Trio 64

~ Release by Bill Evans (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleRatingLength
1Little Lulu
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:52
2A Sleepin’ Bee
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1963-12-18)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
5:30
3Always
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
4:03
4Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
Santa Claus Is Coming to Town (on 1963-12-18)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:25
5I’ll See You Again
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
3:57
6For Heaven’s Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:26
7Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village (on 1963-12-18)
instrumental cover recording of:
Dancing in the Dark (on 1963-12-18)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
4:36
8Everything Happens to Me
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental recording of:
Everything Happens to Me (on 1963-12-18)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:52
9Little Lulu (alternate take 1)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:39
10Little Lulu (alternate take 2)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Little Lulu (from 1963-12-18 to present)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:07
11Always (alternate take 1)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
4:18
12I’ll See You Again (alternate take 1)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
4:30
13My Heart Stood Still
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
instrumental cover recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
4:47
14Always (alternate take 2)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
0:44
15I’ll See You Again (alternate take 2)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
0:22
16My Heart Stood Still (false start)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
partial instrumental recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
1:04

Credits

Release

printed in:United States