:11 | |
| Messa da requiem: III - Offertorio. Hostias et preces | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 6:33 | |
| Messa da Requiem: III. Offertorio (solistes) | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 11:44 | |
| Messa da requiem: V - Agnus Dei | Martina Arroyo, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 5:56 | |
| Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | Martina Arroyo, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | | | 5:55 | |
| Messa da requiem: VI - Lux aeterna | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 6:36 | |
| Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | | | 6:35 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 18:52 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 18:16 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 9:49 | |
| Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 16:25 | |
| Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | Guus Hœkman, Camille Maurane, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 5:16 | |
| Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) | Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 2:53 | |
| Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) | Camille Maurane, Erna Spoorenberg, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | | | 8:11 | |
| Requiem in Re minore K 626: Benedictus | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:50 | |
| Requiem in Re minore K 626: Domine Jesu | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:08 | |
| Requiem in Re minore K 626: Recordare | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 5:58 | |
| Requiem in Re minore K 626: Tuba mirum | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | | | 4:02 | |
| Salome, Op. 54: „Ich will nicht bleiben” | Birgit Nilsson, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | | | 1:47 | |
| Salome, Op. 54: „Jauchze nicht, du Land Palästina” | Heinz Holecek, Zenon Kosnowski, Birgit Nilsson, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | | | 2:21 | |
| Salome, Op. 54: „Nach mir wird Einer kommen” | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Theodor Kirschbichler, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | | | 2:36 | |
| Salome, Op. 54: „Wie schön ist die Prinzessin Salome heute Nacht!” | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | | | 2:50 | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai – Recitativo: “O Freunde, nicht diese Töne” – Allegro assai – Allegro assai vivace. Alla marcia – Andante maestoso – Allegro energico, sempre ben marcato | Plácido Domingo, Sherrill Milnes, New England Conservatory Chorus, Josephine Veasey, Boston Symphony Orchestra, Erich Leinsdorf | | | 23:34 | |