| A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia) | | - City of London Sinfonia, Richard Hickox
- London Symphony Orchestra, Sir Colin Davis
- Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
- The English Opera Group Orchestra, Benjamin Britten
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| A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics) | | - City of London Sinfonia, Richard Hickox
- London Symphony Orchestra, Sir Colin Davis
- Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
- The English Opera Group Orchestra, Benjamin Britten
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| A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall) | | | | | | | | |
| A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) | | - City of London Sinfonia, Richard Hickox
- London Symphony Orchestra, Sir Colin Davis
- John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
- The English Opera Group Orchestra, Benjamin Britten
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| A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion) | | - City of London Sinfonia, Richard Hickox
- London Symphony Orchestra, Sir Colin Davis
- Keith Raggett, Peter Pears, John Shirley‐Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
- The English Opera Group Orchestra, Benjamin Britten
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| A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion) | | | | | | | | |
| Adriana Lecouvreur: Atto II. “L’anima ho stanca” (Maurizio, La principessa) | | | | | Aria | | | |
| Das Rheingold: Scene II | | | | | | | | |
| Das Rheingold: Scene IV | | | | | | | | |
| Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) | | - Wiener Philharmoniker, Wilhelm Furtwängler
- Berliner Philharmoniker, Sir Thomas Beecham
- Staatskapelle Dresden, Sir Colin Davis
- Kim Borg, Margot Guilleaume, Maria Reith, Diana Eustrati, Ernst Haefliger, Howard Vandenburg, Wilhelm Borchert, Siegmar Schneider, Berlin Motet Choir, RIAS Kammerchor, RIAS Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 43 more)
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| Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) | | | | | | | | |
| Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) | | | | | | | | |
| La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) | | | | | | | | |
| La Damnation de Faust : Troisième Partie : Scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust) | | | | | Aria | | | |
| La Damnation de Faust : Troisième Partie : Scène 11. « Que l’air est étouffant ! » (Marguerite) | | | | | Aria | | | |
| La Damnation de Faust : Troisième Partie : Scène 11. Le Roi de Thulé (Chanson gothique) « Autrefois un roi de Thulé » (Marguerite) | | | | | Aria | | | |
| La Damnation de Faust : Troisième Partie : Scène 13. Final: Duo « Grand Dieu ! Que vois‐je ? » … « Ange adoré » (Marguerite, Faust) | | | | | | | | |
| La Damnation de Faust : Troisième Partie : Scène 14. Final: Trio et chœur « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur) | | | | | | | | |
| Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose | | | | | Song | | | |
| Les Troyens : Acte III, no. 26. Marche troyenne dans le mode triste … « J’éprouve une soudaine et vive impatience » (Didon) | | | | | | | | |
| Les Troyens : Acte V, no. 48. Air « Adieu, fière cité » (Didon) | | | | | | | | |
| Messa da requiem: I. Requiem aeternam – Kyrie (quartetto solista, coro) | | - [unknown]
- Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Maria Stader, Oralia Dominguez, Gabor Carelli, Ivan Sardi, Chor der St.‐Hedwigs‐Kathedrale, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- New York Philharmonic, Musica Sacra, Zubin Mehta
- (show 64 more)
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| Messa da requiem: Ia. Requiem: Requiem aeternam | | - Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- [unknown]
- NBC Symphony Orchestra, Arturo Toscanini
- Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Yannick Nézet‐Séguin
- (show 30 more)
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| Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) | | - Marianna Radev, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Oralia Dominguez, Chor der St.‐Hedwigs‐Kathedrale, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 81 more)
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| Messa da requiem: IIe. Dies irae: Quid sum miser (soprano, mezzo-soprano, tenore) | | - Maria Stader, Marianna Radev, Helmut Krebs, RIAS‐Symphonie‐Orchester Berlin,Ferenc Fricsay
- Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Maria Stader, Oralia Dominguez, Gabor Carelli, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 76 more)
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| Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- NBC Symphony Orchestra, Arturo Toscanini
- Maria Stader, Oralia Dominguez, Gabor Carelli, Ivan Sardi, Chor der St.‐Hedwigs‐Kathedrale, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 79 more)
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| Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano) | | - Maria Stader, Marianna Radev, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Marilyn Horne, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti
- Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- [unknown]
- (show 78 more)
