Broadway: The Music of Richard Rodgers (club edition)

~ Veröffentlichung von Julie Andrews (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Sound of Music
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Angela Morley
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
The Sound of Music (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) und Williamson Music Company
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
5:09
2I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Eddie Karam
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
I Have Dreamed (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The King and I (Rodgers & Hammerstein musical)
4:38
3I Wish I Were in Love Again
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bill Byers
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
cover recording of:
I Wish I Were in Love Again
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
3:34
4Where or When
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bill Byers
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
5:09
5A Waltz Carousel
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bill Byers
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
A Waltz Carousel (medley)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Stephen Sondheim
Komponist(in):
Richard Rodgers (composer)
Medley von:
The Carousel Waltz (Carousel)
Medley von:
It’s a Grand Night for Singing (State Fair)
Medley von:
I’m in Love With a Wonderful Guy (South Pacific)
Medley von:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Medley von:
This Nearly Was Mine (South Pacific)
Medley von:
Do I Hear a Waltz? (Do I Hear a Waltz?)
Medley von:
Out of My Dreams
medley including a recording of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
Texter:
Stephen Sondheim
Komponist(in):
Richard Rodgers (composer)
Teil von:
Do I Hear a Waltz? (Rodgers/Sondheim musical)
medley including a recording of:
I’m in Love With a Wonderful Guy (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
medley including a recording of:
It’s a Grand Night for Singing (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
medley including a recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Out of My Dreams
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
The Carousel Waltz (Carousel)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Carousel (Rodgers & Hammerstein musical)
medley including a recording of:
This Nearly Was Mine (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
15:00
6Nobody Told Me
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Eddie Karam
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
Nobody Told Me
Texter und Komponist(in):
Richard Rodgers (composer)
4:12
7This Can't Be Love / Thou Swell
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bob Florence
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
medley including a recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
medley including a recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:34
8My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger und Orchestrator(in):
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:34
9It Never Entered My Mind / Spring Is Here
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bill Byers
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
medley including a recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
4:39
10Bewitched
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Eddie Karam
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
4:59
11If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Angela Morley
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
cover recording of:
If I Loved You (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
recording of:
If I Loved You (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
4:01
12Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Angela Morley
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
Edelweiss (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music Ltd.
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
3:54
13A Cock-Eyed Optimist
recording engineer:
Dick Lewzey (in 1994-03) und Rick Winquest (in 1994-05)
assistierende(r) Techniker(in):
Toby Wood (in 1994-03) und Dan Thompson (sound engineer) (in 1994-05)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn und Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
Orchester:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
Orchestrator(in):
Bill Byers
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
CTS Studios in Wembley (in 1994-03) und Group IV Studios in Hollywood (in 1994-05)
mixed at und edited at:
Sync Sound in New York, New York, Vereinigte Staaten
recording of:
A Cockeyed Optimist (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
4:29

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Veröffentlichung

hergestellt in:U.S.A.
gedruckt in:U.S.A.