Broadway: The Music of Richard Rodgers (club edition)

~ Release by Julie Andrews (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1The Sound of Music
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
The Sound of Music (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) and Williamson Music Company
part of:
The Sound of Music (Rodgers & Hammerstein musical)
5:09
2I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
4:38
3I Wish I Were in Love Again
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
3:34
4Where or When
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
5:09
5A Waltz Carousel
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Waltz Carousel (medley)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Stephen Sondheim
composer:
Richard Rodgers (composer)
medley of:
The Carousel Waltz (Carousel)
medley of:
It’s a Grand Night for Singing (State Fair)
medley of:
I’m in Love With a Wonderful Guy (South Pacific)
medley of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
medley of:
This Nearly Was Mine (South Pacific)
medley of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
medley of:
Out of My Dreams
medley including a recording of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
lyricist:
Stephen Sondheim
composer:
Richard Rodgers (composer)
part of:
Do I Hear a Waltz? (Rodgers/Sondheim musical)
medley including a recording of:
I’m in Love With a Wonderful Guy (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
medley including a recording of:
It’s a Grand Night for Singing (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Out of My Dreams
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
The Carousel Waltz (Carousel)
composer:
Richard Rodgers (composer)
part of:
Carousel (Rodgers & Hammerstein musical)
medley including a recording of:
This Nearly Was Mine (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
15:00
6Nobody Told Me
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Nobody Told Me
lyricist and composer:
Richard Rodgers (composer)
4:12
7This Can't Be Love / Thou Swell
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bob Florence
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
medley including a recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:34
8My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger and orchestrator:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:34
9It Never Entered My Mind / Spring Is Here
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:39
10Bewitched
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:59
11If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
4:01
12Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:54
13A Cock-Eyed Optimist
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Cockeyed Optimist (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:29

Credits

Release

manufactured in:U.S.A.
printed in:U.S.A.