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| Messa da requiem: III. Offertorio (quartetto solista) | | - Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Maria Stader, Oralia Dominguez, Gabor Carelli, Ivan Sardi, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- New York Philharmonic, Musica Sacra, Zubin Mehta
- Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
- (show 42 more)
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| Messa da requiem: IIIa. Offertorio: Domine Jesu Christe | | - Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Carlo Colombara, Carmen Giannattasio, Veronica Simeoni, Alexander Timchenko, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov
- Michelle DeYoung, Eric Owens, Matthew Polenzani, Ailyn Pérez, Metropolitan Opera Orchestra, Yannick Nézet‐Séguin
- (show 48 more)
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| Messa da requiem: IIIb. Offertorio: Hostias | | - Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Coro del Teatro alla Scala di Milano, Luciano Pavarotti, Samuel Ramey, Cheryl Studer, Dolora Zajick, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- Carlo Colombara, Carmen Giannattasio, Veronica Simeoni, Alexander Timchenko, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov
- (show 44 more)
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| Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) | | - [unknown]
- Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Coro del Teatro alla Scala di Milano, Plácido Domingo, Nicolaï Ghiaurov, Katia Ricciarelli, Shirley Verrett, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- (show 86 more)
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| Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) | | - [unknown]
- Maria Stader, Marianna Radev, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- (show 91 more)
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| Messa da requiem: VI. Lux aeterna (mezzo-soprano, tenor, bass) | | | | | | | | |
| Missa Solemnis D‐Dur, op. 123: I. Kyrie | | | | | | | | |
| Missa Solemnis D‐Dur, op. 123: II. Gloria | | - Berliner Philharmoniker, Herbert von Karajan
- Chicago Symphony Orchestra, Daniel Barenboim
- Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis
- (show 53 more)
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| Missa Solemnis D‐Dur, op. 123: III. Credo | | - Berliner Philharmoniker, Herbert von Karajan
- Chicago Symphony Orchestra, Daniel Barenboim
- Kim Borg, Eileen Farrell, Richard Lewis, Carol Smith, Westminster Choir, New York Philharmonic, Leonard Bernstein
- Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- (show 44 more)
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| Missa Solemnis D‐Dur, op. 123: IV. Sanctus | | - Berliner Philharmoniker, Herbert von Karajan
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Robert Shaw, The Cleveland Orchestra Chorus, Saramae Endich, Ezio Flagello, Ernst Haefliger, Florence Kopleff, The Cleveland Orchestra, George Szell
- William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner
- (show 54 more)
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| Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève) | | | | | | | | |
| Pelléas et Mélisande: Act I, Scene III. "Il fait sombre dans les jardins" (Mélisande, Geneviève, Pelléas) | | | | | | | | |
| Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | | | | | | | | |
| Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- (show 79 more)
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| Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 81 more)
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| Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Elisabeth Grümmer, Gertrude Pitzinger, Helmut Krebs, Hans Hotter, RIAS-Kammerchor, Chor der St. Hedwigs-Kathedrale, Ferenc Fricsay
- Karita Mattila, Sara Mingardo, Radiokören, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- (show 82 more)
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| Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Radiokören, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 83 more)
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| Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) | | - Metropolitan Opera Orchestra, Dimitri Mitropoulos
- DR SymfoniOrkestret, Michael Schønwandt
- Bryn Terfel, Frode Olsen, Georg Paucker, Walter Zeh, Wiener Philharmoniker, Christoph von Dohnányi
- Jürgen Commichau, Matthias Henneberg, Richard Leech, Annette Markert, James Morris, Rolf Tomaszewski, Staatskapelle Dresden, Seiji Ozawa
- (show 7 more)
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| Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) | | | | | | | | |
| Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) | | | | | | | | |
| Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) | | - DR SymfoniOrkestret, Michael Schønwandt
- Bryn Terfel, Catherine Malfitano, Georg Paucker, Frode Olsen, Randi Stene, Wiener Philharmoniker, Christoph von Dohnányi
- Richard Leech, Annette Markert, James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa
- Hans Braun, Hans Hopf, Adolf Keil, Benno Kusche, Hertha Töpper, Astrid Varnay, Symphonieorchester des Bayerischen Rundfunks, Hermann Weigert
- (show 6 more)
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| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | | |
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