The Heart of Chicago 1967–1998, Volume 2

~ Release by Chicago (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Dialogue (Part 1 & 2)
producer:
James William Guercio
recording of:
Dialogue
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
Chicago7:12
2Old Days
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Peter Cetera (in 1975)
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1974-09)
recording of:
Old Days (in 1974-09)
writer:
James Pankow (in 1975)
publisher:
Big Elk Music and Make Me Smile Music
Chicago3.53:31
3All Roads Lead to You
assistant engineer:
Eric Ferguson
engineer:
Ed Thacker
producer:
Roy Bittan
recorded at and mixed at:
A&M Studios in Hollywood
recording of:
All Roads Lead to You
writer:
Marc Beeson and Desmond Child
publisher:
Desmobile Music Co. and EMI April Music Inc.
Chicago4:20
4Love Me Tomorrow
producer:
David Foster (Canadian music producer, arranger and composer)
recording of:
Love Me Tomorrow
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. and Rondor Music (London) Ltd.
Chicago5:00
5Baby, What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland and Sound Labs, Inc. in Hollywood (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:06
6You’re Not Alone
assistant engineer:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
You’re Not Alone (in 1988)
writer:
Jimmy Scott (British born songwriter) (in 1988)
publisher:
EMI Virgin Music, Inc.
Chicago3:57
7What Kind of Man Would I Be
engineer:
Daren Chadwick, Gary McGachan and Chas Sandford
producer:
Chas Sandford
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Jason Scheff
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
What Kind of Man Would I Be? (in 1988)
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) and Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Chicago4:19
8No Tell Lover
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Warner Strategic Marketing (in 2003)
recording of:
No Tell Lover (from 1978-05 until 1978-06)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
recording of:
No Tell Lover (in 1978)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
Chicago33:50
9Show Me a Sign
producer:
Roy Bittan
recording of:
Show Me a Sign
writer:
Greg O’Connor (songwriter/record producer) and James Pankow
publisher:
Music By Greg and Sarajon Songs
Chicago3:38
10(I’ve Been) Searchin’ So Long
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
(I’ve Been) Searchin’ So Long (from 1973-08 until 1973-12)
lyricist and composer:
James Pankow (in 1973)
publisher:
Big Elk Music and Make Me Smile Music
Chicago54:30
11Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Sound Labs, Inc. in Hollywood and Caribou Ranch Recording Studio in Nederland (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
Chicago4:03
12I Don’t Wanna Live Without Your Love
assistant engineer:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
writer:
Albert Hammond (in 1988) and Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs and WB Music Corp. (1929–2019)
Chicago3:58
13Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:14
14Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago43:47
15I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago Transit Authority7:40
1625 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 61)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
Chicago4:49

Credits

Release

manufactured in:United States