Trio 64

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Little Lulu
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Little Lulu (am 1963-12-18)
Verfasser(in):
Buddy Kaye, Sidney Lippman (American songwriter) und Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:52
2A Sleepin’ Bee
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (am 1963-12-18)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
5:30
3Always
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
4:03
4Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Santa Claus Is Coming to Town (am 1963-12-18)
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Santa Claus Is Coming to Town
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:25
5I’ll See You Again
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (am 1963-12-18)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
3:57
6For Heaven’s Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass und Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:26
7Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Dancing in the Dark (am 1963-12-18)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
4:36
8Everything Happens to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
instrumental recording of:
Everything Happens to Me (am 1963-12-18)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:52
9Little Lulu (alternate take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
cover recording of:
Little Lulu (am 1963-12-18)
Verfasser(in):
Buddy Kaye, Sidney Lippman (American songwriter) und Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:39
10Little Lulu (alternate take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
cover recording of:
Little Lulu (vom 1963-12-18 bis heute)
Verfasser(in):
Buddy Kaye, Sidney Lippman (American songwriter) und Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:07
11Always (alternate take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
4:18
12I’ll See You Again (alternate take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet) (am 1963-12-18)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
4:30
13My Heart Stood Still
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass und Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
instrumental recording of:
My Heart Stood Still (am 1963-12-18)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
instrumental cover recording of:
My Heart Stood Still (am 1963-12-18)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
4:47
14Always (alternate take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
0:44
15I’ll See You Again (alternate take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet) (am 1963-12-18)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
0:22
16My Heart Stood Still (false start)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
teilweise instrumental recording of:
My Heart Stood Still (am 1963-12-18)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
1:04

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Veröffentlichung

gedruckt in:Vereinigte Staaten